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Jack Leonard Shadbolt

Canada (1909 -  1998 ) Wikipedia® : Jack Leonard Shadbolt
SHADBOLT Jack Leonard  Waiting

Heffel /May 27, 2017
6,638.78 - 9,958.17
Not Sold

Find artworks, auction results, sale prices and pictures of Jack Leonard Shadbolt at auctions worldwide.
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Along with Jack Leonard Shadbolt, our clients also searched for the following authors:
Frédéric Bourchier Taylor, William Hadd Mcelcheran, Jean Albert Mcewen, Alan Caswell Collier, Arthur Lismer, Herbert Sidney Palmer, Clarence Alphonse Gagnon
Artworks in Arcadja
351

Some works of Jack Leonard Shadbolt

Extracted between 351 works in the catalog of Arcadja
Jack Leonard Shadbolt -  Burnt Grasses

Jack Leonard Shadbolt - Burnt Grasses

Original 1962
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Price:

Lot number: 328
Other WORKS AT AUCTION
Description:
Jack Leonard Shadbolt BCSFA CGP CSPWC OC RCA 1909 - 1998 Canadian Burnt Grasses watercolour on paper on board signed and dated 1962 and on verso titled and dated on the gallery label 19 3/8 x 24 in 49.2 x 61cm Provenance: Kyle's Gallery, Victoria By descent the present Private Collection, Victoria
Jack Leonard Shadbolt -  The Space Between Columns Series

Jack Leonard Shadbolt - The Space Between Columns Series

Original 1965
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Lot number: 113
Other WORKS AT AUCTION
Description:
Jack Leonard Shadbolt BCSFA CGP CSPWC OC RCA 1909 - 1998 Canadian The Space Between Columns Series (Coastal 1) acrylic and collage on board signed indistinctly and on verso signed, titled, dated 1965 and inscribed "acrylic" 26 x 40 in 66 x 101.6cm Provenance: New Design Gallery, Vancouver Collection of Jane Rule and Helen Sonthoff, Galiano Island, BC By descent to the family of Jane Rule, USA
Jack Leonard Shadbolt -  Summer Still-life

Jack Leonard Shadbolt - Summer Still-life

Original
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Net Price
Lot number: 20
Other WORKS AT AUCTION
Description:
JACK LEONARD SHADBOLT, R.C.A. SUMMER STILL-LIFE (BOUQUET) oil on canvas signed and dated \‘61; titled on the overflap, also titled and dated on the stretcher 29 ins x 39.25 ins; 73 cms x 100.3 cms Provenance: Private Collection, Collingwood Literature: Scott Watson, Jack Shadbolt , Douglas & Mc Intyre, Vancouver / Toronto, 1990, page 86. Patricia Ainslie
Jack Leonard Shadbolt -  Waiting

Jack Leonard Shadbolt - Waiting

Original 1988
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Starting price:

Price:

Lot number: 219
Other WORKS AT AUCTION
Description:
Jack Leonard Shadbolt BCSFA CGP CSPWC OC RCA 1909 - 1998 Canadian Waiting acrylic on canvas signed and dated 1988 and on verso titled and dated on the gallery label 49 x 60 in 124.5 x 152.4cm Provenance: Bau-Xi Gallery, Vancouver, 1989 Winchester Galleries, Vancouver Island Private Collection, British Columbia
Jack Leonard Shadbolt - Coast Indian

Jack Leonard Shadbolt - Coast Indian

Original 1984
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Price:

Lot number: 38
Other WORKS AT AUCTION
Description:
Jack Leonard Shadbolt BCSFA CGP CSPWC OC RCA 1909 - 1998 Canadian Coast Indian acrylic on canvas signed and dated 1984 and on verso titled 48 1/2 x 68 1/2 in 123.2 x 174cm Provenance: Bau-Xi Gallery, Toronto Private Collection, Ontario Literature: Marjorie M. Halpin, Jack Shadbolt and the Coastal Indian Image, UBC Museum of Anthropology, 1986, page 26 Jack Shadbolt’s fascination with First Nations art began in the 1930s, when he drew native artifacts in the British Columbia Provincial Museum in Victoria and sketched on the reserve land of the Cowichan people. These images recurred throughout his oeuvre, and between 1982 and 1986, Shadbolt produced a powerful body of work focused on West Coast First Nations art that was showcased in a 1986 exhibition at the UBC Museum of Anthropology. Shadbolt was inspired by native artists’ deep identification with the objects they created, and he revealed, “I found myself in complete sympathy with the Kwakiutl psychologically transformational decorative inventiveness on the one hand and with the moody monumentality of the Haida sculpture on the other and, in addition, something of the demonic ferocity of the occasional Tlingit mask…Their imprint is on my mind.” In Coast Indian, Shadbolt deconstructs his subject into a free and inventive association of ovoid forms and motifs taken from totems or masks. Liberated through his modernist aesthetic, these elements tumble through abstract space, but still radiate the spirit of their source.
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