Carl Spitzweg

(18081885 ) - Artworks Wikipedia® - Carl Spitzweg
SPITZWEG Carl Italienische Landschaft

Van Ham /May 16, 2014
7,000.00 - 9,000.00
7,500.00

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Artworks in Arcadja
354

Some works of Carl Spitzweg

Extracted between 354 works in the catalog of Arcadja
Carl Spitzweg - Study After A Pine Tree

Carl Spitzweg - Study After A Pine Tree

Original 1834
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Lot number: 51
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There is evidence that Carl Spitzweg traveled to Italy in 1834. His visited Merano, Verona and Trento, as some of his drawings testify. On May 5, Spitzweg arrived in Venice. The present study after a pine tree was made near Verona. The pine is shown in front of a clayey and gray-blue sky. The tree with its delicate branches, that are visible even to the crown, hangs to the right and is wantonly leafed. With fine brushwork, Spitzweg has depicted the various shades of the green leaves. The study is mentioned in the catalogue raisonné by Siegfried Wichmann under no. 70, page 133. The lower center right bears the estate stamp, ‘S with rhombe/Spitzweg’’’’. The paper has been laid down on pressboard. The work is in good overall condition with scattered, minor stains and a few color losses to the edges. The gilt wooden frame is in very good condition with minor wear. The overall dimensions, framed, are 31 x 35.5 cm. The paper measures 15 x 19.3 cm. Carl Spitzweg (1808-1885) Carl Spitzweg studied pharmacy, botany and chemistry at the University of Munich. Before he began teaching himself painting, he worked as a pharmacist until 1833. In 1835, he became a member of the Munich Kunstverein. This was followed by extensive travels through Europe. From 1844, he worked for the ‘Flying Papers’’’’, which were fitted with his humorous drawings. Spitzweg belongs to the late Romantic Movement. Whilst the early works still show the influence of the Biedermeier, the painting style loosened up in his later work, and came close to Impressionism. The artist’’’’s keen sense of coloring derived possibly from his training in pharmacy. In addition to landscapes, Spitzweg frequently depicted characters from the Biedermeier petty bourgeoisie, and satirical illustrations of quirky characters. Works by Carl Spitzweg achieve very high prices on the international auction market. They are on display in major collections, such as the Neue Pinakothek Munich, the Courtauld Institute of Art in London, the Germanic National Museum in Nuremberg, and the Wallraf-Richartz Museum in Cologne. Carl Spitzweg (1808 - 1885), Study after a Pine Tree, 1834 Watercolor over pencil with additions of tempera on paper, laid down on pressboard Near Verona/Italy, 1834 Carl Spitzweg (1808-1885) - German painter Estate stamp lower center right, ‘S with rhombe/Spitzweg’’’’ Literature: Wichmann, no. 70, p. 133 Broad gilt frame Overall dimensions, framed: 31 x 35.5 cm Good condition Provenance: Private collection, North Rhine-Westphalia The early studies of Spitzweg are rarely found in the art market and sought-after collector's items There is evidence that Carl Spitzweg traveled to Italy in 1834. His visited Merano, Verona and Trento, as some of his drawings testify. On May 5, ...
Carl Spitzweg - „auf Dem Pirschgang“

Carl Spitzweg - „auf Dem Pirschgang“

Original 1875
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Lot number: 170
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Spitzweg, Carl 1808 – Munich – 1885 „Auf dem Pirschgang“ Um 1875 Öl auf Holz 17,8 x 23 cm 7 x 9 in. Gedächtnis-Ausstellung Carl Spitzweg 1808 bis 1885, veranstaltet zur Feier des 100. Geburtstages. Munich, Kunstverein, 1908, cat. no. 61 Auction catalogue: Oelgemälde, Aquarelle und Zeichnungen aus dem Nachlasse des verstorbenen Prof. Friedr. Voltz in Munich. Munich, E. A. Fleischmann, 30.11.1895, cat. no. 43, illustration p. 18 ( „Jäger mit seinem Schatz am Waldessaum“) / Fritz von Ostini: Aus Carl Spitzweg's Welt. 100 seiner schönsten Bilder. Barmen, Kunst- und Verlagsanstalt Peter Luhn, 1924, colour ill. p. 98 / Max von Boehn: Carl Spitzweg. Bielefeld-Leipzig, Velhagen & Klasing (= Künstler-Monographien, vol. 110), here 4th edition 1937, p. 51 / Siegfried Wichmann: Carl Spitzweg, Jäger mit Mädchen im Wald. Documentation. Starnberg-Munich 1984 (Munich, Bavarian State Library, Inv.-no. Ana 656 SW 19) Carl Spitzweg 1808 – Munich – 1885 „Auf dem Pirschgang“ Circa 1875 Oil on panel Monogrammed lower left: S [in a rhombus]. On the reverse, twice the oval stamp (one of which on a label): Hugo Toelle Barmen 17,8 x 23 cm 7 x 9 in. Retouchings Friedrich Voltz, Munich (until 1886) / estate Friedrich Friedrich Voltz (1895) / Hugo Toelle, (Wuppertal-) Barmen (1908) / Galerie Abels, Cologne (1950) / private collection, Magdeburg / G. Steiner, Hanover (1958) / private collection, Northern Germany / private collection, North Rhine-Westphalia
Carl Spitzweg - Der Platzkommandant

