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Anton Schranz

Germany (Ochsenhausen 1769 -  Malta 1839 )
SCHRANZ Anton  'view Of Bournarbashi From The Canal Bridge Near Yerkaseekewi',

Mallams /Oct 3, 2012
499.47 - 749.20
324.66

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Artworks in Arcadja
41

Some works of Anton Schranz

Extracted between 41 works in the catalog of Arcadja
Anton Schranz - A British Frigate Leaving Port Mahon, Minorca

Anton Schranz - A British Frigate Leaving Port Mahon, Minorca

Original
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Lot number: 184
Other WORKS AT AUCTION
Description:
Anton Schranz A BRITISH FRIGATE LEAVING PORT MAHON, MINORCA 1769-1839 oil on canvas 38.5 x 61.5 cm.; 15 1/4  x 24 1/4  in. Provenance Anonymous sale, London, Sotheby's, 10 November 1982, lot 6. Literature E. Schneider, Anton Schranz (1769–1839) : ein schwäbischer Maler aus Ochenhausen auf den Inseln Menorca und Malta, Munich 1985, reproduced. Catalogue Note Anton Schranz, father of the artist Giovanni, specialised in painting and engraving landscapes and seascapes, notably of Valetta in Malta. He lived most of his life in Minorca, where he produced similar compositions of Port Mahon, before moving to Malta in 1817. There he found patronage amongst British naval officers who bought his works as topographical souvenirs. 
Anton Schranz - The Eastern Source Of The Bunarbashi Tchai

Anton Schranz - The Eastern Source Of The Bunarbashi Tchai

Original
Estimate:

Price: Not disclosed
Lot number: 701
Other WORKS AT AUCTION
Description:
Anton Schranz (1769-1839) Austrian. \‘The Eastern Source of the Bunarbashi Tchai\’\’\’\’, from sketches by T Spratt R.N., Watercolour, Inscribed on the reverse, Unframed, 9.5\” x 13.25\”, and the companion piece, \‘View of Bunarbashi from the Canal Bridge under Yerkasee Keui\’\’\’\’, a pair (2).
Anton Schranz - View On The Road From Smyrna To Boudja

Anton Schranz - View On The Road From Smyrna To Boudja

Original 1836
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Gross Price
Lot number: 149
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Description:
Description:
Anton Schranz (Schrantz) of Malta (fl. 19th Century), German/MalteseVIEW ON THE ROAD FROM SMYRNA TO BOUDJA IN 1836; Oil on canvas; signed: "A. Schranz" lower left, signed, titled and dated 1836 at "Smyrna" and annotated by the artist: "for W. Talbot Rothwell" verso12.25" x 17.75" - 31.1 x 45.1 cm.Provenance: W. Talbot Rothwell, Smyrna direct from the artist in 1836Note: Athough this particular image is set on the Aegean Sea coast of modern day Turkey, this renowned family of painters, lead by Anton Schranz and his sons Giovanni and Anton Schranz Jr., were known primarily for their romantic depictions of early 19th century Malta and the raging Maltese seas. Their paintings were originally created as souvenirs for members of the navy and the British military stationed on the island and the burgeoning tourist market in 19th century Malta.
Anton Schranz -  'view Of Bournarbashi From The Canal Bridge Near Yerkaseekewi',

Anton Schranz - 'view Of Bournarbashi From The Canal Bridge Near Yerkaseekewi',

Original
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Net Price
Lot number: 184
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Lot 184

Lot 184 Description

ANTON SHRANZ (1769-1839)
'View of Bournarbashi from the Canal Bridge Near Yerkaseekewi', 'The Eastern Source of the Bournarbashi Tchai' and 'View of the South Side of Supposed Pergamus from the Base of Kara - Dagh', a group of three brown wash drawings heightened in white from sketches by T. Spratt R.N. and apparently each titled verso, 9" x 12 3/4" (X 2) and 9" x 12 1/4" (X 1) (3)

Ex. Abbott and Holder

Additional Illustrations

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Anton Schranz - A British Frigate Entering Grand Harbour, Valetta, Malta

Anton Schranz - A British Frigate Entering Grand Harbour, Valetta, Malta

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Lot number: 41
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Description:
Anton Schranz (Ochsenhausen 1769-1839 Malta) A British frigate entering Grand Harbour, Valetta, Malta oil on canvas 14½ x 23 3/8 in. (36.9 x 59.3 cm.)
Provenance
R.D. Grimm, 1967.
Born in Ochsenhausen, Germany in 1769, it is recorded that Schranz arrived in Minorca sometime between 1793-94. Captured by the British in 1798, although returned to Spain under the Treaty of Amiens in 1802, Minorca had become a British naval base. Many of Schranz's patrons were British naval officers and whilst there he concentrated on painting ships of the Royal Navy in the grand environment of the harbour of Port Mahon. However, once the British had captured Malta and developed a naval base there after the Napoleonic Wars, Minorca was phased out. Consequently, in 1817 Schranz moved to Malta where he continued to execute his views of Royal Naval ships lying in Grand Harbour, Valetta. He died there in 1839. His work is represented in the Royal Collection.
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