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Chaïm Soutine

(1894 -  1943 ) Wikipedia® : Chaïm Soutine
SOUTINE Chaïm Les Platanes À Céret

Sotheby's /Feb 3, 2016
805,163.98 - 1,073,551.98
1,249,177.50

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Artworks in Arcadja
230

Some works of Chaïm Soutine

Extracted between 230 works in the catalog of Arcadja
Chaïm Soutine - Paysage Du Midi

Chaïm Soutine - Paysage Du Midi

Original c.1922-23
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Lot number: 24
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Lot Description Chaïm Soutine (1893-1943) Paysage du Midi signed 'Soutine' (lower right) oil on canvas 25 ¾ x 31 7/8 in. (65.4 x 81 cm.) Painted circa 1922-1923 Special Notice These lots have been imported from outside the EU for sale using a Temporary Import regime. Import VAT is payable (at 5%) on the Hammer price. VAT is also payable (at 20%) on the buyer’’’’’’’’s Premium on a VAT inclusive basis. This VAT is not shown separately on the invoice. When a buyer of such a lot has registered an EU address but wishes to export the lot or complete the import into another EU country, he must advise Christie's immediately after the auction. Provenance Marlborough Fine Art, London, by 1953. Sir Edward and Lady Hulton, London, by 1957. Marlborough Fine Art, London, by whom acquired from the above in March 1981. Anonymous sale, Sotheby's, London, 30 June 1981, lot 38. Perls Galleries, New York, by whom acquired at the above sale. Acquired from the above by the present owner in June 1988. Pre-Lot Text THE PROPERTY OF A PRIVATE SWISS COLLECTOR Literature Das Kunstwerk , vol. 18, no. 5, November 1964, p. 35 (illustrated; titled 'Südfranzösische Landschaft ' ). P. Courthion, Soutine , Peintre du déchirant , Lausanne, 1972, p. 208 (illustrated fig. A; titled 'Paysage du Midi au grand arbre fourchu' and dated '1921'). M. Tuchman, E. Dunow & K. Perls, Chaïm Soutine (1893-1943), Catalogue Raisonné , vol. I, Cologne, 1993, no. 108, p. 233 (illustrated). Exhibited London, Marlborough Fine Art, Ltd., Important French Masters of the XIXth and XXth Centuries , February - March 1953, no. 30, p. 19 (illustrated). London, Tate Gallery , A Selection of Pictures, Drawings and Sculpture from the Collections of Sir Edward and Lady Hulton , August - September 1957, no. 31. Paris, Galerie Charpentier, Cent tableaux de Soutine , 1959, no. 16 (illustrated). Wuppertal, Kunst- und Museumsverein, Sammlung Sir Edward und Lady Hulton, London , 1964, no. 52 (illustrated; titled 'Südfranzösische Landschaft' and dated 'circa 1920'); this exhibition later travelled to Rotterdam, Museum Boymans-van Beuningen; the Frankfurter Kunstverein; Munich, Städtische Galerie im Lenbachhaus; and Dortmund, Museum am Ostwall, between September 1964 and August 1965. Stockholm, Moderna Museet, Hulton-samlingen , July - August 1966, no. 49 (titled 'Sydfranskt landskap' and dated 'circa 1920'). Zurich, Kunsthaus, Sammlung Sir Edward and Lady Hulton London , December 1967 - January 1968, no. 53, p. 17 (illustrated; titled 'Südfranzösische Landschaft' and dated 'circa 1920'). Münster, Westfa¨lisches Landesmuseum für Kunst und Kulturgeschichte, Chaïm Soutine 1893-1943 , December 1981 - February 1982, no. 51, p. 245 (illustrated p. 194; titled 'Landschaft in Südfrankreich' and dated '1924'); this exhibition later travelled to Tübingen, Kunsthalle, March - May 1985; London, Hayward Gallery, July - August 1982; and Lucerne, Kunstmuseum, August - October 1982. Lugano, Museo d'Arte Moderna, Chaïm Soutine , March - June 1995, no. 49, p. 166 (illustrated p. 97). Paris, Pinacothèque, Soutine , October 2007 - January 2008, no. 35, pp. 115-116 (illustrated). Basel, Kunstmuseum, Soutine und die Moderne , March - July 2008, no. 25, p. 269 (illustrated p. 89). View Lot Notes >
Chaïm Soutine - Le Poulet Sur Fond Bleu

