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Rene Portocarrero

(1912 -  1986 )
PORTOCARRERO Rene Santa Barbara

New Orleans Auction /Oct 15, 2017
5,060.73 - 7,591.09
Not Sold

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Variants on Artist's name :

Portocarrero René

 

Along with Rene Portocarrero, our clients also searched for the following authors:
Sergio De Camargo, Rufino Tamayo, Francisco Zuniga, Olga Costa, David Alfaro Siqueiros, Augustin Cardenas, Antonio Ruiz
Artworks in Arcadja
443

Some works of Rene Portocarrero

Extracted between 443 works in the catalog of Arcadja
Rene Portocarrero -  Cathedral

Rene Portocarrero - Cathedral

Original 1942
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Lot number: 85
Other WORKS AT AUCTION
Description:
René Portocarrero (1912-1985) Cathedral watercolor on paper laid on board 17 ¾ x 12 in. (45.1 x 30.5 cm.) Executed in 1942. We are grateful to Fundación Arte Cubano for their assistance cataloguing this work. Provenance José Lezama Lima collection, Havana. Cernuda Arte, Coral Gables. Acquired from the above by the present owner. Pre-Lot Text PROPERTY FROM A DISTINGUISHED AMERICAN COLLECTION Literature A. Gaztelu and J. Lezama Lima, Nadie parecía: Cuaderno de lo bello con Dios (Nos. I-X, Havana), Seville, Renacimiento, 1942-44, p. 72 (illustrated). René Portocarrero, Editions Letras Cubanas, 1987, p. 8 (illustrated) Studio visit: Pablo Atchugarry The Uruguayan sculptor talks Carrara marble and Michelangelo in his adopted home of Lecco on the shores of Lake Como Pedro Friedeberg: Inventor of alternative realities ​The Mexican artist discusses his influences, painting on mannequins and works offered in the Latin American Art sale 10 things to know about Fernando Botero An essential guide to arguably South America\’s most famous artist, whose work addresses everything from domestic life to bullfighting Antenna: Time to award yourself bronze A look at bronze highlights from Christie's autumn season, spanning the breadth of human history \‘Hunter and I got on instantly because we were so different\’ ​As original artwork for Fear and Loathing in Las Vegas comes to auction, its illustrator Ralph Steadman shares memories of Hunter S. Thompson Luxury Living: Homes with ornate interiors From a lavish 16th-century villa in Italy to the quintessential Paris apartment with all the (gilt) trimmings — all from Christie\’s International Real Estate
Rene Portocarrero - Abstract Composition

Rene Portocarrero - Abstract Composition

Original 1953
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Gross Price
Lot number: 70
Other WORKS AT AUCTION
Description:
René Portocarrero (1912-1986) signed and dated 1953 lower right mixed media on paper 14 7/8 by 11 in. 38 by 28 cm We wish to thank Dr. Ramón Vázquez and the Fundación Arte Cubano for their kind assistance in cataloguing this work. Provenance Acquired from the artist Thence by descent to the present owner
Rene Portocarrero - Cathedral

Rene Portocarrero - Cathedral

Original 1961
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Gross Price
Lot number: 14
Other WORKS AT AUCTION
Description:
René Portocarrero (1912-1985) Cathedral signed and dated \‘PORTOCARRERO, 61\’ (lower left) gouache on paper 17 ¾ x 11 5/8 in. (45.1 x 29.5 cm.) Executed in 1961. Provenance Giulio Blanc collection. Acquired from the above by the present owner. Lot Notes We are grateful to Fundación Arte Cubano for their assistance cataloguing this work.
Rene Portocarrero - Santa Barbara

Rene Portocarrero - Santa Barbara

Original 1963
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Price:

