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Ross Sterling Turner

(1847 -  1915 )
TURNER Ross Sterling A Mexican Street Scene

Skinner /May 16, 2014
730.14 - 1,095.21
Not Sold

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Along with Ross Sterling Turner, our clients also searched for the following authors:
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Artworks in Arcadja
30

Some works of Ross Sterling Turner

Extracted between 30 works in the catalog of Arcadja
Ross Sterling Turner - Still Life With White Hyacinths And Asian Bowl.

Ross Sterling Turner - Still Life With White Hyacinths And Asian Bowl.

Original 1902
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Lot number: 1050
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Description:
Description: Ross Sterling Turner (American, 1847-1915) Still Life with White Hyacinths and Asian Bowl. Signed "Ross Turner" l.l., dated "1902" l.r. Watercolor on paper, sight size 15 3/4 x 8 5/8 in., framed. Condition: Toning, not examined out of frame. Provenance: The estate of Richard L. Elia, Winchester, Massachusetts.
Ross Sterling Turner - White Lilies

Ross Sterling Turner - White Lilies

Original
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Net Price
Lot number: 210
Other WORKS AT AUCTION
Description:
ROSS STERLING TURNER
(American, 1847-1915)
WHITE LILIES
watercolor
signed
Ross Turner
, l.r.
sheet: 20 7/8 x 14 1/8 in.
Other Notes: Lepore Fine Arts, Newburyport, MA label, verso.
Condition Report:
Taped with fabric tape to matting at upper corners and one piece on right and left edges.
Ross Sterling Turner - Polling

Ross Sterling Turner - Polling

Original
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Net Price
Lot number: 8
Other WORKS AT AUCTION
Description:
Description:

ROSS STERLING TURNER

(American, 1847-1915)

POLLING

ca. 1880, oil on board

initialed

RT
, l.l.

8 1/4 x 12 3/4 in. (period walnut frame: 12 x 18 1/2 in.)

Provenance: Property of The Estate of Albert Grantley Reinhart; by descent to his granddaughter, Manasquan, NJ; The Boston Art Club.
Minor retouch.
Ross Sterling Turner - A Mexican Street Scene

Ross Sterling Turner - A Mexican Street Scene

Original 1898
Estimate:

Price:

Lot number: 460
Other WORKS AT AUCTION
Description:
Ross Sterling Turner (American, 1847-1915)
A Mexican Street Scene
Signed and dated "Ross Turner 98" l.r.
Watercolor and graphite on paper, sight size 19 x 13 in. (48.3 x 33.0 cm), framed.
Condition: Toning, staining, not examined out of frame.
The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Condition requests can be obtained via email (lot inquiry button) or by telephone to the appropriate gallery location (Boston/617.350.5400 or Marlborough/508.970.3000). Any condition statement given, as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Skinner Inc. shall have no responsibility for any error or omission.
Ross Sterling Turner - Bouquet Of Roses

Ross Sterling Turner - Bouquet Of Roses

Original 1879
Estimate:

Price: Not disclosed
Lot number: 64035
Other WORKS AT AUCTION
Description:
Description:
ROSS STERLING TURNER (American, 1847-1915) Bouquet of Roses, 1879 Oil on canvas 16-3/4 x 21-1/2 inches (42.5 x 54.6 cm) Signed, dated, and inscribed lower right: Ross Turner / Venice 79 THE JEAN AND GRAHAM DEVOE WILLIFORD CHARITABLE TRUST Graham Williford had a special fondness for the exuberant work of Ross Sterling Turner, who was born in Westport, New York, established himself in Boston, Massachusetts, and received his artistic training in Europe. In 1876, Turner went initially to Paris and then to study at the Munich Academy, where he met fellow Americans William Merritt Chase and Frank Duveneck. Like them, Turner developed a thick, painterly style associated with the Munich style that can be felt in this still life he painted a few years later in Venice. He became close friends with Constantin Bolonachi, a Greek painter whose marine subject matter would influence Turner's work. About 1879, Turner traveled to Florence, Rome and Venice to study the Old Masters, and in Italy his work became increasingly concerned with the effects of light and color, as is fully evident in this jewel-hued still life he created in Venice-the city traditionally associated with the primacy of color over line. Indeed in the rich crimsons and vermilions it is hard not to see the influence of Titian, Veronese and Tintoretto.
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