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Gustav Klimt

Austria (Baumgarten 1862 -  Vienna 1918 ) Wikipedia® : Gustav Klimt
KLIMT Gustav Den Betrachter Anblickender Mädchenakt (standing Nude Looking At Us)

Sotheby's
Oct 19, 2018
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Variants on Artist's name :

Klimt

 

Artworks in Arcadja
1155

Some works of Gustav Klimt

Extracted between 1,155 works in the catalog of Arcadja
Gustav Klimt - Brustbild Eines Mädchens Mit Herabhängenden Haaren (half-length Portrait Of A Girl Withflowinghair)

Gustav Klimt - Brustbild Eines Mädchens Mit Herabhängenden Haaren (half-length Portrait Of A Girl Withflowinghair)

Original 1915
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Lot number: 404
Other WORKS AT AUCTION
Description:
BRUSTBILD EINES MÄDCHENS MIT HERABHÄNGENDEN HAAREN (HALF-LENGTH PORTRAIT OF A GIRL WITHFLOWINGHAIR) Gustav Klimt 1862 - 1918 Stamped with theNachlassmark Pencil onpaper 22 1/4 by 14 5/8 in. 56.5 by 37.1 cm Executed in 1915. Provenance Sale: Auktion Karl Faber, Munich, October 19 & 20, 1965, lot 1382 John T. Dorrance, Jr., Pennsylvania (and sold by the estate:Sotheby's, New York, October 19, 1989, lot 106) Acquired at the above sale Exhibited Vienna, Christian M. Nebehay,Katalog XI, Gustav Klimt, 56 Zeichnungen,1967, no. 55, illustrated in the catalogue Literature "Wien um 1900," inDie Weltkunst,March 15, 1967, illustrated p. 217 Alice Strobl,Gustav Klimt, Die Zeichnungen, 1912-1918, vol.III, Salzburg, 1982, no. 2639, illustrated p. 136
Gustav Klimt - Poppy Field

Gustav Klimt - Poppy Field

Original 1931
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Gross Price
Lot number: 105
Other WORKS AT AUCTION
Description:
Lot Details Lot 105 Gustav Klimt (1862-1918) POPPY FIELD Color collotype, 1931, edition of 150, from Gustav Klimt An Aftermath, published by the Austrian State Printing Office, with full margins, framed. 12 x 12 inches; 305 x 305 mm. Sheet 18 7/8 x 17 7/8 inches; 479 x 454 mm. C The Estate of Barbara Wainscott
Gustav Klimt - Den Betrachter Anblickender Mädchenakt (standing Nude Looking At Us)

Gustav Klimt - Den Betrachter Anblickender Mädchenakt (standing Nude Looking At Us)

Original 1906-07
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Gross Price
Lot number: 320
Other WORKS AT AUCTION
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PROPERTY FROM AN IMPORTANT PRIVATE EUROPEAN COLLECTION Gustav Klimt DEN BETRACHTER ANBLICKENDER MÄDCHENAKT (STANDING NUDE LOOKING AT US) Gustav Klimt 1862 - 1918 indinstinctly inscribed N (lower right); stamped Nachlass Gustav Klimt (on the reverse, according to catalogue raisonné) pencil on paper 56,2 x 37,4 cm; 22 1/8 x 14 3/4 in. Executed circa 1906-07.
Gustav Klimt - Stehende Dame Mit Hochgestelltem

Gustav Klimt - Stehende Dame Mit Hochgestelltem

Original 19th century
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Lot number: 363
Other WORKS AT AUCTION
Description:
GUSTAV KLIMT Stehende Dame mit hochgestelltem Kragen nach links. Black chalk on light tan wove paper. 445x305 mm; 17 1/2x12 inches. Published in Strobl, Gustav Klimt: Die Zeichnungen, Salzburg, 1980-89, number 3534 (illustrated page 135). Ex-collection private collection, New York. Klimt (1862-1918), the leader of the Vienna Secession movement, rejected the academic style that was prevalent in Austria at the turn of the century. His artwork often incorporated undulating contour lines and stylized forms as well as heavy ornamentation and symbolism. This individual expression was lauded by Vienna's cultural circles in the last decade of the 19th century and the early 1900s and served as a significant influence on Klimt's younger contemporaries, notably Egon Schiele (see lot 441).
Gustav Klimt - Portrait Of A Woman Wrapped In A Blanket

Gustav Klimt - Portrait Of A Woman Wrapped In A Blanket

Original
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Lot number: 128
Other WORKS AT AUCTION
Description:
GUSTAV KLIMT Austria 1862-1918 Mix Media on Paper Mixed media on paper, framed. Featuring a portrait of a woman wrapped in a blanket. Signed and in the manner of Gustav Klimt (Austria, 1862-1918), signature on the left margin. 10.6 x 8.3 in. (27 x 21 cm). Gustav Klimt is best known for his opulently gilded art nouveau portraits of women that epitomize fin-de-siècle Vienna. His Symbolist pastiches of pale nudes, allegorical gardens and erotic content served as the basis for many American psychedelic poster designs in the 1960s. Early in his career, Klimt was supported generously by the Viennese community, and received several commissions for murals in theaters and the Museum Kunsthistorisches. Early narrative paintings depicted heavy subjects such as anxiety, doubt, sexuality, and death, but in later years, he turned toward landscape painting, exploring light and abstract patterns of nature. PROVENANCE: Southern Ontario estate
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