Maximilien Luce

(Paris 1858Paris 1941 ) - Artworks Wikipedia® - Maximilien Luce
LUCE Maximilien Carriere A Mericourt

Artcurial | Briest - Poulain - F. Tajan /Dec 2, 2014
10,000.00 - 15,000.00
Not Sold

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Raoul Dufy, Dietz Edzard, Jean Cocteau, Jacques Lipchitz, Pablo Picasso, Serge Iurevich Soudeikine, Anselmo Bucci
Artworks in Arcadja
2539

Some works of Maximilien Luce

Extracted between 2,539 works in the catalog of Arcadja
Maximilien Luce - La Marne Et Le Pont De Fer À Lagny

Maximilien Luce - La Marne Et Le Pont De Fer À Lagny

Original 1888
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Lot number: 1
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Description:
Lot Description Maximilien Luce (1858-1941) La Marne et le Pont de Fer à Lagny signé et daté 'Luce 88' (en bas à droite) huile sur toile 24.8 x 32.8 cm. Peint à Lagny en 1888 signed and dated 'Luce 88' (lower right) oil on canvas 9¾ x 12 7/8 in. Painted in Lagny in 1888 Provenance Vente, M e Laurin, Paris, 29 juin 1962, lot 23. Collection particulière, Paris. Literature J. Bouin-Luce et D. Bazetoux, Maximilien Luce, Catalogue de l'oeuvre peint, Paris, 1986, vol. II, p. 125, no. 500 (illustré). View Lot Notes >
Maximilien Luce - Rouen, Pont De Pierre

Maximilien Luce - Rouen, Pont De Pierre

Original
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Gross Price
Lot number: 14
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Sale 134 Lot 14 ** Maximilien Luce 1858-1941 (French) Rouen, Pont de Pierre oil on cardboard h:14 w:18 cm. signed lower right Provenance: Private collection, Netherlands. Private European collection. Estimate $ 25,000-35,000 Back Inquiry Email Lot Bid Now Bid Live
Maximilien Luce - La Bievre Pres Du Paris

Maximilien Luce - La Bievre Pres Du Paris

Original 1890
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Lot number: 17
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Maximilien Luce 1858 - 1941 LA BIEVRE PRES DU PARIS Signed Luce (lower left) Oil on canvas 15 1/4 by 18 1/4 in. 38.7 by 46.4 cm Painted in 1890. Read Condition Report Read Condition Report Register or Log-in to view condition report Saleroom Notice Provenance Hammer Galleries, New York Acquired from the above by the present owner in 1996 Exhibited New York, Hammer Galleries, 19th and 20th Century European and American Paintings, 1984, n.n., illustrated in the catalogue Literature Jean-Bouin Luce & Denise Bazetoux, Maximilien Luce, Catalogue raisoneé de l'oeuvre peint, vol. II, Paris, 1986, no. 46, illustrated p. 18 Oil on canvas, not lined. Canvas is slightly slack on the stretcher. A thin, faint web of craqueleur visible in the sky. A faint, two inch abrasion visible at lower left corner. Under UV light; no apparent inpainting visible. In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
Maximilien Luce - Carriere A Mericourt

Maximilien Luce - Carriere A Mericourt

Original -
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Lot number: 206
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Description: Maximilien LUCE 1858 - 1941 CARRIERE A MERICOURT Huile sur papier marouflé sur toile Cachet de la signature en bas à droite "Luce" h: 40,60 w: 53,50 cm Provenance : Collection particulière, France Commentaire : L'authenticité de cette oeuvre a été confirmée par Madame Denise Bazetoux OIL ON PAPER LAID DOWN ON CANVAS; STAMPED WITH SIGNATURE LOWER RIGHT
Maximilien Luce - Le Port D'amsterdam

Maximilien Luce - Le Port D'amsterdam

Original 1907
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Price: Not disclosed
Lot number: 203
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Description:
Lot 203: Maximilien Luce, Le Port d'Amsterdam, 1907 Description: Signed and dated 'Luce 1907' in purple lower right. We would like to thank Denise Bazetoux, Maisons-Lafitte, for kind information as of 7 October 2014. In the years 1907 and 1908 Maximilien Luce was repeatedly drawn to Holland, where he visited the towns of Rotterdam, Dordrecht and Amsterdam to look at the works of old masters like Rembrandt, Vermeer, Van Ostade and Holbein in the museums there. In contrast, his own style of painting displays more of an occupation with light and prismatic effects of colour. For a few years Luce worked in a very strict pointillist style; later he developed a freer manner of painting. His paintings always testify to a great freshness and sensibility and also to a general appreciation of the everyday. Luce was born in Paris as the son of a wagon builder employed by the French rail company. It is thus no surprise that the depiction of people at work, but also of landscapes and urban scenes, became his main motifs. This painting is from the collection of Oscar Ghez de Castelnuovo (1905-1998), a Swiss-born entrepreneur, art collector and patron from Tunisia. Ghez founded the Musée du Petit Palais in Geneva, which opened in 1968 in an urban villa purchased by him. In 1978 he donated a large part of his collection to the University of Haifa. 48.5 x 64 cm In very good condition with fresh colours. The edges slightly worn due to framing. VAT: Margin scheme Collection Oscar Ghez, Musée du Petit Palais, Geneva ((1965) with a label to the reverse); Auction Ader, Paris 4 December 1972; Auction Germann, Zurich; Private possession, Saarland; Math. Lempertz'sche Kunstversteigerung 550, Kunst des XX. Jahrhunderts, 21 May 1976, lot 371; Private collection, Lower Saxony 48.5 x 64 cm Maximilien Luce Annency 1964 (Musée Chateau d' Annency), Maitres connus et méconnus de Montmartre à Montparnasse (with a label to the reverse); Gisors 1964/65, 17e Salon des Arts, Peintres connus et méconnus, cat. p. 12, illus.; Vevey 1965 (Arts et Lettres, Exposition au Musée de Vevey/Musée Jenish), De Vallotton à Desnos (collection de la Modern Art Foundation créé à Genève par M. Oscar Ghez), cat. no. 76 (with a label to the reverse); Vaduz 1965, Modern Art Foundation (with a label to the reverse); Geneva 1968 (Petit Palais), L'Aube du XXe siècle, de Renoir à Chagall, no. 114 Francois Daulte, Oscar Ghez, Catalogue de L'Exposition, L'Aube du XXe siècle, de Renoir à Chagall, cat. no. 114, illus. Oil on canvas, mounted on card Framed 1907
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