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Pierre-Auguste Renoir

France (Limoges 1841 -  Cagnes-sur-mer 1919 ) Wikipedia® : Pierre-Auguste Renoir
RENOIR Pierre-Auguste Le Chapeau Épinglé

Lempertz
Jun 1, 2018
Find artworks, auction results, sale prices and pictures of Pierre-Auguste Renoir at auctions worldwide.
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Variants on Artist's name :

Pierre Auguste Renoir

Pierre August Renoir

 

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Artworks in Arcadja
4916

Some works of Pierre-Auguste Renoir

Extracted between 4,916 works in the catalog of Arcadja
Pierre-Auguste Renoir - Small Crouching Washerwoman

Pierre-Auguste Renoir - Small Crouching Washerwoman

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Lot number: 372
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Lot 372: after Pierre-Auguste Renoir (French, 1841-1919), Small Crouching Washerwoman Description: a mid-20th century posthumous bronze casting, inscribed signature in the casting, mounted to a stepped granite plinth. DOA 12 x 11 x 7 in. Renoir began working in bronze towards the end of his life, due to failing eyesight. This sculpture was one of a series of works completed circa 1916 featuring strong, fleshy women toiling away at a mundane task, yet with a certain detached demeanor. From the Estate of the Late Albert Sack Additional high-resolution photos are available at Leland Little.com
Pierre-Auguste Renoir - Nude

Pierre-Auguste Renoir - Nude

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Lot number: 96
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Lot # : 96 - PIERRE-AUGUSTE RENOIR French 1841-1919 OOC Nude Oil on canvas. Featuring nude. Signed and attr. Pierre-Auguste Renoir (French, 1841-1919). 21.7 x 18.1 in. (55 x 46 cm ). Pierre-Auguste Renoir was a French painter and leading figure in the Impressionist movement. Renoir applied pigment with lively brushstrokes that effectively captured flickering light and atmosphere, as seen in his Bal du moulin de la Galette (1876). \“For me, a picture must be a pleasant thing, joyous and pretty yes, pretty. There are too many unpleasant things in life for us to fabricate still more,\” he once reflected. Born on February 25, 1841 in Limoges, France, Renoir studied at the École des Beaux-Arts before meeting Claude Monet and Alfred Sisley. He participated in the first and second Impressionist exhibitions in 1874 and 1876, which despite receiving harsh reviews achieved the goal of providing a challenge to the dominance of the Salon. Over the next decade, Renoir distanced himself from the group, painting more structured compositions, inspired by the Renaissance artworks he saw while on a trip to Italy. Towards the end of his life he suffered from severe rheumatoid arthritis, and was forced to paint many of his last works with a brush tied to his hand. Renoir died on December 3, 1919 in Cagnes-sur-Mer, France. Today, the artist\’s works are held in the collections of the Musée d\’Orsay in Paris, The Museum of Modern Art in New York, the Hermitage Museum in St. Petersburg, and the National Gallery in London, among others. PROVENANCE: Private Collection (Manchester, UK)
Pierre-Auguste Renoir - Le Petit Garçon Au Porte-plume (claude Renoir Écrivant)

Pierre-Auguste Renoir - Le Petit Garçon Au Porte-plume (claude Renoir Écrivant)

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Lot number: 48
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Pierre Auguste Renoir (Limoges 1841-1919 Cagnes near Nice) \“Le petit garçon au porte-plume (Claude Renoir écrivant)\”, lithograph on wove paper MBM Ingres d'Arches, from the edition of probably 50 impressions, image size 29.5 x 40.1 cm, sheet size 47.3 x 62.8 cm, Delteil 55, Leymarie/Melot 50, margin slightly wavy, mounted, framed, (RAC) Created as a transfer lithograph from a 1905 drawing. Its further elaboration as a colour lithograph was planned but not executed. Specialist: M.A. Raphael Achterberg
Pierre-Auguste Renoir - Claude Renoir, De Trois-quarts

Pierre-Auguste Renoir - Claude Renoir, De Trois-quarts

Original 1908
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Lot number: 73
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Description: Pierre-Auguste Renoir (French, 1841-1919) 5-3/8" x 4-3/4" image; 12" x 8-1/2" paper "Claude Renoir, de trois-quarts à gauche", 1908. Soft ground etching on Arches, 1st edition printing in black and white before the numbered edition of 50, Arches watermarks, CR: # S9, matted and framed under UV plexi in a decorative frame, overall 17" x 16".
Pierre-Auguste Renoir - Le Chapeau Épinglé

Pierre-Auguste Renoir - Le Chapeau Épinglé

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Lot number: 247
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Auguste Renoir (1841 - 1919) Lot 247: Pierre-Auguste Renoir, Le Chapeau épinglé, 2e planche, Circa 1898 Description: Signed 'Renoir' within the stone lower right, stamped signature 'Renoir' below the depiction on the left.The magnificent, large-format colour lithograph \“Le chapeau épinglé\” is among Renoir's most outstanding prints. It has an exceptionally painterly effect: the soft, gentle tonality and freshness of Renoir's paintings have been expertly transposed into the medium of the printing technique - a masterful achievement by the artist and his printer, Auguste Clot. The total edition of the colour lithograph consisted of 200 impressions in different chromatic variations. Only a part of these, including the present example, were realised with the greatest number of colours. The total of 11 tones makes a rich scale of nuances and modulations possible.The sheet's motif is also very typical of Renoir's oeuvre: in this charming anecdotal scene, a girl - Berthe Morisot's daughter - is sticking flowers into the summer hat of her cousin. Although carefully composed by the artist, the scene seems as though it were captured spontaneously. The young girl in the foreground appears only in lost profile; in addition, her face and shoulders are further covered by her white hat and long, black hair. As a delicate apparition in a white dress, her cousin with the flowered hat is shifted somewhat into the picture's background. As the work's title already suggests, the hat decorated in splendid colours really is the focus of the composition. It immediately attracts the viewer's gaze: the colour of the print is concentrated there. The famous art dealer and publisher Ambroise Vollard, who published the edition of \“Le chapeau épinglé\”, even mentions the work in his memoirs: \“I've always very particularly loved prints, and hardly had I set myself up in the Rue Laffitte, when I began harbouring the wish to publish a work with prints, but only with pieces by living painters. […] On my initiative Bonnard, Cézanne, Maurice Denis, Redon, Renoir, Sisley, Toulouse-Lautrec and Vuillard created the beautiful sheets, which are still so sought-after today, as an experiment. […] Renoir, who always displayed the greatest goodwill towards me, also created a number of lithographs for me, including the well-known sheet 'Chapeau épinglé', which he carried out in black and in colour, using ink for the one plate and pencil for the other.\” (cited from: Ambroise Vollard, Erinnerungen eines Kunsthändlers, Zurich 1980, pp. 263 f.). Dimensions: 61.5 x 49.5 cm (75 x 59.2 cm)
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