Thomas Rowlandson

United Kingdom (17561827 ) - Artworks Wikipedia® - Thomas Rowlandson
ROWLANDSON Thomas Procession Of The Cod Company

Bonhams /Sep 17, 2014
759.01 - 1,012.02
632.50

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Thomas Rowlandson

 

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Artworks in Arcadja
1095

Some works of Thomas Rowlandson

Extracted between 1,095 works in the catalog of Arcadja
Thomas Rowlandson - The Hunt Breakfast

Thomas Rowlandson - The Hunt Breakfast

Original
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Gross Price
Lot number: 691
Other WORKS AT AUCTION
Description:
Lot Description Thomas Rowlandson (1756-1827) The hunt breakfast pencil, pen and ink and coloured wash on paper 6 ½ x 10 ¼ in. (16.5 x 26 cm.) Special Notice These lots have been imported from outside the EU for sale using a Temporary Import regime. Import VAT is payable (at 5%) on the Hammer price. VAT is also payable (at 20%) on the buyer’’’’s Premium on a VAT inclusive basis. This VAT is not shown separately on the invoice. When a buyer of such a lot has registered an EU address but wishes to export the lot or complete the import into another EU country, he must advise Christie's immediately after the auction. Lot Condition Report I confirm that I have read this Important Notice and agree to its terms. View Condition Report Provenance Col. Sibthorp J. Samuel Insull Lord Radcliffe with Spink Anonymous Sale; Christie's, 27 April 1965, lot 78 with Colnaghi, London Anonymous Sale; Sotheby's London, 11 November 1982, lot 96 Exhibited Atlanta, Georgia, The High Museum of Art, British Watercolours from the West Collection, 24 May 1988 - 5 March 1989, no. 38. Moultrie, Georgia, Colquiitt County Arts Center, British Watercolours from the West Foundation Collection, 6 - 31 May 1999, no. 42.
Thomas Rowlandson - St. Giles

Thomas Rowlandson - St. Giles

Original 1810
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Lot number: 60
Other WORKS AT AUCTION
Description:
Thomas Rowlandson (1756-1827) St. Giles, Oxford from near St. Johns, c.1809-10 Watercolour 22 x 30.5cm; 8½ x 12in Provenance: Spink, London No. K3 10364 Exhibited: Richard Green/Frank T. Sabin, 1980, No. 26 ++A repair upper left corner, some restoration, some fading, one or two minor blemishes
Thomas Rowlandson - The Dog Fight; The Return Of The Prodigal Son;

Thomas Rowlandson - The Dog Fight; The Return Of The Prodigal Son;

Original 1812
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Lot number: 64
Other WORKS AT AUCTION
Description:
Thomas Rowlandson (London 1756-1827) The dog fight; The Return of the Prodigal Son; Michelham Priory, Sussex (a group of three) first, signed and dated 'T. Rowlandson 1812' (lower left); second, unsigned; third, inscribed 'Michelham Priory, Sussex' (lower left) each pen and ink and watercolor over pencil first, 6 3/4 x 8 3/4in (17.2 x 22.2cm); second, 7 1/2 x 9 3/4in (19 x 24.7cm); third, 6 x 9 1/2in (15.2 x 24.1cm) Footnotes Provenance "Michelham Priory, Sussex": Frances Lunn, Meridian, New York. Sale, Christie's New York, 30 October 1985, lot 430.
Thomas Rowlandson - Procession Of The Cod Company

Thomas Rowlandson - Procession Of The Cod Company

Original 1810
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Gross Price
Lot number: 11
Other WORKS AT AUCTION
Description:
Thomas Rowlandson (London 1756-1827) Procession of the Cod Company Etching, 1810, with hand colouring, on wove, published Sept 18th by Thomas Tegg, London, 250mm x 355mm (9 3/4in x 14in)(PL), together with another by the same hand 'Bath Races', 1810, with hand colouring, on wove, published by Thomas Tegg, London, 248mm x 350mm (9 3/4 in x 13 3/4in)(PL), plus James Gillray 'Pillars of the Constitution', 1809, with hand colouring, on wove, published Feb.1st by H Humphrey, London, trimmed to the image, 333mm x 230mm (13in x 9 1/8in)(SH) (3)
Thomas Rowlandson - Two Sportsmen

Thomas Rowlandson - Two Sportsmen

Original
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Net Price
Lot number: 78
Other WORKS AT AUCTION
Description:
Lot 78: Thomas Rowlandson (1757-1827) - Two sportsmen, one possibly Rowlandson, out shooting in Hengar Woods, West Camelford, Description: watercolour, pen and ink, over pencil, inscribed in brown ink verso Hengar Wood, W. Camelford, Cornwall, circa 1795, 21 x 27 cm. (8 1/4 x 10 5/8 in) Provenance: Private collection, UK. The current watercolour is directly comparable with Rowlandson's A Sportsman, possibly Rowlandson, with hounds setting out from Hengar House, Cornwall [cf. John Hayes, Rowlandson Watercolours and Drawings, 1972, repr. p. 19, fig. 6], and stylistically would appear to have been executed during the same stay at Hengar House. Hengar House, Cornwall, was the country estate of Matthew Michell (1751-1817), who apart from having 'an apparently insatiable appetite for Rowlandson's drawings, was [also] one of the artist's closest friends from the 1790s, until 1819, when he died', [John Hayes, Rowlandson Watercolours and Drawings, 1972, p. 7].
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