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Artist data
Artist code
27328
Name
STANZIONE Massimo
Nationality
it
Lots cataloged
153
Artist profile
Artworks for sale
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STANZIONE Massimo
Painter
Italy, Frattamaggiore (Naples) 1585, Napoli 1656
Artist's Artworks passed in Auctions
Up to now 2024-03-29, based on the attribution to the author set in the filter (Original, Authenticated), Arcadja has cataloged 72 works for artist STANZIONE Massimo. The first pass in the listed auction is 1999-07-09, while the last is 2023-10-25. The auction houses that have treated this artist in the last 6 years are 13 with a volume of 20 lots, while in the last 3 years the houses have been 8 with 9 lots. For more statistics and information visit the STANZIONE Massimo ARTIST PROFILE, or change the attribution to the author in the FILTER.
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Totals 72, pages 1 to 15, current page 1
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STANZIONE Massimo
1585 - 1656
Martirio di Sant'Orsola
Lot number
301
auction catalog reserved for subscribers
Attribution
Authenticated
Technique
Oil, Canvas
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Short description
Massimo Stanzione (Frottamaggiore, 1585 - Napoli, 1656) Martirio di (...)
STANZIONE Massimo
1585 - 1656
Incredulità di San Tommaso
Lot number
506
auction catalog reserved for subscribers
Attribution
Original
Technique
Oil, Canvas
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Short description
506MASSIMO STANZIONE(Frattamaggiore o Orta di Atella, 1585 circa ; Napoli (...)
STANZIONE Massimo
1585 - 1656
HEILIGE AGNES
Lot number
235
auction catalog reserved for subscribers
Attribution
Original
Technique
Oil, Canvas
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Short description
Massimo Stanzione, 1585 – 1656 Neapel HEILIGE AGNES Öl auf Leinwand. (...)
STANZIONE Massimo
1585 - 1656
Martirio di Sant' Orsola
Lot number
45
auction catalog reserved for subscribers
Attribution
Original
Technique
Oil, Canvas
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Short description
Massimo Stanzione (1585 - 1656) Martirio di Sant' Orsola olio su tela, cm (...)
STANZIONE Massimo
1585 - 1656
Santa Cecilia
Lot number
299
auction catalog reserved for subscribers
Attribution
Original
Technique
Oil, Canvas
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Short description
299. Massimo Stanzione Santa Cecilia olio su tela, cm. 150×127 Bibl.: P.L. de (...)