Lawrences

DAME ELISABETH FRINK, DBE, RA (1930-1993) LONG-EARED OWL (FROM ````SIX OWLS````) (W.118) Aquatint with etching, published by Leslie Waddington Prints Ltd, 1977, signed in pencil and inscribed A/P (one of ten artist's proofs, aside from the edition of 75) 53 x 45.5cm. Provenance: see lot 2735 Estimate: 1200-1800

VALERIE THORNTON (1931-1991) CITYSCAPE Etching, signed and numbered 2/10 27 x 34cm.; with two further prints by the same hand: a colour lithograph of farm buildings, signed and numbered VIII/XXIV, 41 x 63cm.; and a 1985 colour etching of Horseman, Fidenza, signed, 25 x 11.5cm. (3) Estimate: 80-120

AFTER JEAN BAPTISTE RIGAUD (Fl. MID-18th CENTURY) VUE PARTICULIERE DE PARIS Engraving with hand colouring by J. F. Leitzelt 25 x 39.5cm.; with three further coloured engravings showing Le Jardin des Marchands; Le Palais de Luxembourg; and View of the Canal in St. James's Park, London. (4) Estimate: 120-160

EXMOOR STAG 'THE EMPEROR - LARGE OIL PAINTING by Christine Allison, a 9ft high life size portrait of a Stag. Painted in Oil, the canvas painted with contemporary brush marks and palette knife, in a rich thick paint. Framed. 280 by 180cms. *When this Exmoor Stag was shot, Christine Allison felt compelled to paint a life size portrait of this noble beast. Christine is also known for her large dramatic paintings of birds of prey. Estimate: 500-700

AFTER THOMAS GIRTIN (1775-1802) VIEW OF THE BRIDGE OF CHAILLOT Aquatint, printed in sepia, by F. C. Lewis, from ````Twenty Views of Paris````, published by the artist's brother in 1803 Image 12.5 x 47cm. Provenance: London, Thos. Agnew & Sons Ltd Estimate: 60-100 One obvious old crease; needs a light clean