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Sidney Robert Nolan

(1917 -  1992 ) Wikipedia® : Sidney Robert Nolan
NOLAN Sidney Robert Theseus And Minotaur

Bonhams /Nov 22, 2016
1,857.87 - 2,786.81
1,870.21

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Artworks in Arcadja
2165

Some works of Sidney Robert Nolan

Extracted between 2,165 works in the catalog of Arcadja
Sidney Robert Nolan - Kelly

Sidney Robert Nolan - Kelly

Original 1962
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Lot number: 38
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Description:
Description: SIDNEY NOLAN (1917-1992), Kelly 1962 oil on board 89.5 x 120.0 cm signed lower right: nolan signed and dated verso: Nolan/ 16 Aug/ 1962 69 John Street, Sydney, label attached verso (stock no.SOM0012) The artist's Estate Bonhams, Important Early Works from the Estate of Sir Sidney Nolan, Melbourne, 20 August 2013, lot 60 Private collection, Sydney Reproduced with the courtesy of the Sidney Nolan Trust/ Bridgeman Images Provenance: The artist's Estate Bonhams, Important Early Works from the Estate of Sir Sidney Nolan, Melbourne, 20 August 2013, lot 60 Private collection, Sydney
Sidney Robert Nolan - Central Australia

Sidney Robert Nolan - Central Australia

Original 1982
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Lot number: 52
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Description: SIDNEY NOLAN, (1917 – 1992), CENTRAL AUSTRALIA, 1982, synthetic polymer paint on composition board SIGNED: signed lower right: Nolan signed, dated and inscribed with title verso: Nolan / 82 / Central / Australia DIMENSIONS: 91.5 x 122.0 cm PROVENANCE: Holdsworth Galleries, Sydney (label attached verso) Private collection, New South Wales Sotheby’’’’’’’’s, Melbourne, 19 June 2013, lot 146 Private collection, New South Wales EXHIBITED: Sidney Nolan, Holdsworth Galleries, Sydney, 8 October – 2 November 1983, cat. 64 LITERATURE: Art and Australia, Sydney, vol. 21, no. 4, Winter 1994, p. 449 (illus.)
Sidney Robert Nolan - Adolescent

Sidney Robert Nolan - Adolescent

Original 1964
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Lot number: 163
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SIDNEY NOLAN (1917-1992) Adolescent 1964 oil on board signed and dated lower right: 18-5-64/ Nolan signed, dated and inscribed verso: E5357/ X/ S. NOLAN/ Nolan/ 1964/ Adolescent/ NO/ 36 119.5 x 119.5cm PROVENANCE: Private collection, Sydney Sotheby's, Sydney, 29 November 1993, lot 180 Private collection, Brisbane Joel Fine Art, Melbourne, 16 October 2006, lot 88A Private collection, Sydney
Sidney Robert Nolan - Theseus And Minotaur

Sidney Robert Nolan - Theseus And Minotaur

Original 1956
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Lot number: 27
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Sidney Nolan (1917-1992) Theseus and Minotaur, 1956 signed and dated lower right: '13-2-56. / Nolan..' oil on paper 14.5 x 12.5cm (5 11/16 x 4 15/16in). PROVENANCE Sotheby's, The Estate of Sir Sydney Nolan, Melbourne, 16 September 2001, lot 46 The Estate of John Fairlie Cuningham, Sydney
Sidney Robert Nolan - Luna Park

Sidney Robert Nolan - Luna Park

Original 1945
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Lot number: 12
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Description: SIDNEY NOLAN (1917-1992) Luna Park, 1945 Ripolin on board titled, dated and initialled lower right: Luna Park / June 9th 45 / N inscribed, titled and dated verso: CA NO. 27 / Luna Park / 1945 64 x 75.5 cm PROVENANCE The artist’’s collection Private collection, London (gifted from the above) Australian and European Paintings, Leonard Joel, Melbourne, 9 April 1997, lot no. 147 Niagara Galleries, Melbourne The Australian Art Collection of Sandra Powell & Andrew King, Mossgreen Auctions, Melbourne, 19 March 2014, lot no. 11 The Eric & Jacquie Selwood Collection, Sydney EXHIBITED (possibly) Nolan ’’37-47’’, Institute of Contemporary Arts, London, 15 May – 9 June 1962, cat. no. 27 Luna Park and the Art of Mass Delirium, Heide Museum of Modern Art, Melbourne, December 1998 - March 1999 LITERATURE Stephanie Holt, Julia Murray & Murray White, Luna Park and the Art of Mass Delirium, Museum of Modern Art at Heide, Melbourne, 1998, pp. 14, 48 (possibly) Nolan ’’37-47’’, Institute of Contemporary Arts, London, 15 May – 9 June 1962, cat. no. 27(as Painting) ESSAY For the art of Sidney Nolan, the years framing the Second World War signaled a quiet yet bold revolution, in both content and character. The early childlike abstractions included in his Contemporary Art Society’’s exhibition of 1940 in Melbourne gave way to the artist’’s disposition for figurative, landscape and narrative subjects. Where his works were once informed by the formal abstract qualities of Paul Klee and Joan Miró, Nolan now looked towards the technical ideas of Paul Cézanne, and the colours and dreamscapes of Marc Chagall and Wassily Kandinsky when working on subjects close to his native Melbourne
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