A wooded river landscape, with cattle watering, a viaduct and townbeyond |
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Attribution | | Original (Signed artwork) |
Technique | | Oil, Canvas |
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Auction data | | |
| | Julien-Joseph Ducorron (1770-1848) A wooded river landscape, with cattle (...) |
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Shipping off Lisbon, a seventy-four Third Rate passing two smallcraft as she heads out of the Tagus into a squall, with an anchoredBritish frigate off her port beam and the Belém Tower recedingastern |
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Attribution | | Original (Signed artwork) |
Technique | | Oil, Canvas |
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Auction data | | |
| | John Thomas Serres R.A. (1759-1825) Shipping off Lisbon, a seventy-four Third (...) |
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Probably Oliver Goldsmith discovering his mistake. 'OliverGoldsmith, having mistaken a gentleman's house for an inn,discovers his error on offering gratuities to the family who hadwaited on him, next morning' |
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Attribution | | Original (Signed artwork) |
Technique | | Oil, Canvas |
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Auction data | | |
| | Thomas Frank Heaphy (1813-1873) Probably Oliver Goldsmith discovering his (...) |
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Group portrait of three gentlemen, half-length, one in a reddoublet holding a viola da gamba in one hand and a miniatureportrait in the other, the second in a brown coat with a silkcravat, holding a letter, the last holding up a medal from a chainaround h |
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Attribution | | Original |
Technique | | Oil, Canvas |
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Auction data | | |
| | Anton Domenico Gabbiani (Florence 1652-1726) Group portrait of three (...) |
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Equestrian portrait traditionally identified as Ferdinand Albrecht,later Duke of Brunswick, full-length, in a blue coat, in alandscape with a castle beyond |
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Attribution | | Original |
Technique | | Oil, Canvas |
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Auction data | | |
| | John Wootton (?1678-1764) Equestrian portrait traditionally identified as (...) |
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