Camille Pissarro

Lot Description Camille Pissarro (1830-1903) Baigneuses assises au bord d'une rivière signé et daté 'C. Pissarro. 1901' (en bas à droite) gouache sur soie marouflée sur carton 19.5 x 26 cm. (7 5/8 x 10¼ in.) Exécuté en 1901 Special Notice ƒ: In addition to the regular Buyer’’’’s premium, a commission of 5.5% inclusive of VAT of the hammer price will be charged to the buyer. It will be refunded to the Buyer upon proof of export of the lot outside the European Union within the legal time limit. (Please refer to section VAT refunds) Provenance Albert Pra, France; vente, Galerie Charpentier, Paris, 17 juin 1938, lot 47. Collection particulière, France (vers 1938-39). Collection particulière, France (par descendance); vente, Sotheby's, Londres, 25 juin 2002, lot 113. Acquis au cours de cette vente par le propriétaire actuel. Literature L. Rodo-Pissarro et L. Venturi, Camille Pissarro, son art-son oeuvre, Paris, 1939, vol. 1, p. 287, no. 1496 (illustré, vol. 2, pl. 289). Exhibited Paris, Galerie Durand-Ruel, L'oeuvre de C. Pissarro, avril 1904, no. 171. Post-Lot Text 'Baigneuses assises au bord d'une rivière'; signed and dated lower right; gouache on silk laid down on board; executed in 1901.

CAMILLE PISSARRO Deux Baigneuses. Etching and drypoint printed in black on thin, cream wove paper, 1895. 180x127 mm; 7x5 inches, full margins. Fifth state (of 9). One of only 2 or 3 lifetime impressions in this state, from a total of approximately 23 lifetime impressions in all 9 states. Inscribed "6e etat" (crossed out in ink) and "5e etat" in pencil, lower left. Ex-collection Henri M. Petiet, Paris (see Lugt 2021a). A superb, dark and richly-inked proof-like impression. Delteil 116. Estimate $15,000 - 20,000

Georges Manzana Pissarro (the artist's son, inherited in 1904) Private Collection Sale: Drouot Montaigne, Paris, 24th November 1988, lot 40 Sale: Habsburg-Feldman, New York, 8th May 1989, lot 6 Private Collection (purchased at the above sale) Acquired from the above by the present owner in 1993 227 PROPERTY FROM A DISTINGUISHED COLLECTION Camille Pissarro 1830 - 1903 COIN DU JARDIN À ERAGNY bears the signature C. Pissarro (lower left) oil on canvas 38.5 by 46.5cm., 15 1/4 by 18 1/4 in. Painted circa 1899. Estimate 120,000 - 180,000 GBP Print Please notify me when the condition report is available

Galerie Durand-Ruel, Paris (acquired from the artist on 2nd June 1898) Mr Burke, London (acquired from the above on 11th January 1899) Arthur Tooth & Sons, London Galerie Durand-Ruel, Paris (acquired from the above on 14th August 1901) Paul Cassirer, Berlin (acquired from the above on 13th October 1902) Adolf Rothermundt, Dresden (acquired circa 1914) Max Silberberg, Breslau (acquired by 1923) Sale: Paul Graupe, Berlin, 23rd March 1935, lot 27 (forced sale by Max Silberberg) Alfred & Marie Erlich, New York Nathan J. & Sara N. Cohn, Mount Vernon (acquired from the above) Knoedler & Co., New York (acquired from the above on 9th November 1959) John & Frances L. Loeb, New York (acquired from the above on 4th January 1960) The American Friends of The Israel Museum, Jerusalem (a bequest from the above in 1997) The Israel Museum, Jerusalem (a gift from the above in 1997) Restituted to Gerta Silberberg on 1st February 2000, and placed on loan with The Israel Museum until 2013 Paris, Galerie Durand-Ruel, Œuvres récentes de Camille Pissarro, 1898, no. 24 St. Petersburg, Société Impériale d’’Encouragement des Arts, Expositions française des Beaux-Arts et des Arts décoratifs, 1899, no. 274 Rheims, Société des Amis des Arts, 16e Exposition générale, 1901, no. 563 Dresden, Galerie Ernst Arnold, Ausstellung von Gemälden französischer Künstler, 1902, no. 26 Dresden, Galerie Ernst Arnold, Französische Malerei des XIX. Jahrhunderts, 1914, no. 79 New York, Wildenstein & Co., C. Pissarro, 1965, no. 66 New York, Wildenstein & Co., ‘One Hundred Years of Impressionism’’: A Tribute to Durand-Ruel, 1970, no. 88, illustrated in the catalogue Dallas, Dallas Museum of Art; Philadelphia, Philadelphia Museum of Art & London, Royal Academy of Arts, The Impressionist and the City: Pissarro’’s Series Paintings, 1992-93, no. 51, illustrated in colour in the catalogue Rovereto, Museo d'Arte Moderna e Contemporanea di Trento e Rovereto, Impressionists and Post-Impressionists: Masterpieces from the Israel Museum of Jerusalem, 2008-09, no. 6 43 PROPERTY FROM THE COLLECTION OF MAX SILBERBERG Camille Pissarro 1831 - 1903 LE BOULEVARD MONTMARTRE, MATINÉE DE PRINTEMPS signed C. Pissarro and dated 97 (lower left) oil on canvas 65 by 81cm. 25 1/2 by 31 7/8 in. Painted in 1897. Estimate 7,000,000 - 10,000,000 GBP Print The canvas is unlined, the turnover edges have been strengthened with a thin linen strip-lining and there is a loose dust canvas on the reverse. Apart from a few tiny spots of retouching in the lower part of the foreground, visible under ultra-violet light, this work is in very good condition.

