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Arcadja Auctions

Pieter Iii Lisaert

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(15741604 ) - Artworks
LISAERT Pieter III Három Királyok Imádása És Pásztorok Hódolása (párkép)

Nagyhazi galeria /Dec 6, 2004
1,140.63
12,257.14
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Along with Pieter Iii Lisaert, our clients also searched for the following authors:
Arcangelo Salimbeni, Christoffel Van Den Berghe, Lavinia Fontana, Abel Grimmer, Anthonius Van Dyck, Lucas Ii Cranach, Scipione Pulzone Il Gaetano


Artworks in Arcadja
5

Some works of Pieter Iii Lisaert

Extracted between 5 works in the catalog of Arcadja
Pieter Iii Lisaert - The Parable Of The Wise And The Foolish Virgins

Pieter Iii Lisaert - The Parable Of The Wise And The Foolish Virgins

Original -
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Lot number: 9
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Description:
Pieter Lisaert, Flemish painter, worked in Antwerp, 16th century The Parable of the Wise and the Foolish Virgins. Signed on the edge of the board over the two masks. Oil on panel. 74 x 105 cm. Period gilt frame carved with flowers and leaves. The motif is taken from St. Matthew's Gospel chapter 25, 1-13.
Pieter Iii Lisaert - Umkreis Die Anbetung Der Könige

Pieter Iii Lisaert - Umkreis Die Anbetung Der Könige

Original
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Net Price
Lot number: 180
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Pieter Iii Lisaert - Három Királyok Imádása És Pásztorok Hódolása (párkép)

Pieter Iii Lisaert - Három Királyok Imádása És Pásztorok Hódolása (párkép)

Original
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Net Price
Lot number: 90
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Pieter Iii Lisaert - An Allegory Of Water

Pieter Iii Lisaert - An Allegory Of Water

Attributed
Estimate:

Price: Not disclosed
Lot number: 105
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Description:
Attributed to Pieter Lisaert III (Antwerp 1574-after 1604 ?)
An Allegory of Water
Add. Notes: oil on copper 10 7/8 x 14¼ in. (27.5 x 36.3 cm.)
Notes: As recorded by de' Dominici, Solimena painted for the Baglioni family of Venice. Several versions and copies of the painting are known and the question about which of these are by Solimena's hand remains open. The composition of this painting repeats, with variants, the painting in the Musée Fesch, Ajaccio, which Ferdinando Bologna published as the prime version (i.e. the painting formerly in the Baglioni collection), proposing a date of around 1715. Bologna also listed a later replica of circa 1729-30, formerly in the Harrach collection in Vienna, and a good copy in the Pinatoceta Nazionale, Bologna (F. Bologna, Francesco Solimena, Naples, 1957, p. 247). An attribution to Jacopo Cestaro has also been proposed.