Bartolome Esteban Murillo

Bartolomé Esteban Murillo Spanien 1618‑1682. Efter, 1600-tal. Johannes döparen. Olja på duk, 109 x 85. Follower of. 17th century. Oil on canvas, 109 x 85 cm. / 15.000 - 20.000:- / / € 1.700 - 2.200 / Dra musen över bilden för att se större, ladda ner eller lägga bud. Klicka på 'Lägg bud' för att spara objektet i 'Mina objekt', där Ni nu eller senare kan lägga bud.

P. Fossi (late 19th/early 20th Century Italian) copy after Murillo (1618-1682) - Oil painting - "Madonna and Child", canvas 27.5ins x 20ins, in bold fretted, carved and gilded Florentine frame Note : Inscribed to reverse of canvas "Madonna Murillo, Galleria Pitti, Firenze, copied by P. (?) Fossi". The stretcher is inscribed "

ASCRIBED TO BARTOLOME ESTEBAN MURILLO (1618-1682) The Madonna and Child, oil on canvas, 40.5" x 30.25", in a magnificent baroque giltwood frame carved with rocaille work, acanthus scrolls and flowers, and with a panel inscribed "Murillo". See illustration Provenance: Probably acquired by Richardson Browne Esq in the early 19th century (later the family name changed to Knox-Browne). Acquired at the auction of the contents of Aughentaine Castle, Co. Fermanagh, in 1955 by a member of the vendor's family and thence by descent. Private Collection, West Dorset. Exhibited: "Pictures from Ulster Houses", May 10th, 1961 - July 15th, 1961, no. 154 as "Spanish School, late 17th century" Estimate: 5000-10000

Lot Description Bartolomé Esteban Murillo (Seville 1618-1682) The Madonna and Child signed 'Bartolome Murillo f. t .' (in the lowerborder) traces of black chalk, pen and brown ink, brown wash, pen and brownink border lines, unframed 6 5/8 x 5 5/8 in. (16.8 x 14.2 cm.) Lot Condition Report I confirm that I have read this Important Notice and agree to itsterms. View ConditionReport Provenance Franz Koenigs, Haarlem, and by descent to Mrs C. van der Waals-Koenigs, and thence by descent in the family;Sotheby's, New York, 23 January 2001, lot 1. Literature A. Hyatt Mayor, 'Review: Jonathan Brown, Murillo and HisDrawings', Master Drawings, Summer 1977, p. 185. D.A. Iñiquez, 'Exposición de Dibujos de Murillo en Princeton',Archivo Español de Arte, 1977, p. 338 (as studio of Murillo). P. Cherry, 'Murillo's Drawing Academy', in S.L. Stratton-Pruitt,Bartolomé Esteban Murillo (1617-1682): Paintings from AmericanCollections, exhib. cat., Fort Worth and Los Angeles, 2002, p. 194,note 81. Exhibited Princeton, Art Museum, Murillo and His Drawings, catalogue byJonathan Brown, 1976-7, no. 75. View Lot Notes › Only around a hundred drawings by Murillo are now known,although he certainly executed many more. Most of the survivingsheets are compositional studies in pen, ink and wash. In thepresent drawing, Murillo first drew the figures in pen and thenenlivened them with fluid touches of wash, which gives it the feelof a monochromatic painting. The technique allows the drawing to bedated to the 1670s, yet in its composition Murillo returned to amotif he had previously used in a painting of the Madonna and Childin the 1650s (Pasadena, Norton Simon Museum; Fig. 1), itselfheavily influenced by Raphael's Madonna della Sedia (Florence,Palazzo Pitti).

Esteban Murillo, style, 18th century "St. Catherine". Unsigned. Oil oncanvas mounted on canvas. 48 x 36 cm. This present title (from a label on the reverse of theframe) seems to relate to either Saint Catherine of Alexandria orSaint Catherine of Siena. They should both be "bride ofChrist", after which the ring on the painting was asymbol. Note Minimal peelings and severalcrackles. Minor retouches.