
Dreweatts & Bloomsbury Auctions
Jul 24, 2014
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Along with Thomas I Malton, our clients also searched for the following authors:
T. Edwards, Matthew Dubourg, Giovanni Battista Piranesi
T. Edwards, Matthew Dubourg, Giovanni Battista Piranesi
Artworks in Arcadja
17Some works of Thomas I Malton
Extracted between 17 works in the catalog of ArcadjaThomas I Malton - St Paul's Cathedral
Original 1801
Lot number:
250
Other WORKS AT AUCTION
Description:
Lot 250: Thomas Malton (1748-1804) - St Paul's Cathedral; North West View of St Paul's,
interior and exterior views, two original hand-coloured aquatints, 1801, each c.280 x 390mm. (11 x 15 1/4 in); with 2 further London views by Malton, Westminster Bridge , and The East India House , each c.255 x 330mm. (10 x 13 in); also with View of the Vauxhall Iron Bridge , 1816, Laurie & Whittle, 285 x 445mm. (11 1/4 x 17 1/2 in) (5)
interior and exterior views, two original hand-coloured aquatints, 1801, each c.280 x 390mm. (11 x 15 1/4 in); with 2 further London views by Malton, Westminster Bridge , and The East India House , each c.255 x 330mm. (10 x 13 in); also with View of the Vauxhall Iron Bridge , 1816, Laurie & Whittle, 285 x 445mm. (11 1/4 x 17 1/2 in) (5)
Thomas I Malton - Lot 146: Malton (james) - An Essay On British Cottage Architecture
Original
Lot number:
146
Other WORKS AT AUCTION
Description:
Lot 146: Malton (James) - An Essay on British Cottage Architecture,
Thomas Malton (1748-1804)
Description:
second edition, 23 sepia aquatint plates, lacks half-title, [cf. Abbey, Life, 34], 1804 bound with Lasteyrie (C.P.) Traité des Constructions Rurales, 33 engraved plates, some foxing or spotting, Paris, 1802 and Baxter (John) 6 hand-coloured aquatint architectural designs, signed and titled in ink, [c.1804], 20th century buckram, 4to
Thomas Malton (1748-1804)
Description:
second edition, 23 sepia aquatint plates, lacks half-title, [cf. Abbey, Life, 34], 1804 bound with Lasteyrie (C.P.) Traité des Constructions Rurales, 33 engraved plates, some foxing or spotting, Paris, 1802 and Baxter (John) 6 hand-coloured aquatint architectural designs, signed and titled in ink, [c.1804], 20th century buckram, 4to
Thomas I Malton - Elegant Figures In Christ Church Cathedral, Oxford
Original
Auction:
Christie's -Feb 21, 2012
- London
Lot number:
244
Other WORKS AT AUCTION
Description:
Lot Description
Thomas Malton the Younger (1726-1808)
Elegant figures in Christ Church Cathedral, Oxford
pencil, pen and black ink and watercolour with scratching out
17¾ x 13¾ in. (45.2 x 34.9 cm.)
Lot Condition Report
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Provenance
with Abbott & Holder, London.
Pre-Lot Text
VARIOUS PROPERTIES
Literature
Thomas Malton, Picturesque Views in the City of Oxford, London, 1802.
Thomas Malton the Younger (1726-1808)
Elegant figures in Christ Church Cathedral, Oxford
pencil, pen and black ink and watercolour with scratching out
17¾ x 13¾ in. (45.2 x 34.9 cm.)
Lot Condition Report
I confirm that I have read this Important Notice and agree to its terms.
View Condition Report
Provenance
with Abbott & Holder, London.
Pre-Lot Text
VARIOUS PROPERTIES
Literature
Thomas Malton, Picturesque Views in the City of Oxford, London, 1802.
Thomas I Malton - A Perspective Drawing Of A Desk And Chair
Original
Auction:
Christie's -Jan 26, 2011
- New York
Lot number:
302
Other WORKS AT AUCTION
Description:
Thomas Malton the Elder (Dublin 1726-1801)
A perspective drawing of a desk and chair
pen and black ink, grey wash, partially incised
4 x 5 in. (10.3 x 12.8 cm.)
Exhibited
London, Colnaghi, English drawings and watercolors, 1979, no.17.
Engraved
Thomas Malton the Elder, Complete Treatise on Perspective, 1800,2nd ed., pl. 34
A perspective drawing of a desk and chair
pen and black ink, grey wash, partially incised
4 x 5 in. (10.3 x 12.8 cm.)
Exhibited
London, Colnaghi, English drawings and watercolors, 1979, no.17.
Engraved
Thomas Malton the Elder, Complete Treatise on Perspective, 1800,2nd ed., pl. 34
Thomas I Malton - The Manson House
Original
Lot number:
498B
Other WORKS AT AUCTION
Description:
aquatint, printed in bistre, 370 x 505mm., surface dirt, handling creases and slight surface wear, a few short splits at sheet edges, just to the platemark, hinged into mount, by the artist, 1783 ? benoist (a.) and d.m. müller. of his britannick majesty's palace of white-hall, the westminster side, after inigo jones, engraving, 620 x 950mm., laid on board support, surface dirt and wear, tears into the image, trimmed on the upper and lower platemarks, but well outside image and title, 1748 ? cole (benjamin) a perspective view of the royal hospital at greenwich, hand-coloured engraving, 365 x 525mm., vertical folds, laid on card support, mounted, mid 18th century; with the original artwork for an early 20th century illustration of horse guards parade