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Pierre-Auguste Renoir

France (Limoges 1841 -  Cagnes-sur-mer 1919 ) Wikipedia® : Pierre-Auguste Renoir
RENOIR Pierre-Auguste L'enfant Au Biscuit (jean Renoir)

Swann Galleries
Mar 13, 2018
Find artworks, auction results, sale prices and pictures of Pierre-Auguste Renoir at auctions worldwide.
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Variants on Artist's name :

Pierre Auguste Renoir

Pierre August Renoir

 

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Artworks in Arcadja
4840

Some works of Pierre-Auguste Renoir

Extracted between 4,840 works in the catalog of Arcadja
Pierre-Auguste Renoir - La Femme À L'éventail

Pierre-Auguste Renoir - La Femme À L'éventail

Original
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Price:

Lot number: 972
Other WORKS AT AUCTION
Description:
La Femme à l'éventail(estampe) Pierre-Auguste RENOIR (a set of 6) giclee and screenprint, 39.6x32.8cm, ed.200, this lot accompanies other works; Swing(estampe/2 identical prints) (44.6x34.5cm) Dance in city (estampe) (54.8x26cm) Portrait d'Irene Cahen d'Anvers (estampe) (39.8x32.4cm) Dance in country (estampe) (54.8x26.3cm), all other work details are followed to the title piece, all framed.* *Not examined out of frame.
Pierre-Auguste Renoir - Etude De Femme Nue

Pierre-Auguste Renoir - Etude De Femme Nue

Original 1904
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Lot number: 83
Other WORKS AT AUCTION
Description:
Lot 83 PIERRE-AUGUSTE RENOIR (1841-1919), FRENCH ETUDE DE FEMME NUE, ASSISE; DOUBLE-SIDED WITH ANOTHER STATE OF THE SAME VERSO (FROM L'ALBUM DES DOUZE LITHOGRAPHIES), CIRCA 1904 [DELTEIL, 42] Lithograph on wove paper, double-sided, the verso image, printed the opposite way; with the same printed signature as issued to recto and verso images Sheet 11.5 x 9.75 in — 29.2 x 24.8 cm Provenance: Greenwich Art Shop, Toronto; Carol Solway Collection, Toronto; Her Estate Collection, Toronto
Pierre-Auguste Renoir - Le Feu Ou Le Petit Forgeron Accroupi Ou Le Berger

Pierre-Auguste Renoir - Le Feu Ou Le Petit Forgeron Accroupi Ou Le Berger

Original 1916
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Gross Price
Lot number: 283
Other WORKS AT AUCTION
Description:
Pierre-Auguste Renoir (1841-1919) et Richard Guino (1890-1973) Le feu ou Le petit forgeron accroupi ou Le berger signé 'Renoir' (sur le côté droit) et avec le cachet du fondeur '© CIRE C. VALSUANI PERDUE' (derrière la base) bronze à patine brune Hauteur: 28 cm. Conçu en 1916; cette épreuve fondue ultérieurement signed 'Renoir' (on the right side) and stamped with the foundry mark '© CIRE C. VALSUANI PERDUE' (on the back of the base) bronze with brown patina Height: 11 in. Conceived in 1916; this bronze cast at a later date
Pierre-Auguste Renoir - Femme Assisedans Une Barque - Fragment

Pierre-Auguste Renoir - Femme Assisedans Une Barque - Fragment

Original 1890
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Gross Price
Lot number: 1
Other WORKS AT AUCTION
Description:
FEMME ASSISEDANS UNE BARQUE - FRAGMENT Pierre-Auguste Renoir 1841-1919 bears an inscription R(lower left) watercolour on paper 30,6 x 23,7 cm; 12 x 9 3/8 in. Executed circa 1890. This work will be included in the forthcoming RenoirDigital Catalogue Raisonné, being prepared under the sponsorship of the Wildenstein Plattner Institute, Inc. Provenance Ambroise Vollard, Paris (acquired from the artist before 1919) Philippe Bemberg, Paris & Lausanne Thence by descent to the present owner Literature Ambroise Vollard, Pierre-Auguste Renoir. Paintings, Pastels and Drawings. Tableaux, Pastels et Dessins, San Francisco, 1989, fig. 1696, illustrated p. 349 Catalogue Note From the Philippe Bemberg Collection (Lots 1 - 4) PhilippeBemberg (1919-1963) belonged to a family of collectors whose history joins different continents. The group of unique works that Sotheby's is pleased to present in this catalogue gives a great vision of this collection, built up over many years by Philippe Bemberg. The superb pastel drawingJockeyby Edgar Degas andLe Pont Royal, après-midi, temps couvert, 4th series, in soft colours by Camille Pissarro (sale on March 23, 2018) are without doubt masterpieces. Originally from Cologne in Germany, the Bembergs were already skilled businessmen with the growth of Great Commerce and the Enlightenment in Europe in the 17th and 18th centuries. In the middle of the 19th century, Otto Bemberg (1827-1895) developed in Argentina and in Europe, in particular in Germany and France, a considerable amount of activity in banking, restauration, large scale agriculture and diplomacy. The varied nature of the different domains announced what proved to the eclectic nature of his descendants as businessmen, collectors and philanthropists. The high quality of the works in this collection offers a large panorama of the late 19th century and the early 20th century: Corot, Vuillard, Boudin, Renoir, Vlaminck, Derain and a few others. Philippe Bemberg's sure eye meant he was drawn to a few, rarer artists such as Valadon, Villon and Lebourg. The history of art in the second half of the 19th century and the beginning of the 20th century is resumed here through its most exceptional works. This family of patrons was directly involved with the artists: Herman Bemberg (1859-1931), great-uncle of Philippe Bemberg was an interesting Belle Epoch composer and Georges Bemberg (1915-2011), his cousin, passionate about ancient and modern painting and furniture, created a foundation located today in the Hôtel d'Assezat in Toulouse. It is rare to find such a coherent and high quality group of works. Philippe Bemberg's collection was kept until today by his nephews and nieces, and includes important works by a few of the major Impressionist and 20th century avant-garde artists. Sotheby's is delighted to put this collection up for auction, the result of the Bemberg family's vision of modern painting. Pierre Mothes, Vice-Président, Sotheby's France
Pierre-Auguste Renoir - L'enfant Au Biscuit (jean Renoir)

Pierre-Auguste Renoir - L'enfant Au Biscuit (jean Renoir)

Original 1899
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Gross Price
Lot number: 60
Other WORKS AT AUCTION
Description:
Sale 2469 Lot 60 PIERRE-AUGUSTE RENOIR L'Enfant au Biscuit (Jean Renoir). Color lithograph on cream laid paper, 1899. 320x270 mm; 12 3/4x10 5/8 inches, wide margins. Edition of 100. Printed by Auguste Clot, Paris. The publication initialed by Vollard, Paris, for the unpublished L'Album d'estampes originales de la Galerie Vollard. A very good impression with strong colors. Delteil 31.
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