Claude Monet

France (18401926 ) - Artworks Wikipedia® - Claude Monet
MONET Claude Michel Monet Et Jean-pierre Hoschedé Se Tenant Par L'épaule

Sotheby's /Jun 24, 2014
62,546.91 - 87,565.68
Not Sold

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Artworks in Arcadja
660

Some works of Claude Monet

Extracted between 660 works in the catalog of Arcadja
Claude Monet - Xavier Aymon De Montépin

Claude Monet - Xavier Aymon De Montépin

Original 1858
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Gross Price
Lot number: 183
Other WORKS AT AUCTION
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Claude Monet (1840-1926) Xavier Aymon de Montépin inscribed 'X. de Montépin' (lower left) pencil and white chalk on brown paper 12 3/8 x 9 3/8 in. (31.5 x 23.7 cm.) Drawn circa 1858 Blanche Hoschedé-Monet. Maurice Malingue, Paris. J. Thil. Anonymous sale, Sotheby's, London, 3 December 1970, lot 28. Albion Arts, by whom acquired at the above sale. Anonymous sale, Christie's, London, 17 May 1988, lot 114. Acquired at the above sale by the present owner. D. Wildenstein, Claude Monet, Milan, 1974, no. 30 (illustrated p. 89). R. Walter, 'Claude Monet as a Caricaturist, A Clandestine Apprenticeship', in Apollo, June 1976, p. 491. D. Wildenstein, Claude Monet, Catalogue raisonné, vol. V, Supplément aux peintures, dessins, pastels, index, Lausanne, 1991, no. D507 (illustrated p. 149).
Claude Monet - Portrait De Jeanne Serveau

Claude Monet - Portrait De Jeanne Serveau

Original 1880
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Lot number: 375
Other WORKS AT AUCTION
Description:
Claude Monet (1840-1926) Portrait de Jeanne Serveau signed and dated 'Claude Monet Août 1880' (lower right) oil on canvas 18¼ x 15 in. (46.4 x 38 cm.) Painted in August 1880 These lots have been imported from outside the EU for sale using a Temporary Import regime. Import VAT is payable (at 5%) on the Hammer price. VAT is also payable (at 20%) on the buyer’’’’s Premium on a VAT inclusive basis. This VAT is not shown separately on the invoice. When a buyer of such a lot has registered an EU address but wishes to export the lot or complete the import into another EU country, he must advise Christie's immediately after the auction. Collection Serveau, Mantes, by whom commissioned from the artist. Jeanne Serveau, Mantes, by descent from the above, and thence by descent; sale, Christie’’’’s, Paris, 20 May 2011, lot 41. Acquired at the above sale by the present owner. R. Lebel, "Un portrait inédit par Cl. Monet", in Gazette des Beaux-Arts, December 1967, pp. 377-378 (illustrated). D. Wildenstein, Claude Monet, Biographie et catalogue raisonné, vol. I, Lausanne, 1974, no. 617, p. 378 (illustrated p. 379). D. Wildenstein, Monet, Catalogue raisonné, vol. II, Lausanne, 1991, no. 617, p. 236 (illustrated).
Claude Monet - La Côte De Varengeville

