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Paul Klee

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Switzerland ( Münchenbuchsee 1879 Muralto-locarno 1940 ) -  Artworks Wikipedia® - Paul Klee
KLEE Paul Der Seiltanzer

William Doyle / Apr 29, 2013
23,078.70 - 46,157.40
Not Sold
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Artworks in Arcadja
856

Some works of Paul Klee

Extracted between 856 works in the catalog of Arcadja

Paul Klee - “villen”

Original
 
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Lot number: 1332
Other WORKS AT AUCTIONDescription:
Paul Klee (Münchenbuchsee near Bern 1879–1940 Muralto) “Villen”, signed Klee, titled, dated and numbered on the cardboard support 1912–68, watercolour, pen and ink on Japan paper, laid down on card by the artist, 14.2 x 25.8 cm, framed, (PS) Photo certificate: Dr. Michael Baumgartner, Dr. Christine Hopfengart, Zentrum Paul Klee, Bern, 28.10.2011 Literature: Paul Klee, Werkverzeichnis, vol. 1, 1883–1912, Bern 1958, p. 436, no. 779 (o. ill.) Paul-Klee Stiftung, Kunstmuseum Bern (eds) Paul Klee met the Blue Rider artists in Munich in 1911 and reviewed their first exhibition at the Galerie Thannhauser. As a result of his close friendship with these painters, Klee took part in the second and last Blue Rider exhibition, showing 17 of his works in the art gallery Goltz. From this point onwards he was part of the German Avantgarde. From 1911 he recorded the sales of his paintings in his own special catalogue raisonné. He sold Villas, to Goltz in February 1920 (p. CR 779). Paul Klee is a staunch advocate of “primitive” art. As he says, it is the most helpless children who offer us the most instructive art. For Klee these represent the very beginnings of art, for they are drawn from spontaneous and intuitive stimulus and not from observation (Die Alpen, 6, 1912, p. 302). In Villas, Paul Klee concentrated purely on shape, which he outlined and defined, first in lines and then later with coloured surfaces. The colours here are not applied deliberately, instead Klee appears “to be letting his fantasy run free on a piano of colours, with its dishes of watercolours in rows” (Paul Klee, Diary, March 1910). The colours vary in their brightness, and in this work the artist experimented with tonality, laying one shade over another. This watercolour illustrates particularly clearly the artist as one who is still searching, first noting in his diary in 1914 that “the colour has me, (….) the colour and I are one. I am a painter.” (Paul Klee Diary, 16 April 1914)

Paul Klee - Robuster Narr

Original 1933
 
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Lot number: 149
Other WORKS AT AUCTIONDescription:
Lot Description Paul Klee (1879-1940) Robuster Narr signed 'Klee' (lower right); dated, numbered and titled '1933 Fii robuster Narr' (on the artist's mount) pencil on paper mounted on card Sheet size: 13 x 8¼ in. (33 x 21 cm.) Mount size: 19½ x 13¼ in. (49.4 x 33.7 cm.) Executed in 1933 Provenance Galerie Simon (Daniel-Henry Kahnweiler), Paris. Serge Sabarsky Gallery, New York. Anon. sale, Sotheby & Co., London, 3 July 1974, lot 176. Private collection, London; sale, Christie's, London, 4 April 1989, lot 366. Arnold Herstand & Co., New York. Acquired from the above by the present owner, October 1989. Literature The Paul Klee Foundation, ed., Paul Klee, Catalogue raisonné, Bonn, 2002, vol. 6, p. 477, no. 6458 (illustrated).

Paul Klee - Drei Sanfte Narrenworte (three Gentle Words Of A Fool)

Original 1925
 
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Lot number: 412
Other WORKS AT AUCTIONDescription:
LOT 412 PROPERTY FROM A DISTINGUISHED NEW YORK COLLECTION PAUL KLEE 1879 - 1940 DREI SANFTE NARRENWORTE (THREE GENTLE WORDS OF A FOOL) Signed Klee (lower right); titled, dated 1925 and inscribed "g. drei" (on the artist's mount) Pen and ink on paper mounted on card Sheet: 10 3/4 by 8 7/8 in. 27.3 by 22.5 cm Mount: 19 3/4 by 13 in. 50.2 by 33 cm Executed in 1925.

Paul Klee - Der Seiltanzer

Original 1923
 
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Lot number: 59
Other WORKS AT AUCTIONDescription:
Lot 59 Paul Klee (1879-1940) DER SEILTANZER (KORNFELD 95) Color lithograph, 1923, on cream laid paper watermark BSB, signed and inscribed with the work number 23 138 in pencil, edition of 220 (there were also 80 on Japon ), from the portfolio Kunst der Gegenwart , published by R. Piper & Co., Munich and with their blindstamp, pale lightstain, pale matstain verso, some printer's ink at top of left and right sheet edges, a few areas of old glue and paper tape residue at top and left sheet edges verso (some associated light abrasion), a small area of light abrasion at right sheet edge verso, a few small foxing spots or (glue?) stains in the margins and verso (one almost imperceptible at left image edge), some unobtrusive handling creases, some rippling in the top margin, otherwise in good condition, with full margins, framed. 17 3/8 x 10 5/8 inches; 441 x 270 mm. Sheet 20 1/2 x 15 inches; 521 x 381 mm. Provenance: R. M. Light & Co., Inc., Boston Acquired from the above March 21, 1974 by Carolyn and George Rowland C The Carolyn and George Rowland Charitable Foundation Trust Estimate $30,000-60,000 Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

Paul Klee - Jüngling Mit Krallen

Original 1911
 
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Lot number: 49
Other WORKS AT AUCTIONDescription:
Lot Description Paul Klee (1879-1940) Jüngling mit Krallen signé et daté 'Klee 1911' (en haut à gauche); daté, titré et numéroté 'Jüngling mit Krallen 1911 106' (sur le montage de l'artiste) mine de plomb sur papier Feuille: 15.7 x 5.4 cm. (6¼ x 2 1/8 in.) Montage de l'artiste: 24.3 x 13.3 cm. (9 5/8 x 5¼ in.) Exécuté en 1911 Provenance Hermann et Margrit Rupf, Berne. Berggruen & Cie., Paris, 1955. Contessa Anna Letizia Pecci Blunt, Rome, 1982. Collection particulière, Rome; vente, Christie's, Milan, 24 mai 2005, lot 299. Acquis au cours de cette vente par le propriétaire actuel. Literature Paul Klee Stiftung, Paul Klee, Catalogue raisonné, Berne, 1998, vol. I, p. 410, no. 701 (illustré). Exhibited Munich, Galerie Neue Kunst Hans Goltz, Paul Klee, mai-juin 1920,p. 24, no. 281. Bologne, Museo Morandi, Paul Klee, Figure e metamorfosi, novembre 2000, p. 109, no. 1 (illustré en couleurs). Post-Lot Text 'Jüngling mit Krallen'; signed and dated upper left; dated, titled and numbered on the artist's mount; pencil on paper; executed in 1911.