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Camille Pissarro

(1831 -  1903 ) Wikipedia® : Camille Pissarro
PISSARRO Camille Jeune Paysanne

Auctionata /Mar 2, 2016
1,200.00
Not Sold

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Variants on Artist's name :

Camille Pissarro

 

Artworks in Arcadja
1813

Some works of Camille Pissarro

Extracted between 1,813 works in the catalog of Arcadja
Camille Pissarro - La Charrue, From: Les Temps Nouveaux

Camille Pissarro - La Charrue, From: Les Temps Nouveaux

Original 1898
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Lot number: 25
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Description:
Camille Pissarro (1830-1903) La Charrue, from: Les Temps Nouveaux lithograph in colours, 1898-1901, on smooth wove paper, third, final state, with the printed signature (as issued), probably from the posthumous edition of unknown size published by J. Grave, Paris, 1909-1911, with wide margins, time-staining, the colours bright, in good condition Image 225 x 151 mm., Sheet 371 x 281 mm. Literature Delteil 194
Camille Pissarro - Entrée Du Port Du Havre Et Le Brise-lames Ouest

Camille Pissarro - Entrée Du Port Du Havre Et Le Brise-lames Ouest

Original 1903
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Lot number: 233
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Camille Pissarro (1830-1903) Entrée du port du Havre et le brise-lames ouest signé et daté 'C. Pissarro. 1903' (en bas à droite) huile sur toile 23.7 x 34.5 cm. Peint en 1903 signed an dated 'C. Pissarro. 1903' (lower right) oil on canvas 9 5/8 x 13 5/8 in. Painted in 1903 Special Notice These lots have been imported from outside the EU for sale and placed under the Temporary Admission regime. Import VAT is payable at 5,5% on the hammer price. VAT at 20% will be added to the buyer’’’’s premium but will not be shown separately on our invoice. Provenance Atelier de l'artiste. Georges Manzana-Pissarro, France (par descendance). Louise Gillou, Paris. Ravi Kumar, New York et New Delhi (avant 1964). Vente, Me Boisgirard, Paris, 8 décembre 1994, lot 20. Acquis au cours de cette vente par le propriétaire actuel. Literature J. Pissarro et C. Durand-Ruel Snollaerts, Pissarro, Catalogue critique des peintures, Paris, 2005, vol. III, p. 920, no. 1521 (illustré). Exhibited Hiroshima Prefectural Art Museum et Tokyo, The Bunkamura Museum of Art, Monet and Renoir: Two Great Impressionist Trends, novembre 2003-mai 2004, p. 57, no. 26 (illustré en couleurs).
Camille Pissarro - Paysanne Donnant À Manger À Un Enfant.

Camille Pissarro - Paysanne Donnant À Manger À Un Enfant.

Original 1874
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Lot number: 64
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CAMILLE PISSARRO Paysanne donnant à manger à un enfant. Etching and aquatint printed in dark brownish black, 1874. 125x121 mm; 4 7/8x4 3/4 inches, wide (full ?) margins. Fourth state (of 4). With the artist's ink stamp initials (Lugt 613e, lower left recto) and numbered 1/12 in pencil, lower right. A very good impression. Delteil 12.
Camille Pissarro - Jeune Paysanne

Camille Pissarro - Jeune Paysanne

Original 1895
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Lot number: 20
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Description:
The French lithographer Georges Thornley conceived the work after a drawing by Camille Pissarro. Thornley had already collaborated with Degas and created a total of 25 motifs by Pissarro, which were initially published as a portfolio. The lithograph is in a good condition with signs of age and wear. The sheet is partially barely visibly toned along the edges and is severely soiled at lower part. At the upper part the paper bears remains of glue. The image dimensions measure 23.5 x 20 cm the sheet dimensions are 54.8 x 38.4 cm. The sheet is mounted to a mat with three photo corners. The passe-partout measures 69 x 54 cm. Camille Pissarro grew up on the Caribbean island of St. Thomas before he was sent to Paris at the age of eleven. In boarding school he learned drawing. Together with the painter Fritz Melbye he went Venezuela for three years, where both devoted themselves to drawing. Back in Paris Pissarro became a pupil of Melbye’’’’s brother Anton, a marine painter. At the Universal Exhibition, he discovered the art of Delacroix, Courbet and Corot, who would significantly influence him. After he made the acquaintance of Corot, he followed the latter’’’’s advice to paint nature, thus creating naturalistic landscapes in a dark colors. In 1859 Pissarro held his first exhibition at the Salon of the Académie Suisse. Here he met Monet and Cézanne, with whom he remained close friends for life. He joined the circle of artists at the Café Guerbois and collaborated with Monet and Renoir. In the following years his color palette became lighter and from the 1870s Pissarro was at the forefront of the French avant-garde, together with Monet and Cézanne. He was the only artist who participated in all eight Impressionist exhibitions. From 1880 his style changed again and he was a co-founder of Neo-Impressionism. Pissarro's oeuvre includes more than 2,000 paintings and just as many drawings and prints. After Camille Pissarro, Jeune Paysanne, Lithograph, 1895 Lithograph France, 1895, later print After Camille Pissarro (1830-1903) – one of the most significant painters of Impressionism Georges William Thornely (1857-1935) – French painter and printmaker Numbered in the plate ‘14’’’’ First published by Boussod-Valladon, Paris Image dimensions: 25.5 x 21 cm; Sheet dimensions: 54.8 x 38.4 cm Passe-partout: 69 x 54 cm Good condition Genre depiction of a young peasant woman cleaning her living room with a broom, the interior shows in a bold manner the farmers ways of live at the time of Pissarro
Camille Pissarro - Cavalier À L'orée D'un Bois

Camille Pissarro - Cavalier À L'orée D'un Bois

Original 1859
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Lot number: 207
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Description:
Camille Pissarro 1830 - 1903 CAVALIER À L'ORÉE D'UN BOIS signed C. Pissarro (lower right) oil on canvas 39.5 by 32cm., 15 1/2 by 12 5/8 in. Painted circa 1859. Provenance Comtesse de Bréza, Paris Dr John Burton, London The Leicester Galleries, London Private Collection, Switzerland (acquired from the above in 1952) Sale: Me Loudmer, Hôtel Drouot, Paris, 26th November 1990, lot 47 Private Collection, France Sale: Piasa, Paris, 11th December 2009, lot 15 Private Collection, France (sale: Sotheby's, London, 9th February 2012, lot 383) Purchased at the above sale by the present owner Literature John Rewald, Camille Pissarro, London, 1963, n.n., illustrated p. 12 Joachim Pissarro & Claire Durand-Ruel Snollaerts, Pissarro. Critical Catalogue of Paintings, Paris, 2005, vol. II, no. 45, illustrated p. 64
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