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Willard Leroy Metcalf

(1858 -  1925 ) Wikipedia® : Willard Leroy Metcalf
METCALF Willard Leroy  Sandy Hollow, Manchester, Massachusetts

Christie's
May 15, 2018
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Artworks in Arcadja
101

Some works of Willard Leroy Metcalf

Extracted between 101 works in the catalog of Arcadja
Willard Leroy Metcalf - Summer Scene

Willard Leroy Metcalf - Summer Scene

Original
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Lot number: 1127
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Description:
1127 Willard Leroy Metcalf (American, 1858-1925) Summer Scene, signed lower right "W. L. Metcalf", oil on canvas, 24-1/2 x 27 in.; carved wood frame, 30-1/2 x 33-1/2 in. Exhibited: University of Missouri, extended loan from 1955-1985. sold with the exhibition catalog "Willard Metcalf, Yankee Impressionist", Spanierman Gallery, LLC., New York, May 8 - June 28, 2003 (painting not included in the catalog; for reference only). *this painting is currently being reviewed by the Willard Leroy Metcalf Catalog Raisonne committee. Provenance:The Estate of Jefferson Franklin Wilcoxson; Descended in the Wilcoxson Family; Brunk Auctions, 1/5/02, lot 90; A Tennessee Collector Condition: original stretcher and tacking edge, surface dirt, crackle, some quilting to canvas verso, canvas slightly loose, approx. 6 small areas of florescence foreground; frame with separation at corners, wear
Willard Leroy Metcalf - Coastal Cliff With Distant Sailboats, Probably Manchester, Massachusetts

Willard Leroy Metcalf - Coastal Cliff With Distant Sailboats, Probably Manchester, Massachusetts

Original 1877
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Lot number: 229
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Description: Willard Leroy Metcalf (American, 1858-1925) Coastal Cliff with Distant Sailboats, Probably Manchester, Massachusetts Signed and dated "W.L. Metcalf- 1877-" l.r. Oil on canvas, 10 x 14 in. (25.0 x 35.5 cm), framed. Condition: Lined, scattered retouch primarily to sky, areas of fine craquelure. Provenance: The estate of Richard Mellon Scaife, Pennsylvania. The proceeds from the sale of this lot will benefit a Pennsylvania art institution. N.B. This work will be included in the forthcoming catalogue raisonné being coordinated by Betty Krulik and the Willard Leroy Metcalf Catalogue Raisonné Project, Inc. A letter from Bety Krulik accompanies the lot.
Willard Leroy Metcalf - The Road That Leads Home

Willard Leroy Metcalf - The Road That Leads Home

Original
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Price: Not disclosed
Lot number: 57
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Sale 1018 Lot 57 WILLARD LEROY METCALF American (1858-1925) "The Road That Leads Home" oil on canvas, signed lower right "W. L. Metcalf," also signed faintly lower left "W.L. Metcalf" 26 x 29 1/4 inches Provenance: The artist; Private Collection; Spanierman Gallery, New York, New York; R.H. Love Galleries, Chicago, Illinois; Private Collection, Illinois. Other Notes: Click to read the accompanying essay for this lot. Note: This work will be included in the forthcoming catalogue raisonne being coordinated by Betty Krulik and the Willard Leroy Metcalf Catalogue Raisonne Project, Inc. Tags: New England, American Impressionist / Impressionism, Connecticut, Vermont, oil painting, The Ten, listed artist, Old Lyme School
Willard Leroy Metcalf -  Sandy Hollow, Manchester, Massachusetts

