Egon Schiele

Austria (18901918 ) - Artworks Wikipedia® - Egon Schiele
SCHIELE Egon Stadt Am Blauen Fluss

Christie's /Nov 5, 2014
593,427.79 - 890,141.68
2,199,437.00

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Artworks in Arcadja
677

Some works of Egon Schiele

Extracted between 677 works in the catalog of Arcadja
Egon Schiele - Self-portrait

Egon Schiele - Self-portrait

Original -
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Lot number: 4
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Description:
Egon Schiele (Tulln 1890-1918 Vienna) Self-portrait, c. 1917, bronze, brown patina, signed Egon Schiele, numbered 216/300 (+30 casts numbered in Roman numerals), height 29 cm, cast: Venturi Arte, Bologna 1980, (K) Jane Kallir, Egon Schiele, The Complete Works, New York, 1998, page 651 / no. 5-4f
Egon Schiele - Selbstbidnis

Egon Schiele - Selbstbidnis

Original
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Lot number: 2
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Egon Schiele (Austrian, 1890-1918) Selbstbidnis, ca. 1917/1980 Bronze Signed, dated and numbered 233/300 11" high Literature: Kallir 4 f Provenance: Private Collection, Germany Condition Report: The work of art is in good condition. Signed, dated and numbered 233/300. No issues noted.
Egon Schiele - Liegender Akt Mit Erhobenen Beinen

Egon Schiele - Liegender Akt Mit Erhobenen Beinen

Original 1912
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Lot number: 167
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Lot Description Egon Schiele (1890-1918) Liegender Akt mit Erhobenen Beinen signed and dated 'Egon Schiele 1912.' (lower right) pencil on buff paper 18 ½ x 12 ½ in. (47 x 31.7 cm.) Drawn in 1912 Provenance Galerie St. Etienne, New York. Viktor Gruen, New York (acquired from the above, circa 1970). By descent from the above to the present owner. Literature J. Kallir, Egon Schiele, The Complete Works, Including a Biography and a Catalogue Raisonné, New York, 1998, p. 464, no. 1010 (illustrated).
Egon Schiele - Stadt Am Blauen Fluss

Egon Schiele - Stadt Am Blauen Fluss

Original
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Lot number: 7
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Egon Schiele (1890-1918) Stadt am blauen Fluss (Krumau) signed with initial and dated 'S.10.' (lower right) gouache, watercolor, metallic paint and black Conté crayon on paper 17¾ x 12 3/8 in. (45 x 31.4 cm.) Executed in 1910 Fritz Grünbaum, Vienna. Schenker & Co., Vienna (1938). Gutekunst & Klipstein, Bern (circa 1956). Galerie St. Etienne, New York (acquired from the above, 1956). Acquired from the above by the late owner, by 1965. PROPERTY FROM THE ESTATE OF ILONA GERSTEL W. Hofmann, "L'Espressionismo in Austria" in L'Arte Moderna, 1967, vol. 3, no. 20, p. 80 (illustrated). J. Kallir, Egon Schiele: The Complete Works, New York, 1990, p. 432, no. 742 (illustrated). J. Kallir, Egon Schiele: The Complete Works, New York, 1998, p. 432, no. 742 (illustrated). Vienna, Galerie Würthle, Egon Schiele, December 1925-January 1926, no. 51. Bern, Gutekunst & Klipstein, Ausstellung Egon Schiele: Bilder, Aquarelle, Zeichnungen, Graphik, September-October 1956, p. 18, no. 9 (illustrated). New York, Galerie St. Etienne, Egon Schiele: Watercolors and Drawings, January-February 1957, p. 5, no. 1 (illustrated). New York, Galerie St. Etienne, Egon Schiele: Watercolors and Drawings from American Collections, March-April 1965, p. 11, no. 13 (illustrated, pl. 5). New York, Galerie St. Etienne, Austria's Expressionism, April-May 1981, p. 38 (illustrated, fig. 38). Vienna, Akademie der bildenden Künste; Milan, Accademia di Belle Arti di Brera; Palermo, Villa Zito; Tel Aviv Museum; Hamburger Kunsthalle; Salzburg, Rupertinum; Graz, Schloss Plankenwirth; Innsbruck, Tiroler Landesmuseum Ferdinandeum; Bottrop, Josef Albers Museum and Nürnberger Kunsthalle, Egon Schiele vom Schüler zum Meister, January 1984-June 1986, p. 138, no. 21 (illustrated in color, pl. 21). Rome, Pinacoteca Capitolina, Campidoglio, Egon Schiele, June-August 1984, p. 219, no. 50 (illustrated in color, pl. 50). New York, The Museum of Modern Art, Drawings in Austria and Germany, May-October 1985. New York, The Museum of Modern Art, circa 1985 (on extended loan).
Egon Schiele - Zwei Weiblicher Akte

Egon Schiele - Zwei Weiblicher Akte

Original 1917
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Lot number: 147
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Egon Schiele 1890 - 1918 ZWEI WEIBLICHER AKTE (TWO FEMALE NUDES) Signed Egon Schiele and dated 1917 (lower left) Black crayon on paper 11 3/8 by 18 in. 28.9 by 45.7 cm Executed in 1917. Read Condition Report Read Condition Report Register or Log-in to view condition report Saleroom Notice Provenance Private Collection, Milan Acquired from the above by the present owner Literature Jane Kallir, Egon Schiele: The Complete Works, New York, 1998, no. 2026a, illustrated p. 585 Jane Kallir, Egon Schiele: Drawings & Watercolours, New York, 2003, illustrated p. 433 In the final years of his tragically short life, Schiele achieved a new level of artistic maturity, adopting an assured, elegant and arresting line. As Jane Kallir observes: "He had always been a demon draftsman, capable of achieving stop-action effects comparable to those of photography, and his line, by 1917, had acquired an unprecedented degree of precision... Schiele's drawing technique—the armature upon which all his painted forms rested—had acquired an almost classical purity. Peschka accused him, with some accuracy, of reverting to Griepenkerl's precepts, and it is true that Schiele's work manifested a heretofore unknown fidelity to the representational integrity of his subject matter and a new sensitivity to the ability of line to suggest volume. Schiele's hand had never been surer, more capable of grasping, in a single breathtaking sweep, the complete contour of a figure. This extreme dexterity invited mannerism; when his subject was not particularly exciting, drawing was just too easy for him. And yet, when he was inspired, his execution was flawless; he had found, in the best of his late work, the perfect line" (Jane Kallir, Egon Schiele, Life and Work, New York, 2003, pp. 223 & 230). This work is in very good condition. Executed on cream wove paper, not laid down. The sheet is fixed to the mount at several points along the perimeter of the verso. The upper and left edges are slightly irregular. There is a slight waviness to the sheet along the upper edge. The sheet is lightly discolored and there is a faint old mat stain. There are a few scattered flattened creases: across upper and lower right corners, at center right edge, just below the center of the composition and in the upper left quadrant. In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
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