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Atribuição | | Maneiras |
Técnica | | Oleo, Tela |
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Dados do leilão | | |
| | Manner of Gaspard Adriaansz. Van Wittel, called Vanvitelli The Ponte Rotto, (...) |
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Portrait of a gentleman, seated three-quarter-length in ascarlet coat with gold embroidery, at a table with a letter and aninkwell and pen |
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Atribuição | | Círculo |
Técnica | | Oleo, Tela |
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Dados do leilão | | |
| | Circle of GIUSEPPE BONITO (Castellamare di Stabia 1707-1789Naples) Portrait of (...) |
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Figures resting by a pool a fortified town beyond |
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Atribuição | | Aluna |
Técnica | | Oleo, Tela |
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Dados do leilão | | |
| | Italian school, 18th century Figures resting by a pool a fortified town beyond (...) |
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A Mediterranean coastline with fisherfolk before a ruinedtower |
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Atribuição | | Círculo |
Técnica | | Oleo, Tela |
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Dados do leilão | | |
| | Circle of Francesco Fidanza (Rome 1747-1819 Milan) A Mediterranean coastline (...) |
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Portrait of a lady, bust length in a white dress with a scarletwrap, in a feigned oval |
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Atribuição | | Aluna |
Técnica | | Oleo, Tela |
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Dados do leilão | | |
| | French School, 19th century Portrait of a lady, bust length in a white dress (...) |
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