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Giulio Aristide Sartorio

Italy (Roma 1860 -  1932 ) Wikipedia® : Giulio Aristide Sartorio
SARTORIO Giulio Aristide Triptych Study: Panther, Panther Devouring Man, And Man Fighting Snake

Nadeau
Jan 26, 2019
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Artworks in Arcadja
154

Some works of Giulio Aristide Sartorio

Extracted between 154 works in the catalog of Arcadja
Giulio Aristide Sartorio - Brasile

Giulio Aristide Sartorio - Brasile

Original 1924
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Net Price
Lot number: 10
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Description:
GIULIO ARISTIDE SARTORIO (italian 1860-1932) "BRASILE" Signed, titled and dated 'G.A. Sartorio/MCMXXIV' [1924] verso, oil on canvas laid down to board 22 1/2 x 30 in. (57.2 x 76.2cm) provenance: Private Collection, Massachusetts. NOTE: Giulio Aristide Sartorio was born in Rome to a family of artists. After studying at the Institute of Fine Arts in Rome, Sartorio started to exhibit, entering a Symbolist painting into the Roman International Exposition in 1883, and winning the gold medal at the 1889 Exposition Universelle in Paris. He subsequently traveled to England, where he became familiar with the works of the British Pre-Raphaelites, including Dante Gabriel Rossetti (1828-1882) and Sir Edward Burne-Jones (1833-1898). These painters and their influence through both subject matter and style, were precursors to the Symbolist movement , which deeply impacted Sartorio, now best known as a Symbolist painter of both landscapes and fantasy motifs based on classic poems and legends. He was also an illustrator, teacher, writer, and a film producer, as well as director over the course of his career. The following lots illustrate Sartorio's pleasure (and keen ability) to paint landscapes, both with and without figurative elements. Highlighting nature and humanity in harmony, the artist depicts children playing on beaches, men hauling in bountiful nets full of fish, as well as jagged mountains juxtaposed with luminous trees. In each of these paintings, the viewer is presented with seemingly quotidian subject matter; however they are imbued with deeper meaning, and can be interpreted in a myriad of ways, true to the Symbolist philosophy.
Giulio Aristide Sartorio - Triptych Study: Panther, Panther Devouring Man, And Man Fighting Snake

Giulio Aristide Sartorio - Triptych Study: Panther, Panther Devouring Man, And Man Fighting Snake

Original
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Starting price:

Price: Not disclosed
Lot number: 41
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Description:
Giulio Aristide Sartorio (1861-1932), pen and sepia ink on paper laid on board, Triptych Study: Panther, Panther Devouring Man, and Man Fighting Snake; signed with initials GAS, having estate stamp. 15" x 9" Provenance: Exhibited New York Shepherd Gallery Giulio Aristide Sartorio: Symbolist Drawing 1970 No. 1 son of artist stamped at Shepherds Gallery exhibit. Provenance: Estate of Kenneth Jay Lane, Sotheby Parke Bernet Kenneth Jay Lane Collection 1977 #643.*
Giulio Aristide Sartorio -  A Spring Evening

Giulio Aristide Sartorio - A Spring Evening

Original 1902
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Gross Price
Lot number: 1240
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Description:
Giulio Aristide Sartorio (Rome 1860–1932) A spring evening, signed, dated and inscribed G. A. Sartorio Roma 1902, mixed media on cardboard, 54.5 x 45 cm, framed, (GG) Provenance: Private Collection Italy, acquired in the 1980´s. The date on the reverse of the present lot indicates that it was painted in 1902. It can be connected to the composition depicting the Wise and Foolish virgins, which was painted in 1890-91. It is a remarkable painting and one of the artist\’s major works. According to the Gospel of Matthew, the five virgins who are prepared for the bridegroom\’s arrival are rewarded, whilst the five who are not prepared are disowned. \“Be prepared for the last judgment\”: This parable was very popular in the Middle Ages and has remained a popular subject for painting ever since. The Italian Pre-Raphaelite artists were active in Rome at the end of the 19th century, and artists such as Sartorio were influenced by the English Pre-Raphaelitism and particularly by Dante Gabriel Rossetti (1828-1882) and Edward Burne-Jones (1833-1898). Sartorio depicted the idea of the return to nature and made use of symbolism to give spiritual value to painting, such as in the present lot. The fragile and mysterious feminine beauty of this work is a delightful example of the artist\’s main focus in the 1890\’s. Specialist: Gautier Gendebien
Giulio Aristide Sartorio - Coastal Landscape

Giulio Aristide Sartorio - Coastal Landscape

Original 1891
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Lot number: 18
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Description:
Lot 18: G. Sartorio (1860-1932), Coastal Landscape, Mixed Media, 1891
Description: Mixed media of pastel, gouache and black charcoal on wove paper, laid down on cardboard
Italy, 1891
Giulio Aristide Sartorio (1860-1932) – Italian painter and film director
Signed, inscribed and dated lower left \‘G. A. SARTORIO. ROMA. 1891\’\’\’\’\’\’\’\’
Sheet dimensions: 29 x 60.5 cm
Frame: 46.5 x 78.5 cm
Good condition
Giulio Aristide Sartorio - Ruins, Tiahuanaco

Giulio Aristide Sartorio - Ruins, Tiahuanaco

Original
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Price: Not disclosed
Lot number: 64094
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Description:
Description:
GIULIO ARISTIDE SARTORIO (Italian, 1860-1932) Ruins, Tiahuanaco, 1924 Oil on canvasboard 16 x 18 inches (40.6 x 45.7 cm) Signed, dated and inscribed by artist upper right: Bolivia, Tiahuanaco Lerovine, G. A. Sartorio MCM XXIV THE JEAN AND GRAHAM DEVOE WILLIFORD CHARITABLE TRUST Despite his passion for American painting, Graham Williford had catholic tastes in art which occasionally resulted in rather remarkable acquisitions outside the usual scope of his collection. This painting of the pre-Columbian ruins of Tiahuanaco in the Bolivian Andes by the Roman painter and film director Giulio Sartorio is one such acquisition. In the later phase of a celebrated artistic career as a Symbolist painter and friend of the English PreRaphaelites, as one of the finest late 19th-century painters of the Roman Campagna with its ancient ruins and friend of poet Gabriele D'Annunzio, and a prize-winning decorative painter, Sartorio explored the Middle East, Japan and Latin America during the 1920s. In Bolivia he was profoundly inspired by the Tiahuanaco ruins, the oldest sacred center of Andean region (an earlier name of the site was taypicala, meaning the 'rock in the center'). Traditionally it is thought to have been built by the predecessors of the Inca Civilization. Some of the massive structures at this site, like the Great Pyramid and the Sphinx in Egypt and Baalbek in Lebanon, date from pre-flood times, as long ago as 10,500 BC. Originally a coastal empire and now twelve miles from the coast of the sacred Lake of Titicaca, Tiahuanaco was the source of the creation myths, the social order, and the extraordinary preoccupation with astronomy that underwrote thousands of years of Andean culture. In the present work, Sartorio places in foreground of his composition the mysterious figurative Stela 8, and shows the ruins of the Kalasasaya temple off to the right.
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