Jozef Israels

Netherlands (18241911 ) - Artworks Wikipedia® - Jozef Israels
ISRAELS Jozef The Servant

Matsa /Nov 26, 2014
5,192.49 - 6,676.06
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Variants on Artist's name :

Israels Joseph

 

Artworks in Arcadja
370

Some works of Jozef Israels

Extracted between 370 works in the catalog of Arcadja
Jozef Israels - Study Of A Young Boy Holding A Small Child On His Lap

Jozef Israels - Study Of A Young Boy Holding A Small Child On His Lap

Original -
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Gross Price
Lot number: 80
Other WORKS AT AUCTION
Description:
Lot Description Jozef Israëls (Groningen 1824-1911 The Hague) Study of a young boy holding a small child on his lap signed with initials 'JI' charcoal and white chalk, stumping, central vertical tear 3½ x 10 5/8 in. (38.6 x 27.1 cm.); and two further drawings by the artist: a. Study of a shepherd (pl. 10), and b. An interior (pl. 11) (3) Special Notice This lot is offered without reserve. Provenance E.G. Cohen; R.W.P. de Vries, Amsterdam, 21 February 1928, 'L'oeuvre de Jozef Israëls', lot 73, where purchased by I.Q. van Regteren Altena for 47.50 guilders and paid on 11 April 1928 (Inventory book: '432. t. Josef Israëls jongen met kind'). Exhibited Washington D.C., National Gallery of Art, New York, The Pierpont Morgan Library, and Minneapolis, Institute of Arts, Dutch Drawings: Masterpieces of Five Centuries, 1958-59, no. 135. Groningen, Groninger Museum and Arnhem, Gemeente Museum, Herdenkingstentoonstelling Jozef Israëls 1824-1911, 1961, no. 106. Groningen, Groninger Museum, and Amsterdam, Joods Historisch Museum, Jozef Israëls 1824-1911, 1999, no. 107 (catalogue by D. Dekkers). View Lot Notes >
Jozef Israels - The Madonna Of Drenthe

Jozef Israels - The Madonna Of Drenthe

Original 1893
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Lot number: 81
Other WORKS AT AUCTION
Description:
Jozef Israëls 1824 - 1911 DUTCH THE MADONNA OF DRENTHE signed J Israels lower left oil on canvas 141 by 107cm., 55½ by 42in. Read Condition Report Read Condition Report Register or Log-in to view condition report Saleroom Notice Provenance Goupil, The Hague (by 1893) Goupil, Paris (transferred from the above in 1893 for shipment to New York) Goupil, The Hague (returned to inventory in 1895) Sale: Dresden, 1897 A. Preyer, The Hague (by 1909; sold in 1910) James G. Shepherd, Scranton, Pennsylvania (by 1916; sale: American Art Association, New York, 7 November 1935, lot 74) Private Collection, Chicago Sale: Sotheby's, New York, 18 April 2008, lot 55 Purchased at the above sale by the present owner Exhibited The Hague, Exhibition of Works by Living Masters, 1893, no. 179 (as Eene Drentsche Madonna) Dresden, Internationale Kunstausstellung, 1897 Arnhem, Exhibition of Works by Living Masters, 1909, no. 156 (as Drentsche Madonna) Literature De Nederlandsche Spectator, 3 July 1892, p. 243 Antonie Cornelis Loffelt, 'Levende Meesters in de Academie', in Het Vaderland, 6-7 August 1893, p. 255 Gerarda Hermina Marius, 'De Driejaarlijksche II', in De Nederlandsche Spectator, 12 August 1893, p. 255 Abraham Seyne Kok, Bredasche Courant, 12 August 1893, n.p. David van der Kellen, 'Tentoonstelling van kunstwerken van levende meesters in het gebouw der Academie te 's-Gravenhage, in Nieuws van de Dag, 14 August 1893, n.p. 'De Driejaarlijksche I', in Nieuwe Rotterdamsche Courant, 22 August 1893 Philippe Sadée, 'Letter to the Editor. 18 June 1896', in Het Vaderland, 20-22 June 1896 'De internationale kunstaustellung te Dresden', in Nieuwe Rotterdamsche Courant, 9 July 1897, n.p. N.H. Wolf, 'De Vierjaarlijkschte te Arnhem', in De Kunst, 21 August 1909, n.p. Fritz Smit Kleine, 'Levensfeer van Jozef Israëls en A.S. Kok', in Eigen Haard, 1917, pp. 650-51
Jozef Israels - Potato Harvest (de Aardappeloogst)

Jozef Israels - Potato Harvest (de Aardappeloogst)

Original 1878
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Gross Price
Lot number: 66
Other WORKS AT AUCTION
Description:
Jozef Israëls 1824 - 1911 POTATO HARVEST (DE AARDAPPELOOGST) signed Jozef Israels (lower left) watercolor, gouache and pen and ink on paper 17 by 28 1/4 in. 43.2 by 71.8 cm Read Condition Report Read Condition Report Register or Log-in to view condition report Saleroom Notice Authentication We would like to thank Dr. Dieuwertje Dekkers for kindly confirming the authenticity of this lot and for contributing to this catalogue entry. Provenance A. Rose, Glasgow (possibly acquired directly from the artist) W.C. Honeyman, Glasgow (and sold by the estate: Christie's, London, April 28, 1967, lot 50 as "The Flowers Pickers Returning") S.B. Meyer (acquired from the above) Private Collection, 1969 Exhibited Glasgow, Institute of the Fine Arts, 1880, no. 711 (titled "Morning") London, French Gallery, Pictures by the late Jozef Israels, 1912, no. 31 (titled "Going to the Fields) Literature Dr. Max Eisler, "Josef Israëls", The Studio, London, 1924, illustrated pl. LXIV
Jozef Israels - The Servant

Jozef Israels - The Servant

Original 1850
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Lot number: 6
Other WORKS AT AUCTION
Description:
Jozef Israels 1824-1911 (Dutch) The servant, 1850 oil on panel h:26 w:19 cm. signed lower right Provenance: Anonymous sale: Sotheby's Amsterdam (probably in the 1980's). Estate of Prof. Victor Deutsch. Private collection. Exhibited: Brooklyn Museum (label on the reverse). Other Notes: The authenticity of this work is confirmed by the artist on the label on the reverse, which is attached to panel with original wax seal stamps. Estimate $ 7,000-9,000
Jozef Israels - Girl With Doll

Jozef Israels - Girl With Doll

Original
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Net Price
Lot number: 364
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Description:
Description: Jozef Israels Groningen 1824 - Den Haag 1911 Girl with Doll Oil/canvas, 31 x 25,5 cm, lo. ri. sign. Josef Israels, min. Craquelé. - Dutch painter a. graphik artist, one of the main exponents of the Hague painting school. He was taught drawing in Groningen before studying painting in the studio of J. A. Krusemann since 1840. At the same time he took evening lessons under J. W. Pienemann at the Amsterdam academy. Unsatisfied by academic lessons in Amsterdam he went to Paris, accompanied by J. van Koningsveld, a. studied under J. Pradier, H. Vernet a. P. Delaroche. In 1847 he returned to Amsterdam a. developed into one of the leading history painters of his time. Since the mid 1850s he turned to subjects from the life of fishermen, a. the expression of mental impulses became most important. Some of his later paintings remind of Rembrandt in their immediatness, in their light a. colour. - Mus.: Amsterdam (Rijksmus., Stedelijk Mus.), London (Nat. Gall.), Den Haag a. others. - Lit.: Boetticher, Bénézit a. others.
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