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Auguste Renoir

(Limoges 1841 -  Cagnes 1919 ) Wikipedia® : Auguste Renoir
RENOIR Auguste La Danse À La Campagne, 2e Planche

Swann Galleries /Nov 3, 2016
5,407.84 - 8,111.76
Not Sold

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Variants on Artist's name :

Renoir Pierre-Auguste

Renoir Pierre Auguste

 

Artworks in Arcadja
4404

Some works of Auguste Renoir

Extracted between 4,404 works in the catalog of Arcadja
Auguste Renoir - Pré, Arbres Et Femmes

Auguste Renoir - Pré, Arbres Et Femmes

Original 1899
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Lot number: 3204
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PIERRE AUGUSTE RENOIR (Limoges 1841 - 1919 Cagnes-sur-Mer) Pré, arbres et femmes. Circa 1899. Oil on canvas. With signature stamp lower left: Renoir. 23 x 41 cm. The authenticity of the work has been confirmed by the Wildenstein Institute, Paris, 7 December 2004. Provenance: - Estate of the artist. - Durand-Ruel, Paris. - Acquired from Durand-Ruel 1959, since then private collection. Literature: - Bernheim-Jeune (ed.): L' Atelier de Renoir, Paris 1931, vol. I, no. 178, pl. 58. - Dauberville, Guy-Patrice/Dauberville, Michel: Renoir. Catalogue Raisonné des tableaux, pastels, dessins et aquarelles, Bernheim-Jeune, Paris 2010, vol. III, no. 1847, p. 96 (with ill.). Badly afflicted by rheumatic pains, which Renoir had suffered from since the 1880s, in 1898/99 he stayed mostly in the South of France. The warm climate eased the pain, and the landscape of the various localities such as Cagnes, Grasse and Aix-les Bains inspired him to paint. The present work shows a landscape in the South of France, a subject often chosen by the artist at this time. The painting is dominated by luscious green tones. A woman stands in a clearing next to the tree in the centre, probably waiting for the woman entering at the left of the picture. The figures are situated harmoniously in the landscape, almost flowing into the surrounding scene, as Renoir always does, since for him the interplay of man and nature are very important. Although Renoir’s style changed over the years, the Impressionist was ever present in him. We can see for example the use of colour to depict the shadow and light. Despite Renoir’s illness, neither his painting nor his state of mind became heavier or more austere, but both were always accompanied by a cheerful lightness, which he retained until his death. --------------- PIERRE AUGUSTE RENOIR (Limoges 1841 - 1919 Cagnes-sur-Mer) Pré, arbres et femmes. Um 1899. Öl auf Leinwand. Unten links mit Stempelsignatur: Renoir. 23 x 41 cm. Die Authentizität dieses Werkes wurde vom Wildenstein Institut bestätigt, Paris, 7. Dezember 2004. Provenienz: - Nachlass des Künstler. - Durand-Ruel, Paris. - Bei Durand-Ruel 1959 erworben, seitdem Privatsammlung. Literatur: - Bernheim-Jeune (Hrsg.): L' Atelier de Renoir, Paris 1931, Bd. I, Nr. 178, Tafel 58. - Dauberville, Guy-Patrice/Dauberville, Michel: Renoir. Catalogue Raisonné des tableaux, pastels, dessins et aquarelles, Bernheim-Jeune, Paris 2010, Bd. III, Nr. 1847, S. 96 (mit Abb.). Wegen starker rheumatischer Beschwerden, die Renoir seit den 80er Jahren plagen, hält er sich 1898/99 vorwiegend in Südfrankreich auf. Das warme Klima lindert seine Schmerzen und die Landschaft in den verschiedenen Orten wie Cagnes, Grasse und Aix-les Bains inspiriert ihn zum Malen. Das vorliegende, sehr farbintensive Werk zeigt eine Landschaft in Südfrankreich, ein zu dieser Zeit oft gewähltes Sujet des Künstlers. Das Gemälde wird dominiert von satten und leuchtenden Grüntönen. Eine Frau befindet sich bereits auf der Lichtung neben dem zentralen Baum, während sie wohl auf die links im Bild eintretende Frau wartet. Die Figuren sind harmonisch in die Landschaft platziert, fliessen beinahe in die Umgebung ein, so wie es Renoir immer macht, da ihm das Zusammenspiel von Mensch und Natur wichtig ist. Auch wenn sich Renoirs Stil durch die Jahre verändert, ist der Impressionist in ihm doch stetig präsent, zu sehen am Beispiel des Gebrauchs der Farben zur Darstellung von Schatten und Licht. Trotz Renoirs Krankheit wird weder seine Malerei noch sein Gemüt ernster odere schwerer, sondern beide sind stetig begleitet von einer heiteren Leichtigkeit, die er bis zu seinem Tod beibehält.
Auguste Renoir - Mandarines Et Tasse