Chaïm Soutine - Le Poulet Sur Fond Bleu

Original c.1925
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Lot number: 6C
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Chaim Soutine (1893-1943) Le poulet sur fond bleu signed ‘Soutine’’’’’’’’ (lower left) oil on canvas 31 ½ x 16 1/8 in. (80 x 41.2 cm.) Painted circa 1925 Provenance Henri Bing, Paris (by 1926). Jacques Dubourg, Paris (by 1959). By descent from the above to the present owners. Pre-Lot Text Property from a Distinguished French Collection Literature W. George, "Soutine" in Amour de l'Art , 1926, no. 11, p. 369 (illustrated; titled Nature morte ). R. Berger, "L'été a Paris" in XX e Siècle , vol. 21, December 1959 (illustrated). P. Volboudt, "Ce mal que répand la terreur" in XX e Siècle , vol. 26, May 1964, p. 41 (illustrated). P. Courthion, Soutine, Peintre du déchirant , Lausanne, 1972, p. 246, fig. G (illustrated; titled Coquelet vu de profil ). E.G. Güse, ed., C. Soutine , exh. cat., Kunstalle Tübingen, 1982, pp. 91-93. M. Tuchman, E. Dunow and K. Perls, Chaim Soutine, Catalogue raisonné , Cologne, 2001, vol. I, p. 438, no. 73 (illustrated in color, p. 439). Exhibited (possibly) Paris, Galerie de France, Soutine, rétrospective , January-February 1945, no 18. Paris, Galerie Charpentier, Cent tableaux de Soutine , 1959, no. 63. New York, The Jewish Museum; Los Angeles County Museum of Art and Cincinnati Art Museum, An Expressionist in Paris: The Paintings of Chaim Soutine , April 1998-May 1999, p. 79, fig. 44 (illustrated). View Lot Notes >
Chaïm Soutine - Nature Morte Aux Harengs Et Aux Oignons

Chaïm Soutine - Nature Morte Aux Harengs Et Aux Oignons

Original 1917
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Lot number: 175
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Chaïm Soutine 1893 - 1943 NATURE MORTE AUX HARENGS ET AUX OIGNONS signed Soutine (lower left) oil on canvas 37.9 by 61.3cm., 14 7/8 by 24 1/8 in. Painted circa 1917. Provenance Jonas Netter, Paris (acquired by circa 1925-1946) Private Collection (by descent from the above; sale: Christie's, New York, 5th November 2003, lot 300) The Judith and Abraham Amar Foundation, Switzerland (purchased at the above sale; sale: Christie's, London, 25th June 2008, lot 512) Purchased at the above sale by the present owner Exhibited Tokyo, Musée d'Art de Daimaru (& travelling within Japan), Modigliani et son époque, Paris 1910-1920, 1997, no. 5 Literature Pierre Courthion, Soutine, Peintre du déchirant, Lausanne, 1972, fig. C, illustrated p. 179 Maurice Tuchman, Esti Dunow, Guy Loudmer & Klaus Perls, Chaïm Soutine (1893-1943), Catalogue raisonné, Werkverzeichnis, Cologne, 1993, vol. I, no. 10, illustrated in colour p. 360 Catalogue Note Painted circa 1917, Nature morte aux harengs et aux oignons epitomises Soutine's style with its great expressiveness, rhythmically charged brushwork and intense colouration. Maurice Tuchman has observed that Soutine’’’’s bold creativity and style of painting, which privileged shape, colour, and texture over representation, bridged more traditional approaches with the developing form of Abstract Expressionism: 'The growing importance of individual brushstroke, the singular touch of the painter's hand, is shared by many modern Expressionists from Van Gogh right through to the American Abstract Expressionists, passing through Soutine’’’’ (Maurice Tuchman, Esti Dunow, Guy Loudmer & Klaus Perls, Chaïm Soutine (1893-1943), Catalogue raisonné, Werkverzeichnis, Cologne, 1993, vol. I, p. 35). The dish of herrings is a recurring motive in the artist’’’’s œuvre. As a traditional meal of the poor, the subject matter was taken up by artists throughout art history – including the Dutch Old Masters and Van Gogh. The personal symbolism of food is unmistakable in the still lifes of Soutine, who endured great poverty while growing up. In its bold creativity and its almost tactile presence, Nature morte aux harengs et aux oignons foreshadows the seething intensity of the subsequent avant-garde. See More See Less
Chaïm Soutine - Les Platanes À Céret

