Woman and Children in an Interior |
| | |
Attribution | | Original |
Technique | | Chalk, Paper |
| | |
| | |
| | |
| | |
| | |
Auction data | | |
| | PAUL DELAMAIN Woman and Children in an Interior. Black chalk on blue wove (...) |
|
|
Les Hazards Heureux de l'Éscarpolette |
| | |
Attribution | | Successor |
Technique | | Engraving, Etching |
| | |
| | |
| | |
| | |
| | |
Auction data | | |
| | JEAN-HONORÉ FRAGONARD (after) Les Hazards Heureux de l'Éscarpolette. Etching (...) |
|
|
|
| | |
Attribution | | Original |
Technique | | Etching |
| | |
| | |
| | |
| | |
| | |
Auction data | | |
| | CALUDE GELLÉE, LE LORRAIN La Fuite en Egypte. Etching, circa 1630-33. 107x170 (...) |
|
|
|
| | |
Attribution | | Original |
Technique | | Engraving, Etching |
| | |
| | |
| | |
| | |
| | |
Auction data | | |
| | HENDRIK GOUDT Tobias and the Angel. Etching and engraving, 1613. 200x258 mm; (...) |
|
|
Prospettive di Venezia: frontispiece |
| | |
Attribution | | Successor |
Technique | | Etching |
| | |
| | |
| | |
| | |
| | |
Auction data | | |
| | MICHELE MARIESCHI (After) Prospettive di Venezia: frontispiece. Etching, 1741. (...) |
|
|