Figure of the Third Changkya Hutuktu, Rolpai Dorje |
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Atribución | | Anónimo |
Tecnica | | Escultura |
| | USD 3.000 - USD 5.000 (EUR 2.660 - EUR 4.433) |
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Datos de la subasta | | |
| | A gilt copper alloy figure of the Third Changkya Hutuktu, Rolpai Dorje Qianlong period Identified by his distinctive portrait featuring a congenital bump on his lower right cheek, the imperial preceptor of the Qianlong court presented with the (...) |
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Atribución | | Anónimo |
Tecnica | | Escultura |
| | USD 3.000 - USD 5.000 (EUR 2.660 - EUR 4.433) |
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Datos de la subasta | | |
| | A gilt copper alloy figure of Buddha Qing dynasty, 18th/19th century Possibly depicting Dipankara, one of the Buddhas of the past, as suggested his hands held in dharmacakra mudra as he sits in the posture of mediation, his robe bordered with incised (...) |
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Atribución | | Anónimo |
Tecnica | | Escultura |
| | USD 3.000 - USD 5.000 (EUR 2.660 - EUR 4.433) |
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Datos de la subasta | | |
| | A copper alloy figure of Avalokitesvara Qing dynasty, Pala Revival, 18th/19th century Depicted seated in the lalitasana posture of royal ease, coiffed in a high chignon adjacent to a small lotus blooming above his left shoulder, areas of his chest (...) |
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Atribución | | Anónimo |
Tecnica | | Escultura |
| | USD 15.000 - USD 25.000 (EUR 13.300 - EUR 22.167) |
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Datos de la subasta | | |
| | A large gilt copper alloy figure of a bodhisattva Qianlong period Attired in elaborately rendered princely garb adorned by numerous inlaid cabochons of malachite, coral, carnelian and turquoise, holding his left hand in the vitarka gesture of discourse (...) |
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figure of Manjushri riding a lion |
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Atribución | | Anónimo |
Tecnica | | Escultura |
| | USD 10.000 - USD 12.000 (EUR 8.867 - EUR 10.640) |
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| | USD 156.250 (EUR 138.544) |
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Datos de la subasta | | |
| | A gilt copper alloy figure of Manjushri riding a lion Qing dynasty, 18th century The Bodhisattva of Wisdom identified by the sword raised on his left shoulder, seated in the lalitasana posture of royal ease atop a lotus-form plinth fitted onto the (...) |
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