Willard Leroy Metcalf - Sandy Hollow, Manchester, Massachusetts

Original 1877
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Gross Price
Lot number: 174
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Description:
Property of La Salle University Willard Leroy Metcalf (1858-1925) Sandy Hollow, Manchester, Massachusetts signed and dated 'W.L. Metcalf 77' (lower right)--inscribed with title and dated 'Aug-77' (on the reverse) oil on canvas 12¼ x 18⅛ (31.1 x 46 cm.) Painted in 1877. Provenance Mr. and Mrs. Robert Vose, Boston, Massachusetts. Private collection, Amherst, Massachusetts. [With]Taggart, Jorgensen and Putnam, Washington, D.C. Acquired by the present owner from the above, 1984. Literature E. de Veer, R.J. Boyle, Sunlight and Shadow: The Life and Art of Willard L. Metcalf, New York, 1987, pp. 23-24, 167, 175, fig. 9, illustrated. C.P. Wistar, La Salle University Art Museum Guide to the Collection, Philadelphia, Pennsylvania, 2002, p. 79. Exhibited Springfield, Massachusetts, Museum of Fine Arts; Utica, New York, Munson-Williams-Proctor Institute; Manchester, New Hampshire, Currier Museum of Art; Chattanooga, Tennessee, Hunter Museum of Art, Willard Leroy Metcalf: A Retrospective, September 5, 1976-May 15, 1977, pp. 3, 14, no. 3, illustrated. Please note this lot is the property of a private individual.
Willard Leroy Metcalf -  Partridge Woods

Willard Leroy Metcalf - Partridge Woods

Original 1906
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Lot number: 66
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Description:
66 Willard Leroy Metcalf American, 1858-1925 Partridge Woods, 1906 Signed W. L. Metcalf and dated 1906 (ll) Oil on canvas 29 x 26 1/8 inches Provenance: Harry N. Redman, Boston, MA Rose Zarucki, New York By descent in the family By gift to the current owner Exhibited: Corcoran Gallery of Art, Annual Exhibition of Oil Paintings by Contemporary Artists, Feb. 7 - Mar. 9, 1907 (possibly) New York, Montross Gallery, Ten American Painters, 10th Annual Exhibition, Mar. 19 - Apr. 6, 1907 no. 17 [as lent by Harry N. Redman] Boston, Museum of Fine Arts, lent by Harry N. Redman to the galleries from Apr. 16, 1907 - Feb. 23, 1909; Oct. 30, 1909 - Nov. 21, 1910; Dec. 18, 1912 - Mar. 25, 1913; Sep. 18, 1913 - Nov, 23, 1915; Jan. 11 - Mar. 13, 1916; Sep. 14, 1916 - Apr. 13, 1952 Literature: Museum of Fine Arts, Boston, Annual Report, 1916, p. 113, lists two paintings lent by Harry N. Redman, Partridge Woods and Johnny Cake Hill. William H. Gerdts et al, Ten American Painters, Spanierman Gallery, New York, 1990, p. 182 Partridge Woods is one of three landscapes by Willard Metcalf that had been owned by Harry Newton Redmond, a Boston area composer and sometime painter. His collection also included Johnnycake Hill and Budding Oak #2. Two of the three, Partridge Woods and Budding Oak #2, were included in the 1907 exhibition of The Ten at Montross Gallery, which was reviewed by James B. Townsend in American Art News [Mar. 23, 1907, vol. v, no. 23, n.p.]. The reviewer infers that Partridge Woods was included in an exhibition at the Corcoran Gallery prior to the Montross show: From Willard Metcalf come his Corcoran Gallery Partridge Woods and a tonal outdoor study, Budding Oak. Townsend closes his review with a word of advice to the reader: This is the message of The Ten as spelled in all these 29 canvases. Go and read it and come away with heart and soul rejoicing, that American painters can give such a message of joy, of life and promise. Partridge Woods is included in the chronological listing of the work of Willard Metcalf compiled by Bruce Chambers. This work will be included in the forthcoming catalogue raisonne coordinated by Betty Krulik and the Willard Leroy Metcalf Catalogue Raisonne Project, Inc. A copy of the letter of authenticity dated Oct. 17, 2017, from the Willard Leroy Metcald Catalogue Raisonne Project, accompanies this work. C
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