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Andre Lhote

France (Bordeaux 1885 -  Parigi 1962 ) Wikipedia® : Andre Lhote
LHOTE Andre A Seated Woman With A Hat

Christie's
Dec 6, 2018
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Variants on Artist's name :

Lhote André

 

Artworks in Arcadja
1826

Some works of Andre Lhote

Extracted between 1,826 works in the catalog of Arcadja
Andre Lhote -  La Salle À Manger

Andre Lhote - La Salle À Manger

Original 1945
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Net Price
Lot number: 7
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Description:
ANDRÉ LHOTE (1885-1962) La salle à manger signé \‘A LHOTE.\’ (en haut à gauche) huile sur toile 33 x 41 cm. Peint vers 1944-45 Provenance Collection privée, France. Signed upper left; oil on canvas; painted circa 1944-45; 13 x 16.1/8 in. Madame Dominique Bermann-Martin a confirmé l\’authenticité de cette œuvre.
Andre Lhote - Collioure, Un Jour D'orage

Andre Lhote - Collioure, Un Jour D'orage

Original 1925
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Lot number: 516
Other WORKS AT AUCTION
Description:
André Lhote 1885 Bordeaux - 1962 Paris Collioure, un jour d'orage. Wohl um 1925. Öl auf Leinwand. Links unten signiert. Verso mit einer vom Künstler verfassten handschriftlichen Beschreibung des Kunstwerks auf Papier, auf dünne Pappe montiert und am Keilrahmen befestigt. 39 x 47,3 cm (15,3 x 18,6 in). Auf dem am Keilrahmen befestigten handschriftlichen Vermerk schreibt André Lhote: 'Cette toile est ce que j'appelais une 'étude directe', exécutée sur nature, et destinée à étre transposée sur toile. Elle a pour sujet Collioure un jour d'orage. Il tômbait des gouttes, ce qui m'indisposait fort.'. [CH]. Wir danken Frau Isabelle Clouzeau-Gouin, Paris, für die freundliche Auskunft. PROVENIENZ: Privatsammlung Frankreich. Privatsammlung Tschechien. Aufrufzeit: 07.12.2018 - ca. 16.36 h +/- 20 Min. Dieses Objekt wird regel- oder differenzbesteuert angeboten. ENGLISH VERSION André Lhote 1885 Bordeaux - 1962 Paris Collioure, un jour d'orage. Wohl um 1925. Oil on canvas. Lower left signed. Verso with a description of the artwork, written by the artist, paper mounted on thin board and attached to stretcher. 39 x 47.3 cm (15.3 x 18.6 in). On a hand-written note on the stretcher André Lhote wrote the following: 'Cette toile est ce que j'appelais une 'étude directe', exécutée sur nature, et destinée à étre transposée sur toile. Elle a pour sujet Collioure un jour d'orage. Il tômbait des gouttes, ce qui m'indisposait fort.'. [CH]. We are grateful to Mrs Isabelle Clouzeau-Gouin, Paris, for her kind support in cataloging this lot. PROVENANCE: Private collection Czech Republic. Called up: December 7, 2018 - ca. 16.36 h +/- 20 min. This lot can be purchased subject to differential or regular taxation.
Andre Lhote - A Seated Woman With A Hat

Andre Lhote - A Seated Woman With A Hat

Original
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Lot number: 106
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Description:
ANDRÉ LHOTE (1885-1962) A seated woman with a hat signed 'A. LHOTE' pen and brown ink, brown wash 15¾ x 11¾ in. (40 x 29.9 cm.); and Jean-Louis Forain (1852-1931), An elderly man conversing with a woman, black chalk, watercolour, signed; and Jacques Villon (1875-1963), Study of horses with horsemen, graphite, pen and black ink on tracing paper, signed and dated
Andre Lhote - La Lecture

Andre Lhote - La Lecture

Original 1942
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Lot number: 430
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Description:
André Lhote* (Bordeaux 1885 - 1962 Paris) La Lecture, c. 1942 oil on paper on canvas; 63 x 77 cm signed on the lower right: A. Lhote titled and dated on the reverse on the stretcher: La Lecture 1942 stamp of the Hammer Galleries, New York, and stamp of the Pomeroy Gallery, San Francisco, on the reverse on the stretcher Provenance from the collection of the artist's family; Galerie Soufer, New York, acquired directly from the family in 1987; Galerie Fischer Luzern, 25 November 2010, no. 69; private collection, Europe Exhibition 1966 New York, Hammer Gallery, Retrospektive André Lhote (stamp verso) The painting will be included in the forthcoming catalogue raisonné by Dominique Bermann Martin. We are grateful for his assistance in cataloguing this painting.
Andre Lhote - The Hamlet In The Valley

Andre Lhote - The Hamlet In The Valley

Original 1920
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Gross Price
Lot number: 190
Other WORKS AT AUCTION
Description:
André Lhote * (Bordeaux 1885–1962 Paris) The hamlet in the valley, 1920, signed A. Lhote, oil on canvas, 73x92cm, framed This work will be included in the catalogue raisonné vol. I currently being compiled by Dominique Bermann Martin and Jean François Aittouarès. Provenance: European Private Collection The works of the French painter André Lhote are characterised by the simplification of form, the dissolution of motifs into predominantly geometric surfaces and the rhythm of his richly coloured compositions. While his early pieces were primarily inspired by Fauvism, his later work was dominated by the Cubist style. The major retrospective of Cézanne\’s works at the Salon d\’Automne in 1907 had a lasting influence on the young painter, who increasingly turned towards Cubism from around 1912 onwards. In the same year, he was invited by the Cubist artist group \“Section d\’Or\” to exhibit ten of his paintings in their space, which is testament to his pioneering engagement with this trend. The present painting, The Hamlet in the valley from 1920, was created during Lhote\’s artistic zenith, which went hand-in-hand with major international exhibitions in France, Sweden, Belgium and Holland. The painting shows a small hamlet in the valley bottom, with the buildings of the settlement framing the bushes and trees in the middle of the picture. Lhote decodes the landscape into simplistic forms, with the main motif remaining legible despite its abstract structure. He uses visible parallel brushstrokes to create the rhythm of shimmering green surfaces. They do not just capture the movements of his hand: they also seem to reflect the breeze that has caught the heavy branches of the fir and the thin treetops. The nuances of the colours ensure that the complementary contrast between the green and red shades remains suspended in balance. Lhote\’s specific interpretation of Cubism involves his geometrically rhythmic compositions always remaining attached to representationalism. He makes confident use of this new means of design, while maintaining a connection to classical painting through his selection of themes and composition. This attitude - achieving modernity by continuing traditions rather than breaking with them - also shapes his numerous written works and his active work as a teacher. In 1918, he co-founded the art journal \“Nouvelle Revue Française\”, in which he published articles and art theory on the basics of painting until 1940. Around the same time, Lhote began teaching at various academies before founding the prestigious Académie André Lhote in Montparnasse in 1925. This academy\’s best-known students included Tamara de Lempicka and Hans Hartung, as well as the photographers Henry Cartier-Bresson and Dora Maar.
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