figures in 18th C. dress playing blind mans bluff |
| | |
Attribution | | Anonymous |
Technique | | Gouache, Paper |
| | USD 50 - USD 100 (EUR 41 - EUR 82) |
| | |
| | |
| | |
| | |
Auction data | | |
| | Sale 517 Lot 151 Unsigned gouache on paper, depicts figures in 18th C. dress playing blind mans bluff, framed and matted behind glass, crease at center, waving of paper, not examined out of frame, ss: 10" h. x 7" w. Estimate $ 50-100 |
|
|
sailboats with figures in foreground |
| | |
Attribution | | Anonymous (Signed artwork) |
Technique | | Etching |
| | USD 50 - USD 100 (EUR 41 - EUR 82) |
| | |
| | |
| | |
| | |
Auction data | | |
| | Sale 517 Lot 301 Colored etching depicting sailboats with figures in foreground, pencil signed in margin LR "Henry Ra____," framed and matted behind glass, light foxing and toning, wave to paper, not examined out of frame, ss: 16 3/4" h. x 22 1/4" w. |
|
|
sailboats and a steamer glide towards a bolt of lightning |
| | |
Attribution | | Anonymous (Signed artwork) |
Technique | | Watercolour |
| | USD 75 - USD 125 (EUR 61 - EUR 102) |
| | |
| | |
| | |
| | |
Auction data | | |
| | Sale 517 Lot 16 20th C. watercolor of thunderstorm over an inlet, sailboats and a steamer glide towards a bolt of lightning, indistinctly signed LR "Ander (?)", matted and framed behind glass, not examine out of frame, ss: 11 3/4" h. x 15 1/4" w. |
|
|
a raven haired man in hat calling out |
| | |
Attribution | | Anonymous |
Technique | | Watercolour, Pencil |
| | USD 75 - USD 125 (EUR 61 - EUR 102) |
| | |
| | |
| | |
| | |
Auction data | | |
| | Sale 517 Lot 172 Framed watercolor fruit seller, 19th C., polychrome paint on paper, depicts a raven haired man in hat calling out, two baskets of leafy vegetables hanging from a neck strap, pencil script to lower margin "Vendifore di Srbe in Roma", (...) |
|
|
|
| | |
Attribution | | Original (Signed artwork) |
Technique | | Etching |
| | |
| | |
| | |
| | |
| | |
Auction data | | |
| | Sale 517 Lot 198 August Rodriguez, etching depicting a loose, sketch-like (...) |
|
|