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Carl Spitzweg

(1808 -  1885 ) Wikipedia® : Carl Spitzweg
SPITZWEG Carl Figurative Study

Auctionata /Nov 28, 2015
1,200.00
1,188.00

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Artworks in Arcadja
427

Some works of Carl Spitzweg

Extracted between 427 works in the catalog of Arcadja
Carl Spitzweg - Flusslandschaft Mit Figur

Carl Spitzweg - Flusslandschaft Mit Figur

Original c.1870
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Lot number: 3218
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Description: SPITZWEG, CARL (1808 Munich 1885) Flusslandschaft mit Figur. Circa 1870. (Landscape with river and figure) Oil on board. Signed S in rhombus lower right. 11.5 x 17 cm. Extensive expertise by Prof. Wichmann, Munich, 10.8.1991. Provenance: European private collection. Literature: - Wichmann, Siegfried: Carl Spitzweg. Die kleine Landschaft der Spätzeit, Dokumentation, Starnberg-München, R.f.v.a.K. 1988, pp. 5ff, Bayer. Staatsbibliothek, Munich, Inv. No. Ana 656 SW 7. - Wichmann, Siegfried: Carl Spitzweg. Die fränkische Landschaft um 1860-1875, Dokumentation, Starnberg-München, R.f.v.a.K. 1995, pp. 22f, Bayer. Staatsbibliothek, München, Inv. No. Ana 656 SW 111. - Wichmann, Siegfried: Carl Spitzweg. Ein Sommertag in Franken, Dokumentation, Starnberg-München, R.f.v.a.K. 2000, pp. 36f. Bayer. Staatsbibliothek, München, Inv. No. Ana 656 SW 155. - Wichmann, Siegfried: Carl Spitzweg, Verzeichnis der Werke, Gemälde und Aquarelle, Stuttgart 2002, p. 515, No. 1416 (ill.).
Carl Spitzweg - School Children In A Mountainous Landscape

Carl Spitzweg - School Children In A Mountainous Landscape

Original
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Lot number: 1527
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Description: Inscribed lower left: S in a rhombusThis work shows a view of a mountainous landscape seen, as with many of Spitzweg's works, from what could be referred to as a “fortunate angle”. On the left side we see a small chapel, a so-called “marterl” and a bench tucked in beside a tree-lined rock face. On the right, a path winds its way towards a stone outcrop in the background and the image opens up to show the blue sky dotted with white, fluffy clouds. A small stream runs through the centre of the painting and we see a boy and girl, who Spitzweg and Wichmann refer to as schoolchildren, walking beside it. Carl Spitzweg began to teach himself to paint during his apprenticeship as a chemist and astonishingly went on to become one of the most significant German artists of the 19th century. This was thanks not only to his exceptional talent in capturing natural phenomena such as varying light conditions, times of the day and seasons, but also his empathetic, and often humorous, observations of human kind. There was almost no other German artist of this era so well able to combine man and nature, figures in landscapes, to such a compact and harmonious whole as Spitzweg. His works brought joy to many collectors even during his lifetime. This piece, which has been kept in family ownership for almost 100 years and which Wichmann dates to 1865, is a charming and characteristic example. Notes: VAT: Margin scheme Provenance: Private ownership, Stuttgart, since the 1920s. Dimensions: 32 x 23 cm Artist or Maker: Carl Spitzweg Exhibited: Haus der Kunst, Munich 1985, exhibition catalogue p. 499, no. 718.
Carl Spitzweg - Old Man On A Bench

