Cookies help Arcadja providing its services: browsing the portal you accept their use.
I cookies aiutano Arcadja a fornire i suoi servizi: navigando nel portale ne accettate l'utilizzo.
Cookies disclosure/Informativa cookies

  • Art Auctions, Ventes aux Encheres Art, Kunstauctionen, Subastas Arte, Leilões de Arte, Аукционы искусства, Aste
  • Research
  • Services
  • Enrollment
    • Enrollment
  • Arcadja
  • Search author
  • Login

Charles-Joseph Natoire

(Nimes 1700 -  Castel Gandolfo 1776 ) Wikipedia® : Charles-Joseph Natoire
NATOIRE Charles-Joseph Diana, As A Young Shepherdess

Palais Dorotheum
Oct 23, 2018
Find artworks, auction results, sale prices and pictures of Charles-Joseph Natoire at auctions worldwide.
Go to the complete price list of works Follow the artist with our email alert
Artworks in Arcadja
217

Some works of Charles-Joseph Natoire

Extracted between 217 works in the catalog of Arcadja
Charles-Joseph Natoire - Studies For Amphitrite

Charles-Joseph Natoire - Studies For Amphitrite

Original
Estimate:

Price:

Gross Price
Lot number: 50
Other WORKS AT AUCTION
Description:
Charles-Joseph Natoire (Nîmes 1700-1777 Castel Gandolfo, Rome) Studies for Amphitrite with inscription in brown ink 'Natoire' (lower right), in modern hand 'n = 4970 / c: (?) 0009' (verso, lower right) red chalk, heightened with white 10 ¼ x 12 in. (26 x 30.7 cm) Provenance Anonymous sale; Christie's, London, 7 July 1998, lot 198. with Yvonne Tan Bunzl, London, by 1999.
Charles-Joseph Natoire - Agalloping Horseman And Other Animals In Front Of The Temple Of Venus And Roma

Charles-Joseph Natoire - Agalloping Horseman And Other Animals In Front Of The Temple Of Venus And Roma

Original 1755
Estimate:

Price:

Gross Price
Lot number: 52
Other WORKS AT AUCTION
Description:
AGALLOPING HORSEMAN AND OTHER ANIMALS IN FRONT OF THE TEMPLE OF VENUS AND ROMA Charles-Joseph Natoire NÎMES 1700 - 1777 CASTEL GANDOLFO Black chalk, with touches of red chalk and pen and brown ink and wash, heightened with white, within pen and brown ink framing lines, on blue paper; signed and dated in pen and brown ink, lower right: C. Natoire 1755 and inscribed in pen and brown ink, lower centre:Tempio del Sole o della Luna 284 by 466 mm; 11 1/8 by 18 3/8 in
Charles-Joseph Natoire - Diana, As A Young Shepherdess

Charles-Joseph Natoire - Diana, As A Young Shepherdess

Original
Estimate:

Price:

Gross Price
Lot number: 298
Other WORKS AT AUCTION
Description:
Charles-Joseph Natoire (Nîmes 1700–1777 Castel Gandolfo) Diana, as a young shepherdess signed lower left: Natoire f., black chalk with white gouache highlights on beige prepared paper, 26x36cm, framed Provenance: Jean-Denis Lempereur collection (1701–1779), Paris (according to the mark lower right); his sale, Paris, 24 May – 28 June 1773, lot 579 (\‘Deux jolis dessins sur papier gris, qui représentent chacun une bergère\’); Andrea Busiri Vici collection, Rome; thence by descent to the present owner Exhibited: Rome, Palazzo Braschi, I Francesi a Roma, May – July 1961, no. 596a; Rome, Palazzo Braschi, L\’Accademia di Francia a Roma, December 1966 – January 1967, no. 96; London, Royal Academy of Arts, France in the eighteenth century, 6 January – 3 March 1968, no. 487 Literature: I francesi a Roma. Residenti e viaggiatori nella Città Eterna dal Rinascimento agli inizi del Romanticismo, ed. by C. Pietrangeli, exhibition catalogue, Rome 1961, p. 257, no. 596a, pl. XXI; C. Pericoli Ridolfini in: L\’Accademia di Francia a Roma, exhibition catalogue, Rome 1966, p. 31, no. 96; France in the eighteenth century, exhibition catalogue, London 1968, p. 100, no. 487; A. Schiavo, Palazzo Mancini, Palermo 1969, p. 217 and fig. 134; A. Busiri Vici d\’Arcevia, Scritti d\’Arte, ed. by B. Jatta, Rome 1990, pp. 341-342, fig. 8; S. Caviglia-Brunel, Charles-Joseph Natoire 1700–1777, Paris 2012, p. 299, no. D.296 The present drawing once belonged to Jean-Denis Lempereur (1701–1779), a diamond merchant and collector of Master drawings (see F. Lugt, Les Marques de Collections de Dessins & d\’Estampes, L. 1740). The present drawing\’s mount, with a blue outline bordered by a gold band, is also a characteristic of his collection. In the 1773 sale catalogue of the collection, a pair of drawings of shepherdess\’ can be identified with the present drawing, the other has been lost (see S. Caviglia-Brunel, Charles-Joseph Natoire 1700–1777, Paris 2012, p. 495, *D. 941). During the twentieth century, the present drawing of a Shepherdess belonged to the Roman collection of the art historian Andrea Busiri Vici, who published the present work in his volume Scritti d\’Arte (see op. cit. Busiri Vici, 1990). The present drawing displays the artists ability to unite a rococo sensibility with that of classicism. The grace that emanates from this feminine effigy, derives from Natoire\’s ability to unify elements of the Roman and Emilian academic tradition, with the brio of French rococo decorative painting, from which the theme of the \‘shepherdess\’ ultimately derives (see op. cit. Busiri Vici, 1990, p. 343). In the present scene, Diana, the goddess of hunting, is not presented with her usual austere appearance as a huntress. Instead, she is depicted as a sensuously graceful shepherdess, reclining and at rest in a shady dell. It is on account of the French artist\’s choice to represent the divinity in this guise that some of the critics have been led to describe the subject as a Shepherdess (see op. cit. Pietrangeli, 1961; op. cit. Pericoli Ridolfini, 1966; op. cit. Busiri Vici, 1990; op. cit. Caviglia-Brunel, 2012). Charles-Joseph Natoire was a contemporary of Boucher and obtained the Prix de Rome at an early stage of his training within the French academic system, allowing him access to Rome where he moved under the protection of the Marquis de Vandières, later Marquis de Marigny. The appeal of his compositions, and his ability to paint in the grand manner, as well genre scenes, rapidly gained him recognition in Roman circles. In 1730 Natoire returned to Paris, but twenty years later in 1751, he settled again in Italy, having been appointed as the director of the French Academy in Rome. Specialist: Mark Mac Donnell
Charles-Joseph Natoire - A Study Of A Servant

