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Jean Lurcat

France (Bruyères 1892 -  Saint 1966 ) Wikipedia® : Jean Lurcat
LURCAT Jean  Quatre Poires

Artcurial | Briest - Poulain - F. Tajan /Oct 17, 2016
3,000.00 - 4,000.00
Not Sold

Find artworks, auction results, sale prices and pictures of Jean Lurcat at auctions worldwide.
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Variants on Artist's name :

Lurçat Jean

Jean Lurçat

 

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Raoul Dufy, Dietz Edzard, Jean Cocteau, Jacques Lipchitz, Pablo Picasso, Serge Iurevich Soudeikine, Anselmo Bucci
Artworks in Arcadja
792

Some works of Jean Lurcat

Extracted between 792 works in the catalog of Arcadja
Jean Lurcat - Baigneuse

Jean Lurcat - Baigneuse

Original 1931
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Lot number: 56
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Description:
Jean LURCAT 1892 - 1966 Baigneuse - 1931 Gouache sur papier Signé et daté en bas à droite "lurçat 31" h: 17,50 w: 21,50 cm Provenance : Fonds Étienne Bignou Galerie Pierre Matisse, New York Boyer Galleries, Philadelphie Galerie Zlotowski, Paris Collection particulière, Paris Expositions : Zurich, Kunsthaus, "Exposition Jean Lurçat", mars-avril 1962 Bibliographie : C. Roy, "Lurçat", Pierre Cailler, Genève, 1956, p. 25 G. Denizeau, S. Lurçat, "Jean Lurçat, Catalogue raisonné", Acatos, Lausanne, 1998, n°1931.42, reproduit en noir et blanc p. 387 Commentaire : Gouache on paper; signed and dated lower right
Jean Lurcat - Baigneuses

Jean Lurcat - Baigneuses

Original 1933
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Lot number: 108
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Description:
Jean Lurçat BAIGNEUSES 1892 - 1966 dedicated Pour Leslie Goldberg très amicalement and signed JLurcat (lower right) gouache on paper 18 x 14 1/2 in. Executed in 1933. Provenance Sale: Hôtel Drouot, Paris, 18th June 1989, lot 282 Sale: Artcurial, Paris, 2nd April 2015, lot 114 Acquired at the above by the present owner Literature Gérard Denizeau & Simone Lurçat, L'Œuvre peint de Jean Lurçat, Catalogue raisonné, Lausanne, 1998, no. 1923-23, illustrated p. 397 108 Jean Lurçat dedicated Pour Leslie Goldberg très amicalement and signed JLurcat (lower right) gouache on paper 18 x 14 1/2 in. Executed in 1933. Paper laid down on card, which is taped to the overmount along the upper edge. The sheet is slightly light stained. There is a repaired tear (approx 1 cm) to the upper left quadrant. There is a flattened crease to the centre of the left edge and another to the centre of the right edge. This work is in overall good condition. "In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue. NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
Jean Lurcat - Female Figure

Jean Lurcat - Female Figure

Original 1928
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Lot number: 32
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Jean Lurçat (1892-1966), Female Figure, Ink, 1928 India ink drawing on firm wove paper ‚Arches‘ (watermark) France, 1928 Jean Lurçat (1892-1966) – French painter, ceramic and tapestry artist Signed and dated ‘Lurçat 28‘ lower right in pencil Sheet dimensions: 49.7 x 32 cm Framed: 72 x 52 cm Good condition
Jean Lurcat -  Quatre Poires

Jean Lurcat - Quatre Poires

Original 1949
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Lot number: 124
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Jean LURCAT 1892 - 1966 Ensemble de trois oeuvres sur papier Quatre poires - 1949 Gouache, aquarelle et crayon sur papier Signé en bas à droite "Lurçat" 25,40 x 49,40 cm Exposition : Londres, Gimpel Gallery, "William Johnstone, Jean Lurçat, William Gear", novembre 1949, n°50 New York, Passedoit Gallery, "Jean Lurçat", mars 1951, n°14 Bibliographie : G. Denizeau, S. Lurçat, "Jean Lurçat, Catalogue raisonné", Acatos, Lausanne, 1998, n°1949.12, p. 467 Fruit dans un paysage - 1947 Gouache, aquarelle et crayon sur papier Signé et daté en bas à droite "Lurçat 47" 24,60 x 49 cm Exposition : Londres, Gimpel Gallery, "William Johnstone, Jean Lurçat, William Gear", novembre 1949, n°39 New York, Passedoit Gallery, "Jean Lurçat", mars 1951, n°3 Bibliographie : G. Denizeau, S. Lurçat, "Jean Lurçat, Catalogue raisonné", Acatos, Lausanne, 1998, n°1947.14, reproduit en noir et blanc p. 459 Pomme- 1947 Gouache, aquarelle et crayon sur papier Signé en bas à droite "Lurçat" 24,60 x 49,60 cm Bibliographie : G. Denizeau, S. Lurçat, "Jean Lurçat, Catalogue raisonné", Acatos, Lausanne, 1998, n°1947.22, reproduit en noir et blanc p. 460 Commentaire : Set of three works on paper; gouache, watercolor and pencil on paper, signed lower right; gouache, watercolor and pencil on paper, signed lower right; gouache, watercolor and pencil on paper, signed lower right
Jean Lurcat -  Le Taurergot

Jean Lurcat - Le Taurergot

Original 1949
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Lot number: 86
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Lot 86: Jean Lurçat (French, 1892-1966) LE TAURERGOT, 1949 Description: signed in the weave lower left Notes: Jean Lurçat was one of the finest tapestry designers of his time and his innovations in the craft were widely practised in France. His influence on the work of Irish artist Louis le Brocquy - who was introduced to the medium in 1948 courtesy of the Edinburgh Tapestry Weavers - cannot be overstated. In 1949 Lurçat's Aubusson tapestry Jardin Des Coqs was included in the 1949 Irish Exhibition of Living Art in Dublin. Le Brocquy, writing for Ark Magazine Royal College of Art, London almost a decade later in 1956 describes Lurçat's work and its virtues thus: "Lurçat method of designing, already widely practised in France, has given new life to French tapestry, now more joyous and frank, more durable and economic than at any time since the end of the 16th century, when resistance to Renaissance idiom finally collapsed. His reconstituted technique imposes no particular style on the designer, as may be seen by comparing the quantity of stylistically varied work recently produced at Aubusson. It is essentially a return to medieval ways. In one form or another it represents the only practical and economic way of producing 'a very large work of woven and coloured wools': a tapestry. For any designer who has made a cartoon by this direct method of Lurçat and by the indirect, copy-a-painting method of, shall we say, Boucher, there can be no remaining doubt in eye or in mind as to the superiority of the former when comparing the two resultant tapestries. Only those can remain obdurate who insist on the virtue of cleverly and laboriously translating paint scumbles into weft". Accompanied by a copy of a letter to the prsent owner from the Musée Departemental de la Tapisserie, Aubusson. 'Le Taurergot' is a word invented by Lurçat and alludes to both the bull and the cock, two animals frequently depicted in his oeuvre. The Tabard workshop records mention of two versions of this work, both woven in 1949. The first sold in Sweden, the second is the present lot. Provenance: Eric Pillon Enchères, Calais, France, 12 March 2000, lot 289 as 'Le Coq'; Private Collection deVeres, 3 March 2001, lot 149; Private Collection Dimensions: h:71 w:56in. Artist or Maker: Jean Lurçat (French, 1892-1966) Medium: Aubusson tapestry; (from an edition of 2)
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