Matthew Day Jackson

209 MATTHEW DAY JACKSON The Lower 48, Wyoming, 2006 48 c-prints, framed each unframed 13 1/2 x 20 in. (34.3 x 50.8 cm.); each framed 15 3/8 x 21 7/8 in. (39.1 x 55.6 cm.) This work is number 3 from an edition of 5 plus 2 artist's proofs. Estimate $60,000 - 80,000 209 MATTHEW DAY JACKSON

112 MATTHEW DAY JACKSON And Babies? And Babies , 2008 posters mounted on archival museum board, light fixture overall: 233.7×99.7cm (92×39 in) ESTIMATE £50,000 - 70,000 PROVENANCE Nicole Klagsbrun Gallery, New York Private Collection, Europe EXHIBITED Nicole Klagsbrun, New York, Drawings from Tlön , 13 September – 18 October 2008 Contact Specialist Request Condtion Report Recieve Email alerts View catalogue Purchase catalogue Annual subscriptions

101 MATTHEW DAY JACKSON Matterhorn Pentagonal Kaliedoscope, 2005 poster collage 30 x 30 in. (76.2 x 76.2 cm) ESTIMATE $20,000-30,000 PROVENANCE Perry Rubenstein Gallery, New York Private Collection Conditions of Sale The property is being sold as a collector’’’’s item to be displayed only. It has been partially deconstructed and therefore its physical integrity may be compromised. It is not intended for road use and is not being sold as a means of transportation. Certificate of Title A certificate of title may be necessary in order for the purchaser to acquire marketable title to the property and would be required if the property were to be used as a motor vehicle within the United States of America. Phillips makes no warranties or representations in connection with any existing vehicle regulation or certificate of title or with the issuance of any new certificate of title by any state of the United States or any foreign government. The purchaser of any property who intends to use such property on the road is solely responsible for complying with all applicable Federal and state regulations regarding title, registration, insurance, licensing, emission control, safety equipment and roadworthiness. Please contact a specialist for more information. Extent of Phillips' Liability Neither the seller nor we, nor any of our officers, employees or agents, are responsible for the correctness of any statement of whatever kind concerning any lot, whether written or oral, nor for any other errors or omissions in the description of, or for any faults or defects in, any lot. Neither the seller, ourselves, our officers, employees or agents, give any representation, warranty or guarantee or assume any liability of any kind in respect of any lot with regard to merchantability, fitness for a particular purpose, description, size, quality, condition, genuineness, rarity, importance, provenance, or historical relevance. Phillips has to rely on information as to date, condition and authenticity provided by the seller, and cannot undertake a level of inspection of the vehicle to establish whether or not the vehicle corresponds to any relative description of condition in the catalogue. It is the responsibility of the purchaser to carry out such inspection as the purchaser thinks necessary. Phillips is not liable for any loss caused by a misdescription or misrepresentation. Except as required by local law, any warranty of any kind whatsoever is excluded by this paragraph. In any case, the purchaser’’’’s sole remedy with respect to any purchase shall be a refund of the purchase price paid upon the return of the lot in the same condition as at the time of the sale. No Warranty All property is sold “as is” and neither Phillips nor the consignor makes any explicit or implied warranty or representations of any kind or nature with respect to the property. In no event shall Phillips or the consignor be responsible for the correctness of, or be deemed to have made, any representations or warranty of merchantability, fitness for a particular purpose, description, size, quality, genuineness, rarity, importance, provenance, historical relevance or condition concerning the property or any warranty that any lot complies with any applicable Federal or state laws, regulations or ordinances of any kind or nature whatsoever, and no statement set forth in this catalogue or made at the sale or in the bill of sale or invoice or elsewhere, whether oral or written, shall be deemed such a warranty or representation or an assumption of liability. The property is being sold as a collector’’’’s item to be displayed only. It has been partially deconstructed and therefore its physical integrity may be compromised. It is not intended for road use and is not being sold as a means of transportation. No warranties are or will be made that any of the property is roadworthy or complies with any applicable governmental rules, regulations or ordinances of any kind or nature whatsoever. The benefits of these Conditions of Sale are not assignable and shall be applicable only to the original purchaser of the lots and not subsequent assigns, purchasers, heirs, owners or others who have or may acquire an interest in the purchased lot. Prospective purchasers should carefully inspect the property before bidding in order to identify any issues relating to condition or description that may have not been described in the catalogue, including repairs and restorations. Phillips makes no representation or warranty as to the accuracy of “mileage” or odometer readings. Notwithstanding the foregoing, the purchaser’’’’s role and exclusive remedy against Phillips and the seller, in place of any other remedy which might be available, is the cancellation of the sale and the refund of the original purchase price paid for the lot. Neither Phillips nor the seller will be liable for any special, incidental or consequential damages including, without limitation, loss of profits, nor for interest. Place Bid Bidding Method In Person Absentee Phone Contact Specialist Request Condition Report Receive Email alerts View catalogue Annual subscriptions

LOT 133 MATTHEW DAY JACKSON B.1974 MISSING LINK (LADY LIBERTY) FROM THE DYMAXION SERIES The complete set of three screenprints with collage, etching, aquatint, spitbite and hand-painting, 2007, two initialled and one signed in pencil, titled and dated, each numbered 31/35 verso, printed by Lower East Side Printshop, New York, published by Peter Blum, New York, on Hahnemühle Copperplate Warm White paper and laminated Coventry Rag paper Quantity: 3 Each sheet: various sizes

Matthew Day Jackson (b. 1974) Study Collection V stainless steel shelves, rapid prototype skull and acrylic rod encased in Lucite, NYC transcan, wood, plastic resin, x-ray on lightbox, concrete and axe handles 96 1/8 x 24 3/8 x 12 1/8in. (244 x 62 x 31cm.) Executed in 2010 Grimm Gallery, Amsterdam. Acquired from the above by the present owner. Matthew Day Jackson's relationship with American popular culture is precedent within his sprawling practice - his excavation of American History and its iconic past is known for its diverse catalogue of references, regenerated legends and re-animated mythological narrative. Jackson exhumes specific moments of History and constructs a narrative of material realisation; his juxtaposition is reliant on self-representational historical investigation. Icons of significant calamity and irrelevant catastrophe also feature largely in Jackson's work. Jackson's interest in story of Phineas Gage (1823-1860) can be visualised in the current lot, Study Collective V, in which Jackson has assembled substantial objects to rationalise the demeanour of Gage after his accident in which an explosive charge drove a large iron rod through his skull, destroying a portion of his brain's frontal lobes. Personified by a cast skull impaled by a neon acrylic rod and accessories of a working man such as boots and axe handles, Jackson combines diverse materials to resonate symbolic elements of time with the pursuit of new technology and historic imagery. Such an approve can be best summarised by the artist's own words: 'I am interested in the accumulation of information, materials and forms. The Constructivists believed that the accumulation of minute parts would create a whole, expressing a belief in the sum of individuals to assume a unified form. I see the disparate parts of my projects as being intricately connected, which speaks of my belief in the interconnectivity of everything.' (The artist quoted from http:/en.artpress.com/American-Art-Today-Matthew-Day-Jackson-Vanishing- Point,8904.media?a=7968).