Elie Nadelman

Elie Nadelman (1882-1946) Two Female Figures (Seated and Standing) polychromed terracotta 16¼ in. (41.3 cm.) high Modeled circa 1929-34. The artist. Estate of the above. [With]Edwin Hewitt Gallery, New York. Private collection, acquired from the above, 1959. By descent to the present owner, 1993. PROPERTY FROM A PRIVATE NEW YORK COLLECTOR

Sale 74 Lot 857 ELIE NADELMAN (American, 1882-1945). STANDING FEMALE FIGURE, inscribed with initials E.N., copyright and numbered 6/8 on base. Posthumous edition commissioned by Jan Nadelman, son of the artist in 1981. Bronze with brown patina - Height: 8.8 in. Estimate $8,000-12,000 PROVENANCE: Gift from Jan Nadelman (son of the artist) to present owner, William N. Harben, retired Foreign Service Officer, Alexandria, VA NOTE: For comparable lot see Sotheby's New York: Thursday, March 8, 2007 (Lot 00009)

LOT 12 ELIE NADELMAN 1882 - 1946 MAN WITH TOP HAT inscribed E.N. and numbered 3/6 on the lower right edge; also stamped with the conjoined initials of the Modern Art Foundry MA, the symbol of the Art Founders Guild and dated 1981 on the bronze base bronze height: 27 1/2 inches (69.9 cm) on a 5 inch base (12.7 cm) The present work was conceived circa 1926 and cast from the galvano plastique in 1980-81 as an authorized edition of 6.

Elie Nadelman (1882-1946) Standing Woman plaster 10¾ in. (27.3 cm.) high Modeled circa 1945. The artist. Estate of the above. Viola Nadelman, wife of the artist, New York. Acquired by the present owner from the above, 1948. Property from The Museum of Modern Art, sold to benefit the Acquisitions Fund New York, The Museum of Modern Art, Elie Nadelman, October 5-November 28, 1948. New York, The Museum of Modern Art, Deformations: Aspects of the Modern Grotesque, February 16-May 21, 1996.

Lot 51A Elie Nadelman American, 1882-1946 Standing Woman Terracotta Height 8 5/8 inches Provenance: This work was once owned by John Martin, Dance Critic of the New York Times, 1927 C Estimate $800-1,200 Some surface dirt and scattered surface scratches. This work is roughly molded and it is hard to tell if there are losses. There is one possible chip to the foot of the figure. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.