Charles-Joseph Natoire - A Study Of A Servant

Original 20th century
Estimate:

Price:

Gross Price
Lot number: 138
Other WORKS AT AUCTION
Description:
Charles-Joseph Natoire (Nimes 1700-1777 Castel Gandolfo) A study of a servant, holding a tablet with two doves, red and white chalk, on laid paper, 32,1 x 22,2 cm, old mount, mounted, framed, (Sch) Provenance: Collection A. Chariatte (London, early 20th century), Lugt 88a. Literature: The drawing is published and illustrated in: Susanna Caviglia-Brunel, Charles Joseph-Natoire 1700-1777, Paris 2012, pp. 174-175, D.12. The present figure study may date to Natoire\’s early period in Rome between 1723-28, when he executed several drawings and copies after great works of antiquity as well as of modern artists. The present study goes back to a figure on the left side of a relief by Angelo de' Rossi at the tomb of Pope Alexander VIII in the basilica of St. Peter in Rome; a similar drawing after another figure in the relief is kept in the Musée du Louvre, Paris (Inv. 31407). As customary in French academic experiences Natoire copied and adapted the figure of the ancient relief and used it with a few adjustments for the servant in his painting „The Banquet of Cleopatra\“ in the Musée des Beaux-Arts, NŒmes ein (Caviglia-Brunel 2012, P. 230). The pose of the figure is almost identical in painting and drawing; in the painting Natoire replaced the two pigeons by a fruit bowl and altered the garments. The painting is part of the cycle "Tenture de l'Histoire de Marc-Antoine" (1741-1757) which together with works by Jean Jouvenet (1644-1717), Jean Restout (1692-1768), Charles-Antoine Coypel (1694-1752), Jean-Francois de Troy (1679-1752) and Francois Boucher (1703-1770) served the French Gobelin manufactury as a model for a tapestry series of the same subject. Specialist: Mag. Astrid-Christina Schierz
Charles-Joseph Natoire - Study For The Painting "venus À La Fontaine"

Charles-Joseph Natoire - Study For The Painting "venus À La Fontaine"

Original
Estimate:
Starting price:

Price:

Lot number: 2124
Other WORKS AT AUCTION
Description:
Charles Natoire, Study for the Painting "Venus à la Fontaine" Description: The present work is a preparatory sketch for the figure of Venus in the painting "Venus à la Fontaine", which was exhibited at the Salon in 1742 as no. 23 (F. Boyer: Catalogue Raisonné de l´œvre de Charles Natoire, Archives de l´art francais, XXI, 1949, no. 61). The pendant work, "Venus à sa toilette", no. 24 (F. Boyer, no. 62), is currently housed in the Museum of Bordeaux, with the accompanying preparatory study for this Venus in the Musée des Beaux-Arts in Quimper. Dimensions: 38.8 x 27.5 cm Medium: Black and white chalk on tinted paper
Arcadja LogoServices
Subscription
Advertising
Sponsored Auctions
Subscription

Arcadja
Our Product
Follow Arcadja on Facebook
Follow Arcadja on Twitter
Follow Arcadja on Google+
Follow Arcadja on Pinterest
Follow Arcadja on Tumblr