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Friedrich Von Amerling

Austria (1803 -  1887 ) Wikipedia® : Friedrich Von Amerling
von Amerling Friedrich Portrait Of A Young Girl In Profile With Bands In Her Hair

Palais Dorotheum
Apr 29, 2019
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Variants on Artist's name :

Amerling Von Friedrich

 

Artworks in Arcadja
219

Some works of Friedrich Von Amerling

Extracted between 219 works in the catalog of Arcadja
Friedrich Von Amerling - Portrait Of A Young Girl In Profile With Bands In Her Hair

Friedrich Von Amerling - Portrait Of A Young Girl In Profile With Bands In Her Hair

Original 1865
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Gross Price
Lot number: 62
Other WORKS AT AUCTION
Description:
Friedrich von Amerling (Vienna 1803–1887) Portrait of a young girl in profile with bands in her hair, signed, dated by another hand Fr. Ammerling 1865, on the reverse label of the auction house C. J. Wawra 409, Fr. Amerling, oil on canvas, 79x64cm, craquelure, (Rei) Provenance: Sale Wawra, Vienna 17 March 1913, lot 4; Mary Cahn-Speyer (1893–1953) Collection, Vienna/London until 1938; 1938 Führermuseum Linz (inv. no. 548); 1941 transfer to Kremsmünster (K no. 333); 1943 Bad Aussee salt mine (no. 1417); 1949 Deutsche Kulturgutverwaltung, Munich; From 2 September 1966 onwards on loan (inv. no.: loan BRD / L 77) to the Staatliche Kunstsammlungen Kassel (today Museumslandschaft Hessen Kassel); Restitution to the heirs after Mary Cahn-Speyer on 18 January 2018. Catalogued in: Günther Probszt, Friedrich von Amerling, der Altmeister der Wiener Portraitmalerei, Zurich/Leipzig/Vienna 1927, p. 163, no. 1305. Friedrich Amerling joined the Vienna Academy in as early as 1815, where he first received an education in the engraving class of Josef Klieber before entering a drawing class a year later. His studies led him to the Prague Academy from 1824 to 1826, and in 1827 he sojourned in London, where he made the acquaintance of the famous portrait painter, Sir Thomas Lawrence. For his painting \‘Dido auf dem Scheiterhaufen\’, Amerling was awarded the Reichel Prize in 1829 by the Vienna Academy. Numerous trips throughout Europe and the Middle East ensued. The artist is considered one of the main representatives of Viennese Biedermeier. Although he created some landscapes at the beginning of his career, his main focus was always on portraiture. His portraits, in which he especially preferred female models, appeal to the viewer, especially through their atmospheric and psychologising rendering. He models the complexion with soft colours and subtle gradations. Facial expressions and gestures, on the other hand, are emphasised by light and shadow effects. Amerling\’s portrayals of women never seem unified; he always endeavours to capture the essence of the sitter. Specialist: Mag. Dimitra Reimüller
Friedrich Von Amerling - Young Italian Lady With Pearl Necklace

Friedrich Von Amerling - Young Italian Lady With Pearl Necklace

Original
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Lot number: 243
Other WORKS AT AUCTION
Description:
Friedrich von Amerling(Wien 1803 - 1887 Wien) Young Italian lady with pearl necklace oil on canvas; 63,5 x 50,5 cm Provenance private collection, Austria We are grateful to Dr. Sabine Grabner (Belvedere, Vienna), for the scientific support. The work will be included in the upcoming catalogue raisonnè.
Friedrich Von Amerling - Portrait Of A Gentleman In A Coat With Fur Collar A Letter

Friedrich Von Amerling - Portrait Of A Gentleman In A Coat With Fur Collar A Letter

Original 1849
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Gross Price
Lot number: 574
Other WORKS AT AUCTION
Description:
Friedrich von Amerling (Vienna 1803–1887) Portrait of a gentleman in a coat with fur collar a letter, signed, dated Fr. Amerling 1849, oil on canvas, 110x85cm, framed, (Rei) Provenance: Private Collection, Vienna; Dorotheum Vienna, 10 May 1977, lot 4; Private Collection, Vienna. We are grateful to Dr Sabine Grabner for her scientific assistance. Specialist: Mag. Dimitra Reimüller
Friedrich Von Amerling -  Portrait Of Ferdinand Kaulla

Friedrich Von Amerling - Portrait Of Ferdinand Kaulla

Original 1847
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Lot number: 263
Other WORKS AT AUCTION
Description:
Friedrich von Amerling (Wien 1803 - 1887 Wien) Portrait of Ferdinand Kaulla, 1847 oil on canvas; 55,5 x 45 cm on the reverse old label: Ferdinand Kaulla / (Grandfather) Provenance Betty Prandtner, née Kaulla, Vienna; Dorotheum Vienna, 6.12.1989, no. 524, pl. 154; private property, Austria Literature Günther Probszt, Friedrich von Amerling. Der Altmeister der Wiener Porträtmalerei, Vienna 1927, p. 137, cat.-no. 711 We are grateful to Dr. Sabine Grabner (Belvedere, Vienna), for her help in cataloguing the lot. The painting will be included in her forthcoming catalogue raisonné of Friedrich von Amerling.
Friedrich Von Amerling - Baronin Wilhelmine Mylius

Friedrich Von Amerling - Baronin Wilhelmine Mylius

Original 1869
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Lot number: 202
Other WORKS AT AUCTION
Description:
Friedrich von Amerling (1803 - 1887 Austrian) "Baronin Wilhelmine Mylius," 1869 Oil on canvas Inscribed and dated in another hand verso: A. Ammerling pinxit 1870, inscribed in German on a label affixed verso 43" H x 34.5" W Provenan Provenance: Baronin Viktoria Mylius Galerie Kovacek, Vienna Private Collection, California, acquired from the above. Literature: G. Probszt, Friedrich von Amerling: Der Altermeister der Wiener Portraitmalerei, Zurich, no. 1095, p. 152. Notes: We are grateful to Dr. Sabine Grabner of the Belvedere Museum Vienna for confirming the authenticity of this work, which will be included in her forthcoming catalogue raisonn

LA BIOGRAFIA DI Friedrich Von Amerling

AMERLING von Friedrich Pittore austriaco (Vienna 1803 - 1887).
Entrò all'Accademia di Vienna nel 1815 e proseguì gli studi, tra il 1824 e il 1827, presso l'Accademia di Praga.
Nel 1827, migliorata la situazione economica, si trasferì a Londra, dove fu presso il pittore ritrattista T.
Lawrence, e poi a Parigi, dove si interessò alla pittura di H.
Vernet.
Viaggiò in tutta Europa e soggiornò più volte in Italia.
Rientrò a Vienna nel 1828, nel 1832 fu nominato pittore di corte e divenne uno dei ritrattisti più in voga del periodo Biedermeier viennese.
Ricchi di dettagli sono i ritratti dell'Imperatore Francesco I (1832, Vienna, Schlox Laxenburg) e di Rudolf Althaber coi suoi figli (1837, Vienna, Osterreichische Galerie).

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