Thomas Corsan Morton
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(1859 - 1928 ) - Artworks

Lyon & Turnbull /Jul 23, 2011
€447.83 - €671.74
Not disclosed
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Artworks in Arcadja
21Some works of Thomas Corsan Morton
Extracted between 21 works in the catalog of ArcadjaThomas Corsan Morton - The Wood-cutter
Original 1887
Auction:
Sotheby's -Sep 30, 2009
- London
Lot number:
40
Other WORKS AT AUCTION
Description:
LOT 40
THOMAS CORSAN MORTON
1859 - 1928
THE WOOD-CUTTER
20,000—30,000 GBP
measurements note
39 by 36 cm.; 15 1/4 by 14 1/4 in.
signed and dated l.l.: .T.CORSAN.MORTON./ .1887.; signed and
dated on the reverse: T CORSAN MORTON/ 1887
oil on canvas
PROVENANCE
James Paterson;
Margaret, Lady Worlledge (neé Paterson);
Pauline Watson;
Thence by descent to the present owner
CATALOGUE NOTE
Thomas Corson Morton is one of the less well known members of
the Glasgow Boys but painted alongside the likes of James Guthrie,
George Henry, Edward Atkinson Hornel, Sir John Lavery and Edward
Arthur Walton. In the summer of 1883, Guthrie and Walton discovered
the village of Cockburnspath, which lies on the East coast of
Scotland between Edinburgh and Berwick-upon-Tweed. In his book on
the Glasgow Boys, Roger Billcliffe states that "During the summer
of 1884, they [Guthrie and Walton] were joined by Henry, J.
Whitelaw Hamilton, T. Corsan Morton, Crawhall, Arthur Melville and
probably Nairn. Even Macgregor paid a visit to nearby Dunbar in
1884." Co'path, as it was known, provided a physically and mentally
stimulating environment for The Boys and was to become their summer
retreat, often being referred to as 'their Barbizon'. This
connection with Paris is obvious as the group's primary interest
and artistic influences came from across the Channel, most notably
from those artists in the realist circle of Bastien-Lepage. In a
clear homage to Bastien-Lepage, The Glasgow Boys tended to sign
their works in his capital letter style, as indeed was the case for
some members of the British Impressionists such as George Clausen
and Henry Herbert La Thangue. Their choice of realist subject
matter and the loosely handled square-brush technique were elements
directly adopted from Bastien-Lepage and his contemporaries and can
be clearly seen in the present work.
Thomas Corsan Morton - Boats In A Harbour, Cornwall
Original
Auction:
Christie's -Mar 7, 2007
- London
Lot number:
1339
Other WORKS AT AUCTION
Description:
Thomas Corson Morton (BRITISH, 1859-1928)
Boats in a harbour, Cornwall
Add. Notes: signed 'Morton' (lower right) oil on canvas laid down on board 10¼ x 12 3/8 in. (26 x 31.4 cm.)Notes: Portraits d'hommes et femmes appartenant í la famille d'Abos dont de nombreux chevalier et une religieuse ayant vécus entre le 16ème et le 18ème siècle.Pre-lot Text: TOPOGRAPHICAL
Boats in a harbour, Cornwall
Add. Notes: signed 'Morton' (lower right) oil on canvas laid down on board 10¼ x 12 3/8 in. (26 x 31.4 cm.)Notes: Portraits d'hommes et femmes appartenant í la famille d'Abos dont de nombreux chevalier et une religieuse ayant vécus entre le 16ème et le 18ème siècle.Pre-lot Text: TOPOGRAPHICAL
Thomas Corsan Morton - Path Through The Woods
Original
Lot number:
36
Other WORKS AT AUCTION
Description:
Lot 36
THOMAS CORSAN MORTON (SCOTTISH 1859-1928)
PATH THROUGH THE WOODS
Signed, oil on canvas
30cm x 40cm (11.75in x 15.75in)
Estimate £300-500
Thomas Corsan Morton - Still Life With Forsythia
Original
Lot number:
23
Other WORKS AT AUCTION
Description:
THOMAS CORSAN MORTON
(SCOTTISH 1859 - 1928)
STILL LIFE WITH FORSYTHIA
Signed with initials, oil on board
h:55 w:41 in.
: Alex Reid and Lefèvre Ltd., Glasgow
Thomas Corsan Morton - An Autumn Landscape
Original
Lot number:
134
Other WORKS AT AUCTION
Description:
THOMAS CORSAN MORTON (SCOTTISH 1859-1928)
AN AUTUMN LANDSCAPE
Signed, oil on canvas
45cm x 56cm (17.7in x 22in)
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