Camille Pissarro

(18311903 ) - Artworks Wikipedia® - Camille Pissarro
PISSARRO Camille Foire De La Saint-martin À Pontoise

Sotheby's /Nov 21, 2014
5,934.28 - 8,901.42
20,399.50

Find artworks, auction results, sale prices and pictures of Camille Pissarro at auctions worldwide.
Go to the complete price list of works Follow the artist with our email alert

 

Variants on Artist's name :

Camille Pissarro

 

Artworks in Arcadja
1606

Some works of Camille Pissarro

Extracted between 1,606 works in the catalog of Arcadja
Camille Pissarro - Étude Pour Baigneuses

Camille Pissarro - Étude Pour Baigneuses

Original 1896
Estimate:

Price:

Gross Price
Lot number: 2
Other WORKS AT AUCTION
Description:
Camille Pissarro 1830 - 1903 ÉTUDE POUR BAIGNEUSES Stamped with the initials C.P. (Lugt L.613a, lower right) Charcoal on paper 19 by 22 1/2 in. 48.3 by 57.1 cm Executed circa 1896. Read Condition Report Read Condition Report Register or Log-in to view condition report Saleroom Notice Authentication Dr. Joachim Pissarro can confirm that this work will be included in the forthcoming Catalogue Raisonné of Drawings by Camille Pissarro. Camille Pissarro executed a number of works on the subject of female bathers in various media during the mid-1890s. The two figures in Etude pour baigneuses appear to be the same model in different poses. This particular drawing relates to an oil painting of 1896 titled Three Bathers Stepping out of the Water, no. 1108 in the Pissarro & Durand-Ruel Catalogue Raisonné (Joachim Pissarro & Claire Durand-Ruel Snollaerts, Pissarro, Catalogue critique des peintures, vol. III, Paris, 2005, no. 1108, illustrated p. 699). Executed on rose colored laid paper, taped to a window mat along top edge on verso. Edges are deckled. Evidence from a prior mounting is visible around the perimeter on verso. Watermark at upper left and upper right corners. 18A written in blue pencil at upper left hand corner, near the edge of the mat. One remnant from a prior mounting is visible at extreme top edge near upper left corner. A few scattered spots of foxing, the most visible near the lower left corner. Faint mat stain around the perimeter of the work, otherwise fine. This work is generally in very good condition. In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
Camille Pissarro - Gardeuse D'oies Nue

Camille Pissarro - Gardeuse D'oies Nue

Original 1897
Estimate:

Price:

Lot number: 74
Other WORKS AT AUCTION
Description:
Camille Pissarro (1830-1903) Gardeuse d'oies nue lithograph, 1897, on Chine appliqué on wove paper, with the artist's black signature stamp (L. 613e), inscribed and numbered chine 2/6, from the posthumous edition of six on this paper, the full sheet, pale time-staining at the sheet edges, otherwise in good condition Lithograph: 170 x 135 mm., Sheet: 310 x 240 mm. Delteil 180
Camille Pissarro - Eragny, Le Soir

Camille Pissarro - Eragny, Le Soir

Original 1890
Estimate:
Starting price:

Price:

Lot number: 177
Other WORKS AT AUCTION
Description:
Description: Camille PISSARRO 1830 - 1903 ERAGNY, LE SOIR - 1890 Aquarelle et crayon sur papier Daté et situé en bas à droite "soir 13 oct - 90 Eragny" h: 17,60 w: 12,60 cm Provenance : Lucien Pissarro, Londres Collection particulière, Londres Vente New York, Christie's, 7 mai 2008, lot 108 Collection particulière, Atlanta Expositions : Londres, Ben Uri Art Gallery, 40th Anniversary Exhibition, 1956, n° 105 Londres, Marlborough Fine Art Ltd., Pissarro in England, juin-juillet 1968, n°39, reproduit p. 67 Ferrare, Palazzo dei Diamanti, Camille Pissarro, février-mai 1998, n° 41, reproduit p. 75 Commentaire : WATERCOLOUR AND PENCIL ON PAPER; DATED AND LOCATED LOWER RIGHT
Camille Pissarro - Foire De La Saint-martin À Pontoise

Camille Pissarro - Foire De La Saint-martin À Pontoise

Original 1872
Estimate:

Price:

