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Artist data
Artist code
383505
Name
VESCU Theodor
Nationality
ro
Lots cataloged
30
Artist profile
Artworks for sale
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VESCU Theodor
Painter
Romania, born in 1958
Artist's Artworks passed in Auctions
Up to now 2024-04-20, based on the attribution to the author set in the filter (Original), Arcadja has cataloged 30 works for artist VESCU Theodor. The first pass in the listed auction is 2009-11-15, while the last is 2024-03-26. The auction houses that have treated this artist in the last 6 years are 2 with a volume of 8 lots, while in the last 3 years the houses have been 2 with 8 lots. For more statistics and information visit the VESCU Theodor ARTIST PROFILE, or change the attribution to the author in the FILTER.
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Attribution
Original
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Totals 30, pages 1 to 6, current page 1
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VESCU Theodor
1958
Le clocher de Collioure
Lot number
80
auction catalog reserved for subscribers
Attribution
Original (Signed artwork)
Technique
Oil, Canvas
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Short description
Teodor VESCU (1958-) Le clocher de Collioure Huile sur toile signée et datée (...)
VESCU Theodor
1958
Sunset in Venice
Lot number
114
auction catalog reserved for subscribers
Attribution
Original (Signed artwork)
Technique
Oil, Canvas, Cardboard
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Short description
Sunset in Venice Teodor Vescu oil on canvas pasted on cardboard 38.5 x 49 cm (...)
VESCU Theodor
1958
Jug with Chrysanthemums
Lot number
120
auction catalog reserved for subscribers
Attribution
Original (Signed artwork)
Technique
Oil, Canvas
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Short description
Jug with Chrysanthemums [1998] Teodor Vescu oil on canvas 55.5 x 44.5 cm (...)
VESCU Theodor
1958
Masquerade Ball in Venice
Lot number
59
auction catalog reserved for subscribers
Attribution
Original (Signed artwork)
Technique
Oil, Canvas
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Short description
59. Masquerade Ball in Venice [2013] Teodor Vescu oil on canvas 58 x 48 cm (...)
VESCU Theodor
1958
Musicians
Lot number
164
auction catalog reserved for subscribers
Attribution
Original (Signed artwork)
Technique
Oil, Canvas
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Short description
164. Musicians Teodor Vescu oil on canvas 50 x 34 cm signed bottom left, with (...)