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Roderick O Conor

(1860 -  1940 )
O CONOR Roderick Breton Girl Reading

De Veres Art Auctions
Nov 20, 2018
Find artworks, auction results, sale prices and pictures of Roderick O Conor at auctions worldwide.
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Variants on Artist's name :

O'Conor Roberic

O'Conor Roderick

 

Along with Roderick O Conor, our clients also searched for the following authors:
Mary Swanzy, Daniel O Neill, Evie Sydney Hone, Harry Aaron Kernoff, Ronald Ossory Dunlop, James Dixon, Niccolo D Ardia Caracciolo
Artworks in Arcadja
429

Some works of Roderick O Conor

Extracted between 429 works in the catalog of Arcadja
Roderick O Conor - Breton Boy In Profile

Roderick O Conor - Breton Boy In Profile

Original 1893
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Gross Price
Lot number: 28
Other WORKS AT AUCTION
Description:
Roderic O'Conor (1860-1940) Breton Boy in Profile signed and dated 'O'Conor/93' (upper left) oil on board laid on board 15 x 17½ in. (38.1 x 44.5 cm.) Painted in 1893. Provenance Paris, Hôtel Drouot, Vente O'Conor, 7 February 1956. with Roland, Browse & Delbanco, London, where purchased by the present owner in April 1957.
Roderick O Conor - Seated Nude - (renee Honta)

Roderick O Conor - Seated Nude - (renee Honta)

Original 1923-26
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Net Price
Lot number: 61
Other WORKS AT AUCTION
Description:
Roderic O'Conor RHA (1860-1940) Seated Nude - (Renee Honta)(c.1923-26) Signature: stamped verso: 'atelier O'CONOR' oil on canvas 66 x 55.20cm (26 x 21.7in) Framed Size: 83 x 73cm Hôtel Drouot, Paris, Vente O'Conor, 7 February 1956; Godolphin Gallery, Dublin 1978; D.T.H. Clarke; Christie's at RHA Gallagher Gallery, Dublin, 28 June 1995, lot 34; Private Collection
Roderick O Conor - La Maison Du Pendu Au Pouldu

Roderick O Conor - La Maison Du Pendu Au Pouldu

Original
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Lot number: 9
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Description:
LA MAISON DU PENDU AU POULDU Roderic O'Conor (1860-1940) Signature: inscribed [Tirage 81] lower right and with edition number in the margin etching; (no. 12 from an edition of 30) 8 x 11in. (20.32 x 27.94cm) Exhibited: La Maison du Pendu au Pouldu: Musée de Pont-Aven, 1984, catalogue no. 78 (another edition) (illustrated p.53) Literature: Johnston, Roy, Roderic O'Conor 1860-1940, Barbican Art Gallery, London and Ulster Museum, Belfast, 1985, catalogue no. 102 (illustrated p.113); Benington, Jonathan, Roderic O'Conor, Irish Academic Press, Dublin, 1992, catalogue no. 419, illustrated p.56
Roderick O Conor - Geraniums

Roderick O Conor - Geraniums

Original
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Lot number: 27
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Description:
Roderic O'Conor GERANIUMS signed l.l.: O'Conor; also signed and inscribed on the reverse:R. O'Conor, Pour L'orphelinat des Arts oil on panel 37.5 by 46cm., 14¾ by 18¼in. Godolphin Gallery, Dublin; Oriel Gallery, Dublin; Phillips, London, 14November 1989, lot 51 Exhibited Godolphin Gallery, Dublin, Roderic O'Conor, A Selection of his Best Works in Ireland, 1978, no.19, illustrated; New Haven, Yale Center for British Art,America\’s Eye: Irish Paintings from the Collection of Brian P. Burns, 25 September 1997 - 4 January 1998; Washington, John F. Kennedy Center, Irish Paintings from the Collection of Brian P. Burns, 13 - 28 May 2000, illustrated p.69 Literature J. Benington, Roderic O'Conor, A Biography with a Catalogue of his Work, Dublin, 1992, p.221, no.259 Catalogue Note In the 1920s O'Conor painted many flower-pieces in a style that might be termed expressive realism. He applied his colours thickly, often with the palette knife, whilst relying on natural light to throw his props into relief and create dramatic tonal contrasts. Such paintings found eager buyers within his circle: Roger Fry, Matthew Smith and Somerset Maugham all secured examples, whilst the French State purchased his Le pot chinois in 1927 for the Musée du Jeu de Paume (now Musée d'Orsay). The technique of cropping the bottom of a vase holding flowers was employed by Cézanne in some of his still lifes (see for example the latter's Vase of Flowers in the Norton Simon Museum). O'Conor adopts it here in order to lend greater emphasis to the pink and red blooms arranged in a jug. Indeed the flower stems are confronted virtually at eye level and against a dark, indeterminate background that seems to push them upwards and outwards, as witness the uppermost blossom that is cropped by the picture edge. The jug is a piece of Quimper faïence decorated with a simple garland of leaves, indicating that O'Conor continued to use Breton objects in his still lifes two decades after leaving the province. The inscription on the reverse of the wooden support is identical to that found on an O'Conor flowerpiece in the collection of the Ulster Museum. The artist evidently offered these two works for sale, having decided to donate any proceeds to an establishment set up to care for the orphaned children of artists. The dedication shows that the elderly O'Conor retained a sympathy for those who faced hardship and loss in their lives. Jonathan Benington
Roderick O Conor - Breton Girl Reading

Roderick O Conor - Breton Girl Reading

Original
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Net Price
Lot number: 48
Other WORKS AT AUCTION
Description:
Roderic O'Conor 1860-1940 BRETON GIRL READING Oil on Canvas, 25 1/2" x 21 1/4" (65 x 54cm). artist's stamp verso. Provenance: Hôtel Drouot, Paris, Vente O\’Conor, 7 February 1956; sold Sotheby's 23rd May 2013, Lot No. 73. Exhibited: Musée de Pont-Aven, Roderic O\’Conor, L\’oeuvre gravé, 20 March - 20 June 1999; Musée de Pont-Aven, Peintres Irlandais en Bretagne, 26 June - 27 September 1999, no.32 Literature: Jonathan Benington, Roderic O\’Conor, a Biography with a Catalogue of his Work, 1992, p.203, no.108 (as Girl wearing Pont-Aven head-dress)
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