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Tosa Mitsunobu Sr

(1434 -  1525 )
MITSUNOBU SR Tosa Gold Kumogata Procession

Kodner Galleries
Oct 18, 2017
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Artworks in Arcadja
5

Some works of Tosa Mitsunobu Sr

Extracted between 5 works in the catalog of Arcadja
Tosa Mitsunobu Sr - Scene

Tosa Mitsunobu Sr - Scene

Original
Estimate:

Price:

Net Price
Lot number: 1658
Other WORKS AT AUCTION
Tosa Mitsunobu Sr - Gold Kumogata Procession

Tosa Mitsunobu Sr - Gold Kumogata Procession

Original
Estimate:
Starting price:

Price: Not disclosed
Lot number: 654
Other WORKS AT AUCTION
Description:
Attributed to: Tosa Mitsunobu, Japanese (1434-1525) Ink, Color, and Gold Kumogata Procession on Paper. Unsigned. Some wear to paper from age, good condition. Measures 17-3/4" H x 12-1/2" W. Frame measures 27" H x 20-3/4" W.
Tosa Mitsunobu Sr - Kumogata Procession

Tosa Mitsunobu Sr - Kumogata Procession

Attributed -
Estimate:
Starting price:

Price: Not disclosed
Lot number: 170
Other WORKS AT AUCTION
Description:
Attributed to: Tosa Mitsunobu, Japanese (1434-1525) Ink, Color, and Gold Kumogata Procession on Paper. Unsigned. Some wear to paper from age, good condition. Measures 17-3/4" H x 12-1/2" W. Frame measures 27" H x 20-3/4" W
Tosa Mitsunobu Sr - Pine Trees And Chinese Black Pines

Tosa Mitsunobu Sr - Pine Trees And Chinese Black Pines

Student 1646
Estimate:

Price:

Gross Price
Lot number: 65
Other WORKS AT AUCTION
Description:
Tosa school (late Muromachi or early Momoyama period, secondhalf 16th century)
Pine trees and Chinese black pines
Inscribed by Tosa Mitsunobu (1646-1710) Sakon shogen Mitsunari shoand sealed Mitsunari no in attributing the painting to TosaMitsunobu (1434-1525)
Six-panel sceen; ink, color, gold and gold leaf on paper and metalplate
57 7/8 x 137¼in. (147 x 350cm.)
Lot Notes
Screens like this one from Japan's late-medieval period in thenative Japanese, or Yamato-e, style are surprisingly abstract andmodern. The gold ground creates a mysterious, luminous setting fora minimalist landscape of pines. Grouped close to the foreground,twisting pines contrast with the severity of straight Chinese blackpines. Bamboo grass at the base of the trees is partially croppedby scalloped gold clouds and gentle hillocks and adds anotherdimension of texture and rhythm to this striking composition. Thesun setting beyond a distant mountain ridge is crafted of asemi-circular metallic plate that has been attached to the surfaceof the painting.
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