Egon Schiele

Austria (18901918 ) - Artworks Wikipedia® - Egon Schiele
SCHIELE Egon Kniender Weiblicher Akt

Sotheby's /Jun 24, 2014
75,056.29 - 100,075.06
265,136.25

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Artworks in Arcadja
670

Some works of Egon Schiele

Extracted between 670 works in the catalog of Arcadja
Egon Schiele - Kümmernis

Egon Schiele - Kümmernis

Original 1914
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Lot number: 86
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EGON SCHIELE (1890-1918) Kümmernis drypoint, 1914, on wove paper, , a proof aside from the edition of 100 on this paper, Kallir's state B (of B), a fine impression, with full margins, repaired tears in the margins and occasional surface soiling in the margins, a vertical crease in the left margin, framed Image: 18 5/8 x 12¼ in. (473 x 311 mm.) Sheet: 26 x 18 7/8 in. (660 x 479 mm.) Kallir 7
Egon Schiele - Self-portrait

Egon Schiele - Self-portrait

Original
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Lot number: 76
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Lot 76: Egon Schiele (1890-1935), Bronze, Self-Portrait, c. 1917/1980 Description: Bronze, brown patinated Austria, around 1917/1980 Egon Schiele (1890-1918) - Austrian artist With the signature of the artist, the date and the copyright lower left in the cast 'Egon Schiele © 1980 ©' With the punched numbering '237/300' Posthumous cast Foundry Venturi Arte, Bologna Published by Collector's Club, Wien Catalog raisonné: Kallir S-4f Overall dimensions: ca. 28 x 19 x 24 cm Very good condition Expressive self-portrait by the Austrian artist; posthumous cast of this bronze fetch up to €11,400 at international auctions Object is regular taxed. 19% VAT is added to the purchase price for deliveries within the EU This bronze was cast posthumously in the Italian foundry Venturi Arte in Bologna and published in 1980 by the Collector's Club in Vienna in an edition of 300 + XXX copies. It was made after a clay model that Egon Schiele created around 1917. Self-portraits in which the artist deals with himself and his psyche, play an important role in his oeuvre. The bronze is assigned with the signature of the artist, the date and the copyright lower left in the cast 'Egon Schiele © 1980 ©'. There it also bears the punched numbering '237/300'. The bronze is in very good condition. It measures 28 x 19 x 24 cm. Egon Schiele (1890-1918) Egon Schiele, along with Gustav Klimt and Oskar Kokoschka, is one of the most significant artists of the Wiener Moderne. His exceptional talent was discovered early on. Schiele was accepted to the Academy of Fine Arts in Vienna at the young age of 16, leaving after only three years to found the Neukunstgrupp in 1909. In the same year four of his artworks were exhibited at the Internationale Kunstschau . Influenced by Gustav Klimt, whom he first met in 1907, Schiele soon developed a completely unique style. At the age of 20 he was already a mature artist. After leaving Vienna in 1911, Schiele experienced one of his most productive periods. His lifestyle, however, was seen as scandalous outside the capital. He was even imprisoned on charges of 'public immorality'. Schiele served in the Austrian army during World War I. During his first months of service he had an intermittent access to his Vienna studio. In 1916, however, he was transferred to a POW camp in a remote rural community, and found less time for creative work. Only upon his return to Vienna in 1917 did Schiele's artistic output return to its prior level. In 1917 and 1918, his work was shown in Amsterdam, Copenhagen and Helsinki. Schiele achieved his breakthrough in 1918 with a group exhibition of the Vienna Secession , where he was able to present a wide selection of paintings and drawings. He subsequently participated in A Century of Viennese Painting at the Kunsthaus Zurich as well as shows in Prague and Dresden. The 28-year-old had just reached the peak of his success when the Spanish Flu took his life along with that of his pregnant wife Edith.
Egon Schiele - Akt Mit Roten Strumpfbänder (recto); Liegender Akt (verso)

Egon Schiele - Akt Mit Roten Strumpfbänder (recto); Liegender Akt (verso)