Chaïm Soutine - Les Platanes À Céret

Original 1920
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Lot number: 25
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Chaïm Soutine 1893 - 1943 LES PLATANES À CÉRET signed Soutine (lower right) oil on canvas 53.5 by 72.5cm. 21 by 28 1/2 in. Painted circa 1920. Provenance Henri Bing, Paris G. Pardo de Leygonier, Paris Estudio Actual, Caracas Galerie Beyeler, Basel (acquired from the above in 1970) Private Collection, Switzerland (acquired in 1971. Sold: Sotheby's, London, 19th June 2007, lot 23) Purchased at the above sale by the present owner Exhibited Lugano, Museo d'Arte Moderna, Chaïm Soutine, 1995, no. 26, illustrated in colour in the catalogue Céret, Musée d'Art Moderne, Soutine. Céret 1919-1922, 2000, illustrated in colour in the catalogue (titled Les Platanes à Céret, Place de la Liberté and as dating from 1919) Literature Pierre Courthion, Soutine. Peintre du déchirant, Lausanne, 1972, fig. E, illustrated p. 191 (as dating from 1919) Maurice Tuchman, Esti Dunow & Klaus Perls, Chaïm Soutine. Catalogue Raisonné, Cologne, 1993, vol. I, no. 56, illustrated in colour p. 169 Catalogue Note Soutine lived in Céret, in the Eastern Pyrenees, from 1919 until 1922, painting a number of landscapes of the region. In moving to Céret, Soutine followed in the footsteps of many artists before him, including Picasso, Gris and Chagall, however he was the only one to immerse himself fully into his new surroundings, often wandering around town and absorbing the stimuli it offered him. The present work shows a view of the Place de la Liberté (fig. 1), one of the sites he favoured as a subject. During his years in Céret, Soutine used to paint en plein air, finding a hidden spot where no passer-by could see his work. Les Platanes à Céret displays the wonderful sense of rhythm and expressive composition which Soutine developed during this period. It was in Céret, at the age of 26, that he reached artistic maturity and formulated the pictorial style and expressive force that was to drive his art throughout his career. Maïthé Vallés-Bled wrote about the present work: 'A solid composition places the gnarled trunks firmly on the sloping ground. The general movement of the construction is given by the diagonals of the thick branches on the left, bending at an angle towards the slope. The trees therefore cannot resist the winds and other climatic aggressions. Had the angle been drawn in the other direction, downhill, their balance would have been upset and they would have inevitably toppled over. This is precisely what is happening on the right-hand side of the painting where the inverted diagonals of the tree-trunks and branches collide and upset the initial balance. The trees here have the same symbolic weight, the same evocative power as the little toppled figures present in his landscapes' (M. Vallés-Bled in Chaïm Soutine (exhibition catalogue), op. cit., p. 158). Fig. 1 La Place de la Liberté in Céret. Photograph by G. Bartoli See More See Less
Chaïm Soutine - Paysage Du Midi

Chaïm Soutine - Paysage Du Midi

Original c.1918
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Lot number: 375
Other WORKS AT AUCTION
Description:
Chaïm Soutine (1893-1943) Paysage du midi signed 'Soutine' (lower right) oil on canvas 24 7/8 x 20 5/8 in. (63.2 x 52.3 cm.). Painted circa 1918 Special Notice These lots have been imported from outside the EU for sale using a Temporary Import regime. Import VAT is payable (at 5%) on the Hammer price. VAT is also payable (at 20%) on the buyer’’’’s Premium on a VAT inclusive basis. This VAT is not shown separately on the invoice. When a buyer of such a lot has registered an EU address but wishes to export the lot or complete the import into another EU country, he must advise Christie's immediately after the auction. Provenance Charles Hall Thorndike, by whom acquired directly from the artist. Anonymous sale, Bellier, Paris, 6 July 1999. Acquired at the above sale by the present owner. Exhibited Cologne, Galerie Gmurzynska, The Impact of Chaïm Soutine (1893-1943): de Kooning, Pollock, Dubuffet, Nacon, November - December 2001, p. 150 (illustrated). New York, Cheim & Read, The New Landscape, The New Still Life: Soutine and Modern Art, June - September 2006, n.p. (illustrated).
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