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Thomas Waterman Wood

United States (18231903 ) - Artworks Wikipedia® - Thomas Waterman Wood
WOOD Thomas Waterman For Thanksgiving Day

Sotheby's /Oct 2, 2014
14,835.69 - 22,253.54
16,690.50

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Along with Thomas Waterman Wood, our clients also searched for the following authors:
Eugene Benson, Eduard Hildebrandt, Robert Gwelo Goodman, Alfredo H. Helsby, Dan W. Smith, Tristram James Ellis, Thomas Jacques Somerscales
Artworks in Arcadja
29

Some works of Thomas Waterman Wood

Extracted between 29 works in the catalog of Arcadja
Thomas Waterman Wood - A Critical Moment

Thomas Waterman Wood - A Critical Moment

Original
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Lot number: 71
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Description:
Thomas Waterman Wood 1823 - 1903 A CRITICAL MOMENT The present work refers to another painting of the same theme by the artist, Fresh Eggs, from 1881. When that work was shown at the Inter-States Exhibition in Chicago in the same year, it drew the attention of Daniel L. Wells, a successful Milwaukee businessman and art collector who commissioned Wood to paint another version of it for his collection. He did not want an exact copy, so Wood made a few changes, among them altering the viewing angle and the stance of the young girl who, in this case, is facing us rather than facing away. The young models are the same. The boy's identity is unclear, as Wood does not mention his name in his diary. The girl is Jennie Durkin, whom Wood had portrayed before and is easily identifiable from the distinctive bangs in her hair. We thank Paul Worman for his assistance in the cataloguing of this lot. signed T.W. Wood and 1882 (lower left) oil on canvas 30 by 20 inches (76.1 by 50.8 cm) Read Condition Report Read Condition Report Register or Log-in to view condition report Saleroom Notice Authentication This work will be included in the forthcoming catalogue raisonné being prepared by Paul Worman for the T.W. Wood Art Gallery in Montepellier, Vermont. Provenance Daniel L. Wells, Milwaukee (acquired directly from the artist) Bradley King Criley, Los Angeles Exhibited Milwaukee, The Second International Exhibition of Art and Industry of the Milwaukee Industrial Exposition Association, 1882 (probably) Los Angeles County Museum of Art, American Narrative Painting, October 1 - November 17, 1974
Thomas Waterman Wood - The Kitten

Thomas Waterman Wood - The Kitten

Original
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Lot number: 77
Other WORKS AT AUCTION
Description:
Description: THOMAS WATERMAN WOOD American (1823-1903) The Kitten oil on canvas, signed lower center. 20 x 16 Provenance: E. E. Dorman; Private collection, Plainfield, New Hampshire. Condition Report: Canvas: Unlined Condition: Excellent/Very Good Restoration: Very Minor Frame: Original Comments: marginal shadow box frame.
Thomas Waterman Wood - A Train Of Thought

Thomas Waterman Wood - A Train Of Thought

Original -
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Lot number: 32
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Description:
Description: Thomas Waterman Wood (1823-1903) A Train of Thought, Oil on canvas, Unsigned. Dimensions: h: 20 1/2 x w: 14 1/2 in. Provenance: Collection of John C. Myers. Note condition: minor areas of inpainting to figure, including both of the pupils. Repair to a one inch tear on the left side (only visible by black light). The work has also been re-varnished in areas. Treated in 2001.
Thomas Waterman Wood - For Thanksgiving Day

Thomas Waterman Wood - For Thanksgiving Day

Original 1885
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Lot number: 45
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Description:
Thomas Waterman Wood 1823 - 1903 FOR THANKSGIVING DAY signed T.W. Wood and dated 1885 (lower left) watercolor, gouache and gum arabic with traces of pencil on paper laid down on canvas 30 by 15 inches (76 by 38 cm) Read Condition Report Read Condition Report Register or Log-in to view condition report Saleroom Notice Authentication This work will be included in the forthcoming catalogue raisonné of the artist's work by Paul W. Worman. Provenance Mrs. William H. Meeker, New York, 1885 Private Collection, Maryland Exhibited New York, American Watercolor Society, Eighteenth Annual Exhibition, February 28, 1885 Literature Harpers Weekly, "The Watercolor Exhibition of 1885", February 7, 1885, p. 89 The son of a local cabinet-maker, Thomas Waterman Wood was brought up in Montpelier, Vermont, where he worked in his father's furniture shop. In 1846, Wood traveled to Boston, where he may have studied with Chester Harding. A successful portraitist in the 1850s, Wood interrupted his career in 1858 to go to Paris to study the Old Masters and establish a studio. In the Louvre, he copied paintings by Gleyre, Titian, Greuze, Murillo and Rembrandt, while concentrating on genre subjects in his studio. He finally settled in New York in 1867 after years of travel and eventually became President of the American Water Color Society and served as the Vice President of the National Academy of Design. Surface in good condition; work is laid down on a very fine canvas/linen which is tacked over a stretcher and backed by a panel (under the stretcher) In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
Thomas Waterman Wood - A Poor White

Thomas Waterman Wood - A Poor White

Original 1874
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Net Price
Lot number: 36
Other WORKS AT AUCTION
Description:
Lot 36 Thomas Waterman Wood American, 1823-1903 A Poor White , 1874 Signed T.W. Wood and dated 1874 (ll) Oil on canvas 10 1/4 x 7 1/4 inches The present work was originally part of a pair. The companion piece, A Gentleman of Color (now unlocated) depicts a prosperous, well-dressed African-American man walking a dog- a compelling contrast to the stooped figure in tattered clothes seen here, an empty whiskey flask at his feet. The Poor White is related to a watercolor by Wood (now unlocated) depicting the same subject and also executed in 1874. The present work will be included in the catalogue raisonne of the artist's work in preparation by Paul Worman, to whom we send our thanks for his assistance in documenting it. C Estimate $4,000-6,000 Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.
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