Original 1911
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Lot number: 32
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Lot Description Egon Schiele (1890-1918) Akt mit roten Strumpfbänder (recto); Liegender Akt (verso) signed with initial and dated 'S.11' (lower right) gouache, watercolour and pencil on paper (recto); pencil on paper (verso) 22 x 14 3/4 in. (56 x 37.4 cm.) Executed in 1911 Special Notice These lots have been imported from outside the EU for sale using a Temporary Import regime. Import VAT is payable (at 5%) on the Hammer price. VAT is also payable (at 20%) on the buyer’’’’s Premium on a VAT inclusive basis. This VAT is not shown separately on the invoice. When a buyer of such a lot has registered an EU address but wishes to export the lot or complete the import into another EU country, he must advise Christie's immediately after the auction. Provenance Felix Landau, Los Angeles. Purchased from the above by Samuel G. Gallu, Philadelphia, by circa 1963. Galerie Saint-Etienne, New York, by whom acquired from the estate of the above in 1991. Private collection, New York, by whom acquired from the above in 1992. Acquired from the above by the late owner in 1994. Pre-Lot Text PROPERTY FROM THE ESTATE OF EDGAR M. BRONFMAN Literature Artforum, vol. I, no. 9, March 1963, p. 25 (recto illustrated). J. Kallir, Egon Schiele: The Complete Works, including a Biography and Catalogue Raisonné, Expanded Edition, New York, 1998, p. 439, no. 794 (recto illustrated p. 438), no. 797 (verso illustrated p .439). J.Kallir, Egon Schiele: Drawings and Watercolours, London, 2003, pp. 139, 141-142, 146 (recto illustrated p. 147). The Pennsylvania State University, Museum of Art, Selected Works from the Collection of Samuel Gallu, March - May 1981, no. 23(recto illustrated). New York, Gagosian Gallery, Egon Schiele: Nudes, March - April 1994 (recto illustrated pl. 15). View Lot Notes >
Egon Schiele - Kniender Weiblicher Akt

Egon Schiele - Kniender Weiblicher Akt

Original 1914
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Lot number: 125
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Provenance Serge Sabarsky, New York Private Collection, New York Sale: Sotheby's, London, 21st June 2004, lot 34 Purchased at the above sale by the present owner Exhibited Los Angeles, Felix Laundau Gallery, Egon Schiele 1890 - 1918, Paintings, Watercolors and Drawings, 1967, no. 34, illustrated in the catalogue Chicago, Art Institute of Chicago; Colombus, Colombus Gallery of Fine Arts & Des Moines, Des Moines Art Center, Egon Schiele and the Human Form: Drawings and Watercolors, 1971-72, no. 40, illustrated in the catalogue Munich, Haus der Kunst, Egon Schiele, 1975, no. 217, illustrated in the catalogue Seibu, The Seibu Museum of Art, Egon Schiele, 1979, no. 53, illustrated in the catalogue Vienna, Historisches Museum der Stadt Wien; Linz, Neue Galerie der Stadt Linz; Munich, Museum Villa Stuck & Hannover, Kestner-Gesellschaft, Egon Schiele, Aquarelle und Zeichnungen, 1981-1982, no. 82, illustrated in the catalogue Rome, Pinacoteca Capitolina & Venice, Galleria Internazionale d'Arte Moderna, Egon Schiele, no. 134, illustrated in the catalogue Vienna, Akademie der bildenden Künste; Milan, Accademia di Belle Arti di Brera; Palermo, Villa Zito; Tel Aviv, Tel Aviv Museum (& travelling), Egon Schiele: Vom Schüler zum Meister, Zeichnungen und Aquarelle 1906-1918, 1984-85, no. 77 illustrated in colour in the catalogue Vienna, Bawag Foundation (& travelling), Egon Schiele: 100 Zeichnungen und Aquarelle, 1988-97, no. 73, illustrated in colour in the catalogue Zurich, Hauser & Wirth, Egon Schiele: Arbeiten auf Papier, 1994, illustrated in colour in the catalogue PROPERTY FROM A PRIVATE EUROPEAN COLLECTION Egon Schiele 1890 - 1918 KNIENDER WEIBLICHER AKT (CROUCHING FEMALE NUDE) signed Egon Schiele and dated 1914 (lower right) gouache, watercolour and black crayon on paper 31 by 48cm., 12¼ by 18⅞in. Executed in 1914. Executed on cream wove paper, not laid down, taped to the overmount in two places along the upper edge. There is a 6.5cm-long repaired tear running inwards from the centre of the right edge and a 3cm-long repaired tear to the upper right corner. There is a very small repaired nick to the left part of the upper edge and a tiny paper loss to the upper left corner (not visible when framed). The sheet is slightly time-stained and there is some evidence of previous mounting in three places along the upper edge. There is an artist's pinhole to each of the upper corners and some scattered minor creases in places. The medium is in a good state and this work is in overall good condition. "In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue. NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
Egon Schiele - Bildnis Paris Von Gütersloh

Egon Schiele - Bildnis Paris Von Gütersloh

Original 1918
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Lot number: 81
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Egon Schiele (Tulln 1890-1918 Vienna) "Bildnis Paris von Gütersloh" (Portrait of Paris…),1918, lithograph in brown, one of 125 copies, image size 26,4 x 30,2 cm, sheet size 53,8 x 39,3 cm, mount, framed, (EH) Literature: Otto Kallir, Egon Schiele. Das druckgraphische Werk, Paul Zsolnay Verlag 1970, 16b (illustration shows different copy); Jane Kallir, Egon Schiele. The Complete Works, London/New York 1990, Graphics 16b (illustration shows different copy)
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