Lot Description Camille Pissarro (1830-1903) La cueillette des pommes signed and dated 'C.Pissarro. 81' (lower left) oil on canvas 25½ x 23.3/8 in. (64.8 x 54.3 cm.) Painted in 1881 Provenance Julie Pissarro, Eragny, by descent from the artist, in 1904. Galerie Paul Rosenberg, Paris. Galerie Thannhauser, Lucerne. Josef Stransky, New York, by 1933. Wildenstein & Co., Inc., New York, by whom acquired from the above, circa 1936. Robert Wallis, by whom acquired from the above in 1944. Jacques Lindon, New York. Evelyn Annenberg Jaffe Hall, by whom acquired from the above in 1950, and thence by descent, sale; Christie's, New York, 6 May 2009, lot 13. Acquired by the present owner in 2009. Pre-Lot Text THE PROPERTY OF A PRIVATE EUROPEAN COLLECTOR Literature M. Hamel, 'Camille Pissarro: Exposition rétrospective de ses oeuvres', in Les Arts, March 1914, p. 30. R. Allard, 'Les arts plastiques: Camille Pissarro', in Les Écrits français, 5 March 1914, pp. 64-66. P.B.C., 'The Stransky Collection of Modern Art', in Bulletin of the Worcester Art Museum, vol. XXIII, Winter 1933, no. 4, pp. 152-153. R. Flint, 'French Masters of the XIX and XX Century, The Private Collection of Josef Stransky New York', Special Reprint from The Art News Supplement, May 1931, including recent accessions up to May 1935 (illustrated p. 15). L.R. Pissarro & L. Venturi, Camille Pissarro, Son art - son oeuvre, vol. I, Paris, 1939, no. 545, p. 158 (illustrated, vol. II, pl. 112). J. Rewald, Camille Pissarro (1830-1903), Paris, 1954 (illustrated pl. 30). M. Stein, Camille Pissarro (1830-1903), Copenhagen, 1955 (illustrated pl. 30). J. Pissarro, Camille Pissarro, New York, 1993, pp. 194 & 217 (illustrated no. 230, p. 196). M. Ward, Pissarro, Neo-Impressionism and the Spaces of the Avant-Garde, London, 1996, p. 279. J. Pissarro & C. Durand-Ruel Snollaerts, Pissarro, Catalogue critique des peintures, vol. II, Paris, 2005, no. 659, p. 440 (illustrated). Exhibited Paris, Galerie Manzi-Joyant, Exposition rétrospective d'oeuvres de Camille Pissarro, January - February 1914, no. 61. The Toledo Museum of Art, Paintings by French Impressionists and Post-Impressionists, November - December 1937, no. 21. New York, Wildenstein & Co., The Pleasures of Summer, July - August 1943, no. 13. Williamstown, Sterling and Francine Clark Art Institute, Pissarro's People, June - October 2011; this exhibition later travelled to the Fine Arts Museums of San Francisco. View Lot Notes >