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Auction house
Auction house code
10687
Name
Waddington's
Venue
Toronto
Country
Canada
Date
2018-04-07
Lots of visual art
151

WADDINGTON'S

Canada, Toronto, 2018-04-07

Catalog and Auction Results

"Fine Prints And Photography Online Auction"

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Totals 151, pages 1 to 31, current page 1
Press on the images for details, on the artist for his lots
THE DYING SWAN
TRETCHIKOFF Vladimir Griegorov 1913-2006,THE DYING SWAN,1959,Waddington's CA 2018-04-07
Lot number 125
Attribution
Original (Signed artwork)
Technique
Ink
Estimates
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Artwork date
Dimensions (H x W)
Auction data
Short description
Lot 125 VLADIMIR GRIEGOROVICH TRETCHIKOFF (1913-2006), RUSSIAN THE DYING SWAN (...)
ANONYMOUS
HANDS REACHING AND RESTING WITH CLASSICAL FIGURE IN ECSTASY
ANONYMOUS,HANDS REACHING AND RESTING WITH CLASSICAL FIGURE IN ECSTASY,Waddington's CA 2018-04-07
Lot number 132
Attribution
Original (Signed artwork)
Technique
Ink, Pen
Estimates
CAD 100 - CAD 200 (EUR 64 - EUR 128)
Award
CAD 168 (EUR 107)
Dimensions (H x W)
40.64 X 40.64 cm
Auction data
Short description
Lot 132 UNIDENTIFIED (20 TH/21 ST CENTURY) HANDS REACHING AND RESTING WITH CLASSICAL FIGURE IN ECSTASY Colour photograph; indistinctly signed in pen and ink under a label verso Image 16 x 16 in — 40.6 x 40.6 cm Provenance: Prominent Private Collection
TRETCHIKOFF
TRETCHIKOFF Vladimir Griegorov 1913-2006,TRETCHIKOFF,1954,Waddington's CA 2018-04-07
Lot number 126
Attribution
Original
Technique
Print, Colors
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Lot 126 VLADIMIR GRIEGOROVICH TRETCHIKOFF (1913-2006), RUSSIAN TRETCHIKOFF (...)
FOOTIT ET CHOCOLAT
DE TOULOUSE LAUTREC Henri 1864-1901,FOOTIT ET CHOCOLAT,1894,Waddington's CA 2018-04-07
Lot number 74
Attribution
Successor (Signed artwork)
Technique
Sepia, Paper
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Lot 74 AFTER HENRI DE TOULOUSE-LAUTREC (1864–1901), FRENCH FOOTIT ET CHOCOLAT, (...)
BOOK: MANUFACTURED LANDSCAPES
BURTYNSKY Edward 1955,BOOK: MANUFACTURED LANDSCAPES,2005,Waddington's CA 2018-04-07
Lot number 43
Attribution
Original
Technique
Ink, Pen
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Short description
Lot 43 EDWARD BURTYNSKY (1955-), CANADIAN BOOK: MANUFACTURED LANDSCAPES: THE (...)