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Edouard Manet

France (1832 -  1883 ) Wikipedia® : Edouard Manet
MANET Edouard La Convalescente, Two Impressions (harris 85)

Bonhams /Mar 23, 2016
638.54 - 893.96
Not Sold

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Variants on Artist's name :

Manet Édouard

 

Artworks in Arcadja
828

Some works of Edouard Manet

Extracted between 828 works in the catalog of Arcadja
Edouard Manet - Portrait De Madame Du Paty

Edouard Manet - Portrait De Madame Du Paty

Original 1880
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Gross Price
Lot number: 409
Other WORKS AT AUCTION
Description:
Édouard Manet PORTRAIT DE MADAME DU PATY 1832 - 1883 Signed Manet (lower right) Pastel on canvas 21 3/4 by 13 7/8 in. 55.3 by 35.2 cm Executed in 1880. Mme du Paty, Paris Auguste Pellerin, Paris Galerie Bernheim-Jeune, Paris (acquired by 1910) Durand-Ruel, Paris (acquired by 1911) Durand-Ruel Galleries, New York Joseph Flanagan, Boston (and sold: American Art Association, New York, January 14, 1920, lot 64) Mrs. Payne Whitney, New York Private Collection, New York (by descent from the above in 1944 and sold: Sotheby's, New York, May 10, 1999, lot 18) A. Alfred Taubman, New York (acquired at the above sale) Acquired from the estate of the above by the present owner Exhibited Paris, La Vie Moderne, Oeuvres nouvelles d'Édouard Manet, 1880, no. 12 Paris, École des Beaux-Arts, Exposition posthume Manet, 1884, no. 129 Paris, Galerie Bernheim-Jeune, Les Manets de la Collection Pellerin, 1910, no. 25 Washington, D.C., National Gallery of Art, The John Hay Whitney Collection, 1983, no. 14 Literature Gustave Goetschy, "Édouard Manet" in La Vie Moderne, April 17, 1880, pp. 247-50 Paul Alexis, "Manet" in La Revue Moderne et Naturaliste, 1880, pp. 289-95 Joris Karl Huysmans, L'Art Moderne, Paris, 1883, p. 157 Théodore Duret, Histoire d'Édouard Manet et de son oeuvre, Paris, 1902, no. 16 Emil Waldmann, "Édouard Manet in der Sammlung Pellerin" in Kunst und Kunstler, vol. 8, May 1910, pp. 387-98, illustrated n.p. Théodore Duret, Édouard Manet, Sein Leben und Seine Kunst, Berlin, 1910, no. 16, illustrated p. 207 Étienne Moreau-Nélaton, Manet raconté par lui-même, vol. II, Paris, 1926, fig. 270, illustrated p. 68 Paul Jamot, Georges Wildenstein & Marie-Louise Bataille, Manet, Paris, 1932, no. 445, fig. 220, illustrated p. 120 Adolphe Tabarant, Manet et ses oeuvres, Paris, 1947, no. 478, illustrated p. 368 Denis Rouart & Sandra Orienti, Tout l'oeuvre peint d'Édouard Manet, Paris, 1970, no. 291 Denis Rouart & Daniel Wildenstein, Édouard Manet: Catalogue Raisonné, pastels, aquarelles et dessins, vol. II, Paris, 1975, no. 34, illustrated p. 15 Catalogue Note Between 1878 and 1883 Manet executed nearly sixty pastel portraits of fashionable Parisian women. Many of the sitters were friends, some were actresses and others were models. Most were fascinating and beautiful, and several—for example, the actress Méry Laurent—were known to be involved with such figures as Stéphane Mallarmé and perhaps Manet himself. The present work depicts Madame du Paty, who was the wife of the genre and history painter Léon du Paty. According to Adolphe Tabarant, she was close to the Manet family (Adolphe Tabarant, op. cit., p. 368). Moreau-Nélaton reports that she was "une mondaine à qui l'on prête quelques aventures" (Etienne Moreau-Nélaton, op. cit., p. 68). This charming work was first in the collection of Madame du Paty herself, who lent it to the posthumous exhibition of Manet's work held in Paris in 1884. Subsequently it was acquired by the distinguished collector Auguste Pellerin whose superb collection of works by Manet was the subject of an exhibition at the Galerie Bernheim-Jeune in Paris in 1910.
Edouard Manet - Au Prado Ii

Edouard Manet - Au Prado Ii

Original 1863
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Lot number: 320
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Description:
Sale 2429 Lot 320 ÉDOUARD MANET Au Prado II. Aquatint and etching printed in black on cream laid Japan paper, 1863-67. 222x155 mm; 8 3/4x6 1/8 inches, full margins. Second state (of 2). The Porcaboeuf edition of approximately only 12, aside from the Manet edition of only several proofs. A superb, richly-inked impression of this extremely scarce etching. We have found fewer than 12 other impressions at auction in the past 30 years. Harris notes that the 1863 Manet edition consisted of, "An edition of between 5 and 28 sets of 15 etchings, printed on Chine paper for friends and patrons of the artist . . . Later sets of the edition might have included State I of Au Prado II, which is known in proofs on Chine." As this subject was not originally included in the 1863 Manet edition, it seems likely that most, if not all, of the impressions to have appeared at auction over the past 30 years are from the Porcaboeuf edition. Guérin 46; Harris 45
Edouard Manet - Au Prado Ii

Edouard Manet - Au Prado Ii

Original 1863-1867
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Lot number: 48
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Description:
Sale 2422 Lot 48 ÉDOUARD MANET Au Prado II. Aquatint and etching printed in black on cream laid Japan paper, 1863-67. 222x155 mm; 8 3/4x6 1/8 inches, full margins. Second state (of 2). The Porcaboeuf edition of approximately only 12, aside from the Manet edition of only several proofs. A superb, richly-inked impression of this extremely scarce etching.
Edouard Manet - La Convalescente, Two Impressions (harris 85)

Edouard Manet - La Convalescente, Two Impressions (harris 85)

Original 1876
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Lot number: 131
Other WORKS AT AUCTION
Description:
Edouard Manet (French, 1832-1883) La Convalescente, two impressions (Harris 85) Two etchings with aquatint, 1876-80, both the third state published in 1884, one on wove, one on japan, published in 'Bazire, Manet', each with margins, 128 x 103mm (5 x 4in)(PL); together with a copy of the volume 'Bazire, Manet' (2) (vol)
Edouard Manet - Le Guitarero (ou Le Chanteur Espagnol).

Edouard Manet - Le Guitarero (ou Le Chanteur Espagnol).

Original 1861
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Lot number: 49
Other WORKS AT AUCTION
Description:
ÉDOUARD MANET Le Guitarero (ou Le Chanteur Espagnol). Etching and roulette printed in black on cream laid paper, 1861-62. 298x245 mm; 11 3/4x9 5/8 inches, small margins, as issued. Fifth state (of 6). Printed by Delâtre, Paris. From L'Artiste. A very good, well-inked impression with very strong contrasts. Based on Manet's same-titled painting, 1861, now at the Metropolitan Museum of Art, New York. When it was first exhibited, at the Paris Salon of 1861, it brought him his first major critical success, which created a demand for the etched version. Guérin 16; Harris 12.
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