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Nadieshda Andreewna Udalzowa

Russian Federation (Orel 1886 -  Moskau 1961 )
UDALZOWA Nadieshda Andreewna Composition

Sotheby's
Jun 6, 2017
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Variants on Artist's name :

Nadezhda A. Udaltsova

Nadeschda Andrejewna Udalzowa

Udaltsova Nadezhda Andreyevna

 

Artworks in Arcadja
52

Some works of Nadieshda Andreewna Udalzowa

Extracted between 52 works in the catalog of Arcadja
Nadieshda Andreewna Udalzowa - Untitled

Nadieshda Andreewna Udalzowa - Untitled

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Lot number: 57
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Description:
NADEZHDA UDALTSOVA Russian 1886-1961 Gouache Gouache on paper, featuring Cubist painting, signed and attr. Nadezhda Andreyevna Udaltsova (Russian, 1886-1961) on the lower right corner, 10.4 x 7.9 in. (26.5 x 20 cm), Nadezhda Udaltsova was one of the leading figures of the pre-Revolutionary Russian avant-garde. Of her Russian peers she was the most influenced by French Cubism. But personal misfortunes and the social conditions of the Stalinist era led her to withdraw to her studio, turning her into a marginal figure in Soviet art. PROVENANCE: Southern Ontario estate
Nadieshda Andreewna Udalzowa -  By The Window

Nadieshda Andreewna Udalzowa - By The Window

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Lot number: 138
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Description: UDALTZOVA, NADEZHDA (1886-1961) By the Window Oil on cardboard, laid on canvas, 71.5 by 52.5 cm. Provenance: Elysium Gallery, Moscow (label on the stretcher). Acquired from the above by the previous owner. Thence by descent. Private collection, Germany. Exhibited: 70 let moskovskomu Soiuzu khudozhnikov, Tsentralnyi vystavochnyi zal Manezh, Moscow, 20 December 2002–20 January 2003 (labels on the stretcher).
Nadieshda Andreewna Udalzowa - Composition

Nadieshda Andreewna Udalzowa - Composition

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Lot number: 97
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Nadezhda Andreevna Udaltsova COMPOSITION (DOUBLE-SIDED) 1885-1961 bearing a Leonard Hutton Galleries label on the backing board gouache over pencil on paper sheet size: 28 by 18cm, 11 by 7in. Provenance The Drevin family, Moscow George Costakis Aliki Costakis, Greece Leonard Hutton Galleries, New York
Nadieshda Andreewna Udalzowa - Still Life With Bottle (a Double-sided Drawing)

Nadieshda Andreewna Udalzowa - Still Life With Bottle (a Double-sided Drawing)

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Lot number: 118
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Nadezhda Andreevna Udaltsova

1886 - 1961

STILL LIFE WITH BOTTLE (A DOUBLE-SIDED DRAWING)

Pencil on paper

10 1/4 by 7 1/2 in.; 26 by 19.5 cm

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Saleroom Notice

Provenance

Drevin Collection, Moscow (and sold: Sotheby's, Moscow, July 7, 1988, lot 1)

Acquired at the above sale by A.Alfred Taubman

Catalogue Note

Please note that in the print catalogue for this sale, this lot appears as number 118T.

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Nadieshda Andreewna Udalzowa -  Nude

Nadieshda Andreewna Udalzowa - Nude

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Lot number: 133
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Description: * UDALTZOVA, NADEZHDA (1886-1961) Nude. Oil on canvas, 108.5 by 83.5 cm. >Executed in the 1930s. > Provenance: Private collection, Europe. > Authenticity of the work has been confirmed by the expert Yu. Rybakova. > Exhibited: Vechnaya zagadka , Novyi Manezh, Moscow, 23 August-13 September 2006, No. 85. > Aleksandr Drevin i Nadezhda Udal'tsova , Dom Naschokina Gallery, Moscow, 24 January-23 March 2008. > Literature: Exhibition catalogue, Vechnaya zagadka , Moscow, 2006, p. 59, illustrated; p. 142, No. 85, listed. >Exhibition catalogue, Aleksandr Drevin i Nadezhda Udal'tsova , Moscow, Virtual Gallery, 2008, p. 82, illustrated and listed. > Nude is a picture by Nadezhda Udaltzova, an artist whose name stands alongside those of Kazimir Malevich, Vladimir Tatlin, Olga Rozanova and Lyubov Popova in the history of Russian art. This work postdates Udaltzova's period of avant-garde experimentation, Cubist decomposition and her part in the Suprematist movement. She had instead returned to figurative painting, using Post-Impressionist forms and seeing her main object as working with colour. The then officious demands for "thematic pictures" and accusations of "formalism", which arose in the 1930s drastically limited the scope of activity by the criticised artists, but simultaneously greatly enlarged the role of private aspects of creativity. > The result for Udaltzova was the creation in the 1930s of a long series of portraits and self-portraits, landscapes in Altai and Armenia, floral still-lifes, genre pictures and nudes. Udaltzova's pictures of the naked human form, often of imposing size, are far more than technical studies. These are finished, stand-alone paintings, valuable for their deep, almost psychological qualities as portraits. This depiction of a naked woman with a scarf around her neck is a fine example. The large and beautiful figure of the model seems to emerge from a neutral space, although the colour relationships between the graded background, and the warm body, render figure and space inseparable. This work is an absolutely individual portrait, with its own particular mood. The melancholy of the model, "the exhaustion of being", expressed in her gaze and the apparently minimalist colour palette, are redeemed by the consummate artistry of the technique and by "incidental" colour inclusions. A continuous line, sometimes tense and sometimes free-flowing, encircles the bare arms of the model, her hands locked together behind her head, the silhouette of her shoulders and the hips. The result is a harmonious balance between linear and rhythmic ease, on the one hand, and a palpable density of mass, on the other.
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