Auguste Renoir - Mandarines Et Tasse

Original 1910
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Lot number: 1229
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Pierre-Auguste Renoir (1841-1919) Mandarines et tasse signed 'Renoir.' (lower right) oil on canvas 7 7/8 x 13 3/8 in. (20 x 33.8 cm.) Painted circa 1910 This work will be included in the forthcoming catalogue critique of Pierre-Auguste Renoir being prepared by the Wildenstein Institute established from the archives of François Daulte, Durand-Ruel, Venturi, Vollard and Wildenstein. Unlike his contemporaries Claude Monet, Alfred Sisley and Frédéric Bazille, Renoir showed little interest in painting still lifes at the beginning of his career. From the early 1880s onwards, however, it began to occupy an increasing position of importance in his oeuvre. Among the most “academic” of the Impressionists—a position he shared with Paul Cézanne, another devotee of the still life subject—Renoir is frequently remembered as a painter of the female figure. Although he recommended to Edouard Manet's niece Julie to paint still life "in order to teach yourself to paint quickly" (quoted in J. Manet, Journal, 1893-1899, Paris, n.d., p. 190), the numerous works, often elaborate and ambitious, which Renoir executed in this genre over the course of his career attest to his sustained interest in still life as an end in itself. It was in these compositions that Renoir pursued some of his most probing investigations of the effects of light and color on objects and surfaces. Renoir told his biographer, Albert André, that it was in his small-scale still lifes, such as the present work, that "he put the whole of himself, that he took every risk" (A. André, Renoir, Paris,1928, p. 49).
Auguste Renoir - Portrait De Claude Terrasse

Auguste Renoir - Portrait De Claude Terrasse

Original 1895
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Lot number: 118
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Pierre-Auguste Renoir PORTRAIT DE CLAUDE TERRASSE 1841-1919 Signed Renoir (upper right) Oil on canvas 16 3/8 by 13 1/4 in. 41.5 by 33.6 cm Painted circa 1895. Authentication This work will be included in the catalogue critique being prepared by the Wildenstein Institute from the François Daulte, Durand-Ruel, Venturi, Vollard and Wildenstein archives. Ambroise Vollard, Paris Private Collection, New York (acquired from the family of the above and sold: Parke-Bernet Galleries, Inc., New York, March 31, 1949, lot 192) Kurt F. Pantzer, Indianapolis (and sold by the estate: Christie's, New York, May 19, 1982, lot 16) Paul Mellon, New York (acquired at the above sale) Acquired from the above in 1985 Exhibited Philadelphia, Philadelphia Museum of Art, Renoir: The Great Bathers, 1990, n.n. Literature Ambroise Vollard, Tableaux, pastels et dessins de Pierre-Auguste Renoir, vol. I, Paris, 1918, no. 4, illustrated p. 1 Guy-Patrice & Michel Dauberville, Renoir, Catalogue raisonné des tableaux, pastels, dessins et aquarelles, 1895-1902, vol. III, Paris, 2010, no. 2355, illustrated p. 381
Auguste Renoir - La Danse À La Campagne, 2e Planche

Auguste Renoir - La Danse À La Campagne, 2e Planche

Original 1890
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Lot number: 334
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Sale 2429 Lot 334 PIERRE-AUGUSTE RENOIR La Danse à la Campagne, 2e planche. Soft-ground etching on cream wove paper, 1890. 222x137 mm; 8 7/8x5 1/2 inches, full margins. With the artist's ink stamp signature (Lugt 2137a, lower right recto). A superb, richly-inked impression with strong contrasts and crisp, partially inky plate edges. Delteil 2
Auguste Renoir - L’’enfant Au Bisquit

Auguste Renoir - L’’enfant Au Bisquit

Original c.1899
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Lot number: 11
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Pierre-Auguste Renoir, L’’’’’’’’Enfant au Bisquit, Lithograph, 1899 Pierre-Auguste Renoir, L’’’’’’’’Enfant au Bisquit, Lithograph, 1899 Color Lithograph on MBM laid paper (watermark) France, c. 1899 Pierre-Auguste Renoir (1841-1919) – Leading French Impressionist From an edition of 100 for the not executed album „L’’’’’’’’Albume d’’’’’’’’estampes originales de la Galerie Vollard“ Catalogue raisonné: Delteil/Stella 31; Roger-Marx 6 Image dimensions: 32 x 26,3 cm; sheet dimensions: 63,5 x 48,5 cm A lovely executed depiction of Pierre-Auguste Renoir’’’’’’’’s son Jean. Unsigned samples of the Lithograph "L’’’’’’’’Enfant au Bisquit" have been sold for up to 30.000 Euro on the international auction market. Object is regular taxed. 19% VAT is added to the purchase price for deliveries within the EU. Object checked by Art Loss Register
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