Carl Spitzweg - Der Platzkommandant

Original 1850
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Lot number: 27
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Lot Description Carl Spitzweg (German, 1808-1885) Der Platzkommandant with studio stamp (on the reverse) oil on board 8 7/8 x 7¾ in. (22.5 x 19.6 cm.) Painted 1848-1850. Lot Condition Report I confirm that I have read this Important Notice and agree to its terms. View Condition Report Provenance by descent to Eugen Spitzweg, thence by descent to Wilhelm Spitzweg. Anonymous sale; Börner, Leipzig, 16-18 March 1914, lot 779. Anonymous sale; Karl & Faber, Munich, 7-8 December 1956, Lot 461. Literature S. Wichmann, 'Carl Spitzweg Verzeichnis der Werke Gemälde und Aquarelle', Stuttgart, 2002, p. 284, no. 558. Exhibited Berlin, Nationalgalerie, November-December 1886, No. 80, as 'Platzmajor, den Rapport entgegennehmend'. Munich, Haus der Kunst, Spitzweg, 23 November 1985 - 2 February 1986, cat. no. 425.
Carl Spitzweg - Italienische Landschaft

Carl Spitzweg - Italienische Landschaft

Original
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Lot number: 583
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Description: SPITZWEG, CARL München 1808 - 1885 Italienische Landschaft. Öl auf Leinwand. Doubliert. 47 x 36,5cm. Stempelsignatur Unten rechts: S(mit Raute) Spitzweg. Rückseitig: - Das aus dem Nachlass bekannte Etikett (Vgl. S.Wichmann: Carl Spitzweg, Verzeichnis der Werke, Stuttgart 2002, Abb S.80, 82, 84 ...) Otto Spitzwegs (siehe Zusatzabbildung): "Bezeuge hiermit, daß das Bild 'Italienische/ Landschaft(') auf Leinwand (37 brt.x 47 hoch)/ von unserem Onkel Kunstmaler Carl Spitzweg gemalt/ und 1886 in meinen Besitz übergegangen ist./ München, den 31. August 1916./ Unterschrift: Otto Spitzweg (links der Nachlasstempel) S(mit Raute) Spitzweg" - Verschiedene Nummern: 101275, sowie DU 114. Von Carl Spitzwegs Neffen Otto Spitzweg (1843-1921) sind vermutlich die meisten Echtheitserklärungen zum Werk Spitzwegs bekannt. Diese erstellte er in der Regel in der hier vorhandenen Art als Klebetikett. Otto Spitzweg besaß einen erheblichen Teil des Nachlasses und veräußerte diesen nach und nach über Künsthändler . SPITZWEG, CARL Munich 1808 - 1885 Italian Landscape. Oil on canvas. Relined. 47 x 36,5cm. Stemp signature lower right: S(with hash) Spitzweg. Verso: - The label known from the estate (Cf. S.Wichmann: Carl Spitzweg, Verzeichnis der Werke, Stuttgart 2002, Abb S.80, 82, 84 ...) of Otto Spitzweg (see extra image): "I hereby testify that the picture 'Italian/ Landscape(') on canvas (37 wide x 47 high )/ was painted by our uncle, artist Carl Spitzweg/ and became my property in 1886./ Munich, August 31, 1916./ Signature: Otto Spitzweg (estate stamp on the left) S (with hash) Spitzweg" - Various numbers: 101275, as well as DU 114. Probably most of the known declarations of authenticity for the oeuvre of Spitzweg stem from his nephew Otto Spitzweg (1843-1921). Usually he produced those in the here present form of adhesive labels. Otto Spitzweg possessed a considerable part of the estate and sold it bit by bit via art dealers.
Carl Spitzweg - Bauernhaus Im Walde

Carl Spitzweg - Bauernhaus Im Walde

Original 1855
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Lot number: 67
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Carl Spitzweg (German, 1808-1885) Bauernhaus im Walde signed with artist's device (lower right) oil on paper laid down on panel 6 3/4 x 9 3/4in (17.2 x 25cm) unframed Footnotes Executed around 1855. LITERATURE: Siegfried Wichmann, Carl Spitzweg: Verzeichnis der Werke: Gemälde und Aquarelle , Stuttgart, 2002, p. 264, illustrated. G. Koemmefahrt, Carl Spitzweg, Beschreibendes Verzeichnis seiner Gemälde, Ölstudien und Aquarelle , Munich, 1960, no. 212.
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