Carl Spitzweg - Old Man On A Bench

Original 1865
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Lot number: 1219
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Karl Spitzweg (Munich 1808–1885)Old Man on a Bench, rhombus signature lower right, circa 1865, oilon panel, 29 x 14.2 cm, framed (behind glass), (Rei) Illustrated and catalogued in:Siegfried Wichmann, Carl Spitzweg, Verzeichnis der Werke, Gemäldeund Aquarelle, published by Belser, Stuttgart, 2002, p. 291, no.579G. Roennefahrt, Carl Spitzweg, Beschreibendes Verzeichnis seinerGemälde, Ölstudien und Aquarelle, Munich 1960, no. 971Provenance:Fischer, Lucerne, 21 - 25 June 1955, no. 2271, plate 26, titled “Alter Mann auf einer Ruhebank”,German private property.Carl Spitzweg was self-taught, giving up his studies of chemistry,botany and pharmacy and subsequent work as a pharmacist to finallyturn to painting. He was greatly renowned for his humorousdepictions of human nature. His friendship with Eduard Schleich,with whom he made many study trips to Italy, Germany, London andParis, significantly influenced his artistic representations oflandscapes decorated with rustic figures. Spitzweg had the abilityto bring together an exact observation of nature, its phenomena’’’’sand its play of light which enabled him to create a fascinatingatmospheric in his works. Thanks to his pharmaceutical and chemicaltraining, Spitzweg was able to mix his own paints and these had aspecial brilliance and durability, as is evident in the presentwork. Initially working in the style of the late Romantics,Spitzweg increasingly turned towards Impressionism, which alsochanged his method of applying colour. Glazed colours give way topastose textures. In the work here Spitzweg chose an elevated pointof view, depicting a plateau, where the old man sits on a bank.Although the viewer is not able to see the landscape behind theplateau, the endless breadth of the country is evoked by the man’’’’sfocused stare into the distance as well as the lower horizon line,freeing it from all constraints of time and space.
Carl Spitzweg - Figurative Study

Carl Spitzweg - Figurative Study

Original
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Lot number: 72
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Carl Spitzweg, Figurative Study, Pencil Drawing, 2nd H. 18th C. Pencil drawing on thin paper Germany, 2nd half of the 18th century Carl Spitzweg (1808-1885) – German painter With handwritten annotations by the artist in pencil and the signature stamp (Lugt 2307) The authenticity of the work has been confirmed by Prof. Jens Christian Jensen Sheet dimensions: 21.7 x 21.8 cm
Carl Spitzweg - Bub Und Mädchen Im Kornfeld

Carl Spitzweg - Bub Und Mädchen Im Kornfeld

Original
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Lot number: 136
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Carl Spitzweg 1808 München - 1885 MünchenBub und Mädchen im Kornfeld. Um 1840.Oil on thin board, laminated on board. Wichmann 147. 21 x 17.7 cm (8.2 x 6.9 in). Verso inscribed by a hand other than that of the artist. [CB].PROVENANCE: Estate of Conservator Pachmann (verso with inscription).Galerie Pertsch, Heidelberg, 1983.Gemäldegalerie von Vértes, Munich, 1984 (with gallery certificate).Private ownership West Germany. Carl Spitzweg (also Karl Spitzweg) was born on 5 February, 1808, in Unterpfaffenhofen, Bavaria. He finished his education at the humanistic Gymnasium in 1825. He then studied pharmacy at the university in Munich. In 1832, Spitzweg completed his studies with distinction. Because of a long period of illness, he gave up his career and dedicated himself to painting from then on, painting copies od works in the Alte Pinakothek in Munich.He also maintained friendships with painters such as Christian Morgenstern, Eduard Schleich the Elder, Dietrich Langko, and Friedrich Voltz. In 1835, he became a member of the Art Association of Munich. Two years later, he sold his first paintings. Spitzweg found inspiration during his many educational journeys to places such as Salzburg, Bozen, Meran, Venice and Dalmatia. Spitzweg started a life long friendship with Moritz von Schwind in 1847.He and Schwind visited the World Fair in Paris together in 1851. While visiting London in that year, he was fascinated by the works of John Constable and William Turner. Around 1860, he started seeing some success. In 1865, Spitzweg received the Bavarian Royal Merit Order of St. Michael. In 1868, he was inducted as an honorary member of the Academy of Visual Arts, though he had never attended an art academy himself. He produced many humoristic pictures in the 'Fliegende Blätter' beginning in 1844. In these small format works, he represented the world of the German everyman with loving humor and indulgence as the Biedermeier ideal of 'the good ole days.' 'Der arme Poet' ('The Poor Poet') from 1839 best represents his technical sophistication and unmistakable style. Carl Spitzweg died on September 23, 1885, in Munich.
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