Gross Price
Lot number: 419
Other WORKS AT AUCTION
Description:
Camille Pissarro 1830 - 1903 FOIRE DE LA SAINT-MARTIN À PONTOISE Signed C. Pissarro and titled (upper right) Watercolor and black chalk on paper laid down on paper 7 1/8 by 9 1/8 in. 18.1 by 23.1 cm Executed circa 1872. Read Condition Report Read Condition Report Register or Log-in to view condition report Saleroom Notice Authentication Dr. Joachim Pissarro can confirm that this work will be included in the forthcoming Catalogue Raisonné of Drawings by Camille Pissarro. Provenance Knoedler & Co., New York
Camille Pissarro - Paysanne Assise Et Chèvre

Camille Pissarro - Paysanne Assise Et Chèvre

Original 1884
Estimate:

Price:

Gross Price
Lot number: 29
Other WORKS AT AUCTION
Description:
Camille Pissarro 1830 - 1903 PAYSANNE ASSISE ET CHÈVRE signed and dated 84 oil on canvas 23 1/2 by 29 in. 59.8 by 73.6 cm. Read Condition Report Read Condition Report Register or Log-in to view condition report Saleroom Notice Provenance Durand-Ruel Family, Paris (acquired from the artist on August 10, 1885) Catholina Lambert, Patterson, New Jersey (acquired from the above on April 5, 1888) Durand-Ruel, New York (acquired from the above on April 14, 1899 until at least 1936) Sam Salz, Inc., New York Collection of Mr. and Mrs. Paul Mellon (acquired from the above in November 1959) Exhibited Paris, Galerie Durand-Ruel, 1904 New York, Galerie Durand-Ruel, Paintings - Camille Pissarro, 1936, cat. no. 9 Boston, Museum of Fine Arts, Camille Pissarro: The Unexplored Impressionist, 1981 Albany, Institute of History of Art, Paintings by the French Master Impressionists, cat. no. 21 Literature Cortissoz, New York Herald Tribune, March 8, 1936, p. 10 The Art News, New York, March 14, 1936, p. 8 Ludovic Rodo Pissarro & Lionel Venturi, Pissarro, Son art - Son oeuvre, catalogue raisonné de l'oeuvre, Paris, 1939, vol I, cat. no. 650, p. 173; vol II, cat. no. 650, pl. 134, illustrated Joachim Pissarro & Claire Durand-Ruel Snollaerts, Picasso, cat. no. 764, p. 506, illustrated in color Portrayals of local peasant life capture the rural charm of Eragny, the small hamlet where Pissarro lived from 1884 until his death in 1903. Located some sixteen miles northwest of Paris, Eragny is situated along the Epte river, and its rural elementsmade it a highly picturesque environment in which to paint en plein-air. Eragny was smaller than Pontoise, where Pissarro had been living and working for two decades, and relatively less inhabited, Erangy offered Pissarro many opportunities to depict the rural labor and harvest. The town's economy included agriculture as well as industry, and offered Pissarro a wide range of subjects, from crowded semi-urban genre scenes, views of roads and factories, to farmers working in the fields and particularly the melding of the urban, suburban and rural worlds. Joachim Pissarro has written the following about Pissarro's depictions of rural life: "Pissarro's figures [....] do not purport to convey an exact account of what female and male peasants actually looked like in northern France during the last two decades of the nineteenth century. While they are not allegories, neither are they sociological documents. From this difficulty, which is both essential and highly characteristic of Pissarro's figure paintings - i.e., the fact that they are resistant to conveying any message and to being "read" as sociological or anthropological witnesses of the raw facts – the manifold interpretations of Camille Pissarro's work have arisen" (J. Pissarro, op. cit., 1993, p. 157). Pissarro's dealer Durand-Ruel acquired this work from the artist shortly after its completion and sold it in 1888 to the East Coast textile magnate Catholina Lambert (1923-1834). Lambert built a palatial estate, known as Bella Vista or Lambert Castle, for his vast art collection in Patterson, New Jersey. Lambert lost much of his fortune during the construction of his castle, and was ultimately compelled to sell his collection at auction to pay off his debts. Fig. 1 Camille pissarro, la gardeuse de chèvre, 1881, sold: sotheby’’’’s, new york, may 5, 2009, lot 19, $2.5 million Very good condition. The canvas is lined. Along the bottom edge to the right of the signature, there is a a 2-inch line of loss due to the original canvas creasing and separating from the lining. Under UV, no evidence of retouching. In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
Arcadja LogoProducts
Subscriptions
Advertising
Sponsored Auctions
Subscriptions

Who we are
Our Product
Follow Arcadja on Facebook
Follow Arcadja on Twitter
Follow Arcadja on Google+
Follow Arcadja on Pinterest
Follow Arcadja on Tumblr