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William Bright Morris

(1844 -  1912 ) Wikipedia® : William Bright Morris
MORRIS William Bright Study For 'la Belle Iseult'

Christie's
Jun 17, 2014
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Along with William Bright Morris, our clients also searched for the following authors:
Pieter Cornelis Dommershuijzen, Thomas P. Hall, Arthur Hacker, Marcus C. Stone, Alfred Fontville I De Breanski, Pierre Edouard Frere, George Cole
Artworks in Arcadja
36

Some works of William Bright Morris

Extracted between 36 works in the catalog of Arcadja
William Bright Morris - Peacock And Dragon

William Bright Morris - Peacock And Dragon

Original
Estimate:
Starting price:

Price:

Gross Price
Lot number: 313
Other WORKS AT AUCTION
Description:
Description:

WILLIAM MORRIS (1834-1896) FOR MORRIS & CO.

'PEACOCK AND DRAGON' CURTAIN PANEL, CIRCA 1880

hand-loomed jacquard wool, in blue, salmon, rust and green

246cm x 153cm
Notes:

Literature: Parry, Linda 'William Morris Textiles', London1983, p. 152, no. 30

'William Morris: A Sense of Place', exhibition catalogue, 2010, illus. p. 38

Exhibited: Bowness-on-Windermere, Cumbria, 'William Morris: A Sense of Place', 29th June - 17th October 2010, Blackwell

Note: The pattern, designed in 1878, was made first at Queen Square and then at Merton Abbey.
William Bright Morris - Study For 'la Belle Iseult'

William Bright Morris - Study For 'la Belle Iseult'

Original
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Price:

Gross Price
Lot number: 24
Other WORKS AT AUCTION
Description:
Lot Description

William Morris (1834-1896) Study for 'La Belle Iseult' pencil, pen and brown ink and wash on paper 22.3/4 x 9.1/8 in. (57.8 x 23.3 cm.)

Provenance

Janet C. Troxell, Newhaven, Connecticut. with Agnew's, London, where purchased by the present owner.

Literature

W.E. Fredeman, Pre-Raphaelitism: A Bibliocritical Study, Cambridge, Mass., 1965, p. 58. J. Marsh, 'William Morris's Painting and Drawing', Burlington Magazine, vol. CXXVIII, no. 1001, August 1986, p. 570. fig. 22.

Exhibited

London, Tate Gallery, Paintings and Drawings of the 1860 Period, 1923, as 'Study for La Belle Iseult'.
View Lot Notes >
William Bright Morris - Portrait Of William Pitt, 1st Earl Of Chatham

William Bright Morris - Portrait Of William Pitt, 1st Earl Of Chatham

Original
Estimate:

Price:

Lot number: 535
Other WORKS AT AUCTION
Description:
Henry Yates Thompson, London;

By whom given to Carnegie Institute, 1898 (Inv. no. 98.1).

Carnegie Free Library of Pittsburgh, May 29, 1900;

University of Pittsburgh, October 2, 1952, as a permanent loan.

535

PROPERTY FROM CARNEGIE MUSEUM OF ART, SOLD TO BENEFIT THE ACQUISITIONS FUND

William Bright Morris

WALTHAMSTOW 1844 – 1900 LONDON

PORTRAIT OF WILLIAM PITT, 1ST EARL OF CHATHAM

oil on canvas

42 1/2 by 30 5/8 in.; 108 by 77.8 cm.

Print Please notify me when the condition report is available
William Bright Morris - Angler Beside A Waterfall

William Bright Morris - Angler Beside A Waterfall

Original
Estimate:

Price:

Net Price
Lot number: 660
Other WORKS AT AUCTION
Description:
William Bright Morris (British1844-1900)
Angler Beside a Waterfall
Signed
W. B. Morris
l.l.
Oil on canvas
36 x 28-1/4 in (91.4 x 71.8 cm)
Estimate $600-800
Under black light: scattered areas of restoration, signature andarea below appears to have been cleaned, overall with surface dirtand possible additional restoration underneath; two patches onreverse; yellowing to varnish; large puncture along bottom edge (@3x 2"), @ 4" vertical tear in center, @ 4" horizontal tear c.l. and@ 3-1/2" vertical tear below horizontal tear; lifting and losses topigment, especially along left and right edges; scattered losses topigment with @ 1 x 2" loss along left edge; brown residue onsurface (possibly cigarette smoke residue) on surface l.l.quadrant.
William Bright Morris - Angler Beside A Waterfall

William Bright Morris - Angler Beside A Waterfall

Original
Estimate:

Price:

Lot number: 624
Other WORKS AT AUCTION
Description:
William Bright Morris (British1844-1900)
Angler Beside a Waterfall
Signed
W. B. Morris
l.l.
Oil on canvas
36 x 28-1/4 in (91.4 x 71.8 cm)
Estimate $600-800
Under black light: scattered areas of restoration, signature andarea below appears to have been cleaned, overall with surface dirtand possible additional restoration underneath; two patches onreverse; yellowing to varnish; large puncture along bottom edge (@3x 2"), @ 4" vertical tear in center, @ 4" horizontal tear c.l. and@ 3-1/2" vertical tear below horizontal tear; lifting and losses topigment, especially along left and right edges; scattered losses topigment with @ 1 x 2" loss along left edge; brown residue onsurface (possibly cigarette smoke residue) on surface l.l.quadrant.
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