View of Bothwell Castle, with figures by a fire in the foreground |
| | |
Attribution | | Student |
Technique | | Oil, Canvas |
| | |
| | |
| | |
| | |
| | |
Auction data | | |
| | Scottish School, c.1800 View of Bothwell Castle, with figures by a fire in the (...) |
|
|
|
| | |
Attribution | | Original |
Technique | | Oil, Canvas |
| | |
| | |
| | |
| | |
| | |
Auction data | | |
| | William Aikman (1682-1731) Portrait of John, 2nd Duke of Argyll and 1st Duke (...) |
|
|
View of Edinburgh looking south from the Firth of Forth, with shipping in the foreground |
| | |
Attribution | | Original (Signed artwork) |
Technique | | Oil, Canvas |
| | |
| | |
| | |
| | |
| | |
Auction data | | |
| | William Frederick Settle (1821-1897) View of Edinburgh looking south from the (...) |
|
|
Portrait of James Francis Edward Stuart |
| | |
Attribution | | Successor (Signed artwork) |
Technique | | Ink, Pen |
| | |
| | |
| | |
| | |
| | |
Auction data | | |
| | By or after Carlo Francesco Ponzone (fl. 1741) Portrait of James Francis (...) |
|
|
The cotter's Saturday night: 'But hark a tap comes gently to the door, Jenny who kens the meaning of the same....' |
| | |
Attribution | | Original |
Technique | | Pastel |
| | |
| | |
| | |
| | |
| | |
Auction data | | |
| | John Raphael Smith (1752-1812) The cotter's Saturday night: 'But hark a tap (...) |
|
|