Claude Monet - La Côte De Varengeville

Original 1882
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Gross Price
Lot number: 18
Other WORKS AT AUCTION
Description:
Lot Description Claude Monet (1840-1926) La côte de Varengeville signed and dated 'Claude Monet 82' (lower right) oil on canvas 25 1/4 x 31 1/2 in. (65 x 81 cm.) Painted in 1882 Special Notice These lots have been imported from outside the EU for sale using a Temporary Import regime. Import VAT is payable (at 5%) on the Hammer price. VAT is also payable (at 20%) on the buyer’’’’s Premium on a VAT inclusive basis. This VAT is not shown separately on the invoice. When a buyer of such a lot has registered an EU address but wishes to export the lot or complete the import into another EU country, he must advise Christie's immediately after the auction. Provenance Galerie Durand-Ruel, Paris, by whom acquired from the artist in November 1883. Catholina Lambert, Paterson, New Jersey. Durand-Ruel Galleries, New York, by circa 1890. Henry Lee Higginson, Boston, by 1891. Durand-Ruel Galleries, New York, by 1907. Anonymous sale, Christie's, New York, 9 November 1994, lot 18. Acquired at the above sale by the present owner. Pre-Lot Text PROPERTY FROM THE BEBE AND CROSBY KEMPER COLLECTION Crosby and Bebe Kemper were, for many years, among the most dynamic forces on the Kansas City art scene. It is, therefore, a privilege to be presenting for sale a selection from their collection which illustrates both their eye for quality and the fascination with history which is a hallmark of the Kemper collecting taste. Kansas City has for decades been a fertile ground for the collecting of classic European art. It is home to the greatest painting by Caravaggio in the US (a painting rejected, by the way, by the Metropolitan Museum in New York in 1951!) among many others in the Nelson-Atkins Museum. Crosby was an extraordinarily generous supporter of that museum and I well remember working with him, when in the face of considerable uncertainty over its condition, we went ahead and bought the magnificent Portrait of Mrs. Cecil Wade by John Singer Sargent at public auction in 1986. The belief in his own judgment, his commitment to Art with a capital 'A' and his unbounded generosity, all of which were exhibited with this purchase and its subsequent donation to the Nelson-Atkins Museum all typify Crosby both as a man and as a collector. The collection which he and Bebe formed is extremely eclectic, as one might expect from a couple of such intellectual curiosity. It includes the tender portrait of Baronne de Thiers, niece of the collector and Watteau's great patron, Pierre Crozat, by the French 18th-century portraitist, Nattier, a portrait of a man by Rubens once owned by the Dukes of Kent, a portrait of Rembrandt's patron, Susanna Pellicorne by Poelenbergh as well as portraits by Greuze, Corot, Caillebotte, Degas, Wyeth and even Lucien Freud. Clearly Crosby and Bebe have been especially drawn to portraiture and perhaps that says something about their sociability and their humanity. When I came to America as a young art dealer in 1983, Crosby and Bebe, who were among my earliest clients, were unfailingly hospitable when I visited Kansas City or even when they came en famille to New York. Crosby passed away in January 2014, but his legacy will live on in the numerous institutions to which he and Bebe were so generous. Among them were the Nelson-Atkins Museum, but there was also the Kansas City Symphony, the Whitney Museum, Monticello and the Addison Gallery at Phillips Academy in Andover, Massachusetts. In the end perhaps their greatest and most generous contribution was to their own Kemper Museum which houses an important collection of Post-War and Contemporary art. Nicholas H.J. Hall Literature L. Venturi, Les Archives de l'Impressionnisme, vol. I, Paris, 1939, pp. 262-263. D. Wildenstein, Claude Monet, Biographie et catalogue raisonné, vol. II, Peintures: 1882-1886, Geneva, 1979, p. 66, no. 729 (illustrated, p. 67), letter no. 380, p. 231. D. Wildenstein, Claude Monet, Catalogue raisonné, vol. II, Cologne, 1996, no. 729, p. 272 (illustrated). Exhibited Boston, Chase's Gallery, The Impressionists of Paris: Claude Monet, Camille Pissarro, Alfred Sisley, March, 1891, no. 18, p. 15. New York, Durand-Ruel Galleries, Claude Monet, October 1937, no. 3. View Lot Notes >
Claude Monet - Michel Monet Et Jean-pierre Hoschedé Se Tenant Par L'épaule

Claude Monet - Michel Monet Et Jean-pierre Hoschedé Se Tenant Par L'épaule

Original 1886
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Lot number: 409
Other WORKS AT AUCTION
Description:
Michel Monet, Giverny Private Collection (by descent from the above) Acquired by the present owner in 1996 Claude Monet 1840 - 1926 MICHEL MONET ET JEAN-PIERRE HOSCHEDÉ SE TENANT PAR L'ÉPAULE charcoal on canvas 73.3 by 60cm., 28⅞ by 23⅝in. Drawn circa 1886. The canvas has not been lined. The surface is primed and there are some losses to the priming, including along the centre upper edge and to right the left figure's shoulder. The surface is slightly stained and there are traces of surface dirt, and there is some minor rubbing to the charcoal in places, although this is largely inherent to the artist's process. Otherwise this work is in good condition. "In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue. NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
Claude Monet - Antibes, Vue Du Plateau Notre-dame

Claude Monet - Antibes, Vue Du Plateau Notre-dame

Original 1888
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Gross Price
Lot number: 8
Other WORKS AT AUCTION
Description:
Boussod, Valadon & Cie., Paris (acquired from the artist in June 1888) Victor Desfossés, Paris, (acquired in 1888) A. Bellino, Paris The American Art Association, New York (acquired from the above by 1892. Sold: The American Art Association, New York, 25th-30th April 1895, lot 152) Thomas L. Manson, New York (acquired by 1908) E. & A. Milch, New York (acquired by 1922) J. K. Newman, New York (acquired circa 1924. Sold: The American Art Association, New York, 6th December 1935, lot 40) M. J. Failing (purchased at the above sale) Mrs Mansfield Ferry, New York Private Collection, U.S.A. (by descent from the above. Sold: Sotheby’’s, New York, 11th November 1987, lot 6) Private Collection, U.S.A. (sold: Sotheby’’s, New York, 1st May 1996, lot 27) Purchased at the above sale by the late owner Paris, Boussod, Valadon & Cie., Monet, 1888 New York, The Metropolitan Museum of Art, 1908 (on loan) New York, Fearon Galleries, French Painters of the 19th Century, 1924, no. 6 New York, The Brooklyn Museum of Art, Monet and the Mediterranean, 1997-98, no. 60, illustrated in colour in the catalogue PROPERTY FROM THE COLLECTION OF RALPH C. WILSON, JR. Claude Monet 1840 - 1926 ANTIBES, VUE DU PLATEAU NOTRE-DAME signed Claude Monet and dated 88 (lower right) oil on canvas 65.1 by 92.1cm. 25 5/8 by 36 3/8 in. Painted in 1888. The canvas is wax lined and has been placed on a new stretcher. There is some stable craquelure in the sky, notably in the upper left. Apart from some retouching along the framing edges, a very small spot of retouching in the lower right corner and a tiny spot in the upper centre of the sky, visible under ultra-violet light, this work is in very good, stable, condition. "In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue. NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
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