Lot number: 855
Other WORKS AT AUCTION
Description:
Rene Portocarrero (Cuban, 1912-1985) "Santa Barbara", 1963 oil on academy board signed and dated lower right. Framed. 19-1/4" x 9-1/2" Provenance: Private collection, Florida. Notes: "The religious work of Portocarrero has an enriching element in its paradoxical character, with angels with atrophied wings that will make the celestial flight difficult, but not impossible" --Ramon y Sergio Cernuda Rene Portocarrero, one of the most important Cuban artists of the 20th century, advocated a national art that drew its inspiration from its Afro-Cuban roots. A native of Havana, Portocarrero was a prodigious autodidactic; he was a painter, sculptor, ceramicist, scene designer, muralist and illustrator, whose scope and range of art in the Caribbean rivals that of Pablo Picasso in Europe. He exhibited throughout the Caribbean, the Americas and Europe, making close acquaintances with Fidel Castro and Peggy Guggenheim. He produced copious public works for Cuban prisons, hospitals and theaters. His commitment to improving lives through communal art was recognized by the Bulgarian and Polish Governments, as well as earning him many prestigious honors, including a seat on UNESCO's International Association of Fine Art, the "Felix Varela" prize from Cuba, and the "Aztec Eagle" - Mexico's highest award. Portocarrero's works are conserved worldwide in leading institutions and museums, including paintings of Santa Barbara that resemble the one offered here. Santa Barbara was a saint/spirit that Portocarrero visited numerous times. Her feast day, December 4, is one of the most important festival days in Cuba, as it is also shared with Chango, the Yorubian Lord of Fire and Lightening, a semi-divine intermediary between God and human beings. In the 16th century, when the Spanish shipped enslaved Yorubians and Nigerians from West Africa to the new world, they were forced, among other indignities, to convert to Catholicism. From indentured labor and faith, the indigenous spirits (orichas) became syncretized with the saints, allowing various West African tribes to preserve elements of their cultural beliefs in a hostile environment. Spanish Colonial planters mistakenly characterized the worship of indigenous gods under the guise of saints as "Santeria" - a deviant form of prayer that privileges idolatries of saints over that of Christ. Following the Cuban Revolution, Santeria was revitalized as a recognized religion of Cuba and spread beyond the Spanish-speaking Caribbean. Santa Barbara was widely revered. Her life of suffering and perseverance became a metaphor for enslaved personages. Incarcerated in a tower for having converted to Christianity, she remained true to her faith through trials of torture in which her own father tried to burn her at the stake, and was struck down by lightning when that failed. As the patron saint of artillerymen, military engineers, miners and others who work with explosives, she embodied revolution and empowerment. In Santeria, Chango the powerful male spirit of lightning, thunder, war and dance, depicted in red and white with a crown, is assimilated with the female saint, becoming a symbol of fertility and rebirth. In this work Portocarrero celebrates the Santa Barbara of Santeria creating a spiritual carnality that beats to the drum of a multicultural Cuba - that a Cuban critic succinctly summarized: "His pen and brush will give us virgins and Santa Barbara, Christ and cathedrals of a baroque vocabulary that is tropical and joyful, where even tragic themes like crucifixions become joyful, with butterflies announcing their resurrection and female angels that delight with their [voluptuous] curves." References: Sergio Cernuda, Ramon y. "Rene Portocarrero: lo spiritual en su obra." Cubancuentro. August 14, 2014. Web. September 21, 2017; Bondil, Nathalie. Cuba: Art and History from 1868 to Today. Montreal: Museum of Fine Arts, 2008.
Rene Portocarrero - Paisaje

Rene Portocarrero - Paisaje

Original 1944
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Gross Price
Lot number: 84
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Description:
PROPERTY FROM THE COLLECTION OF DR. GUILLERMO PEREZ-MESA

René Portocarrero (1912-1986)

signed, titled and dated 1944 on the reverse oil on board 40 3/4 by 33 7/8 in. 104 by 86 cm

Authentication

We wish to thank the Fundación Arte Cubano for their kind assistance in the cataloguing of this work.

Provenance

Galería Sudamericana, New York Private Collection, North America Sale: Sotheby's, New York, Modern and Colonial Latin American Paintings, Drawings, Sculpture and Prints, May 7, 1980, lot 31, illustrated Acquired from the above
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