Elie Nadelman

United States (18821946 ) - Artworks Wikipedia® - Elie Nadelman
NADELMAN Elie Bust Of A Young Girl With A Bow In Her Hair

Sotheby's /Apr 23, 2015
22,253.54 - 37,089.24
Not Sold

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Artworks in Arcadja
128

Some works of Elie Nadelman

Extracted between 128 works in the catalog of Arcadja
Elie Nadelman - Horse

Elie Nadelman - Horse

Original 1915
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Lot number: 48
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Description:
Elie Nadelman 1882 - 1946 HORSE bronze height: 12 1/2 inches (31. 8 cm) on a 1 1/2 inch (3.8 cm) marble base Modeled in 1915. Read Condition Report Read Condition Report Register or Log-in to view condition report Saleroom Notice Provenance Viola Nadelman (the artist's wife) Alexander Racolin, circa 1955 Private Collection (by descent from the above) Private Collection, New York Acquired by the present owner from the above Exhibited (possibly) New York, Scott & Fowles, An Exhibition of Sculpture and Drawings by Elie Nadelman, February 1917 Literature Lincoln Kirstein, Elie Nadelman, New York, 1973, no. 181, p. 305, illustration of another example pl. 55 John I. H. Baur, The Sculpture and Drawings of Elie Nadelman, New York, 1975, illustration of another example fig. 42, p. 52 Barbara Haskell, Elie Nadelman: Sculptor of Modern Life, New York, 2003, p. 85, illustration of another example fig. 82, p. 75 Suzanne Slesin, Over the Top: Helena Rubinstein: Extraordinary Style, Beauty, Art, Fashion, Design, New York, 2003, pp. 50-51, illustration of another example
Elie Nadelman - Standing Bull

Elie Nadelman - Standing Bull

Original 1925
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Lot number: 79
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Property from a Private Northern California Collection Elie Nadelman (Polish, 1882-1946) Standing Bull numbered, inscribed and dated '25 N © 1978' (on the underside) bronze with brown patina 6in high on a marble base 1 3/4in high Footnotes Literature L. Kirstein, The Sculpture of Elie Nadelman , exhibition catalogue, New York, 1948, p. 23, another example illustrated. L. Kirstein, Elie Nadelman , New York, 1973, p. 148, pl. 54, no. 183, another example illustrated. J.I.H. Baur, The Sculpture and Drawings of Elie Nadelman , exhibition catalogue, New York, 1975, p. 57, no. 49, another example illustrated. This work is a authorized posthumous casting.
Elie Nadelman - Profile Of A Woman

Elie Nadelman - Profile Of A Woman

Original 1925
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Lot number: 66
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Description: Elie Nadelman Am. 1882-1946 Profile of a Woman c. 1925 Ink and ink wash on paper 11 1/4 x 7 1/8 in. 28.6 x 18.1 cm Property of Joan and Arthur Bugs Baer, Madison, Connecticut Provenance: Private collection, AtlantaD. C. Moore Gallery, New York (label verso)Salander-O'Reilly Galleries, New York (label verso)Ruggerio & Associates, Inc., June 2012Labels verso:Salander-O'Reilly, New York, NYDC Moore Gallery, New York, NYWhitney Museum of American Art, NY, NY," Ellie Nadelman- Sculptor of Modern Life" April 3-July 20th, 2003 Provenance: Exhibited: "Elie Nadelman, Sculptor of Modern Life," April 3-June 20, 2003,Whitney Museum of American Art, exhibition cata;ogue by Barbara Haskell, illustrated page 40 (exhibition label verso) Good condition, good appearance
Elie Nadelman - Bust Of A Young Girl With A Bow In Her Hair

Elie Nadelman - Bust Of A Young Girl With A Bow In Her Hair

Original
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Lot number: 17
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Thomas Denzler Senior Vice President Head of Department Fine Arts +1 212 606 7120 thomas.denzler@sothebys.com Helen Papoulias Assistant Vice President Specialist Fine Arts +1 212 894 1686 helen.papoulias@sothebys.com Nicholas Clark Administrator Fine Arts +1 212 606 7916 nicholas.clark@sothebys.com
Elie Nadelman - Female Nude

Elie Nadelman - Female Nude

Original
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Gross Price
Lot number: 192
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Description:
ELIE NADELMAN Collection of 14 engravings and drypoints. Female Nude Standing Female Nude * Profile of a Young Girl * Head of a Woman, 3 impressions; and others. Most on imitation Japan paper. Each circa 1920. Very good impressions of these scarce engravings. Known primarily for his modernist sculptures of female heads and nudes, Nadelman (1882-1946) was a Polish born artist who spent the last decades of his life in the Riverdale neighborhood of the Bronx. His works display his interest in classical sculpture and European Folk Art, combined with the Cubist influences he gained through his relationships with avant-garde artists like Henri Matisse and Pablo Picasso, whom he met while living in Paris from 1904 to 1914.
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