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Herbert Edward Pelham Hughes-Stanton

United Kingdom (1870 -  1937 )
HUGHES-STANTON Herbert Edward  Pelham Views Of Lycabettos, Athens

Rosebery's
Jun 11, 2019
Find artworks, auction results, sale prices and pictures of Herbert Edward Pelham Hughes-Stanton at auctions worldwide.
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Variants on Artist's name :

Stanton Herbert Hughes

 

Along with Herbert Edward Pelham Hughes-Stanton, our clients also searched for the following authors:
Frederick Hall, Terence Loudon, Frederick Spencer, Frederick Smallfield, Hugh Collins, Hugh Goldwin Riviere, F.G. Trott
Artworks in Arcadja
127

Some works of Herbert Edward Pelham Hughes-Stanton

Extracted between 127 works in the catalog of Arcadja
Herbert Edward  Pelham Hughes-Stanton - Views Of Lycabettos, Athens

Herbert Edward Pelham Hughes-Stanton - Views Of Lycabettos, Athens

Original 1937
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Net Price
Lot number: 111
Other WORKS AT AUCTION
Description:
Sir Herbert Edward Pelham Hughes-Stanton RA HRMS HROI RSW PRWS, British 1870-1937- Views of Lycabettos, Athens; two watercolours, one signed, both inscribed verso in pencil, one bears applied label dated 1937 on the back board, both 25.5x35.8cm (2) (ARR) Note: Hughes-Stanton was a member of Society of 25 Artists. both unframed. with back board for one. Please refer to department for condition report
Herbert Edward  Pelham Hughes-Stanton - Landscape In Provence

Herbert Edward Pelham Hughes-Stanton - Landscape In Provence

Original 1911
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Lot number: 458
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Description:
SIR HERBERT HUGHES-STANTON RA RWS (BRITISH 1870 - 1937), LANDSCAPE IN PROVENCE oil on canvas, signed and dated 1911 46cm x 61cm Framed. Label verso: Ian Mc Nicol, 50 West George Street, Glasgow. Inscribed with title and date of 1911. Note: British watercolour and oil painter, mainly of landscapes. Elected an Associate of the Royal Academy in November 1913 and a full Royal Academician in 1920 he was knighted in 1923. He was an Officier l’ordre Leopold II and a member of the Royal Watercolour Society from 1909 or 1915 and President from 1920 until 1936. His first paintings were exhibited in 1886; and he exhibited regularly at the Paris Salon, Royal Academy (from 1897), Grosvenor Gallery (from 1887), New Gallery, and Royal Institute of Oil Painters, and later at the Fine Art Society. He was awarded gold medals at a Paris Salon in 1907 and 1908. Hughes-Stanton’s works are included in the following collections, the Tate; the Welsh National Gallery; National Mus ée, Buenos Aires; Mus ée Royal, Florence; Mus ée Modern, Rome; Barcelona Museum; Royal Gallery, Tokyo; Sydney National Gallery; Adelaide National Gallery; Melbourne Museum; Auckland Museum; and the Wellington Gallery; and in the permanent collections of the museums of Manchester, Liverpool, Bradford, Brighton, Aberdeen and Oldham.
Herbert Edward  Pelham Hughes-Stanton - Bridge Over The River Meon In Hampshire

Herbert Edward Pelham Hughes-Stanton - Bridge Over The River Meon In Hampshire

Original
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Lot number: 1597
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Description:
Description: With label of the Royal Scottisch Society of Painters in Water-Colours with title and artist's name to the reverse.With label of the Royal Scottisch Society of Painters in Water-Colours with title and artist's name to the reverse. Dimensions: 24 x 34 cm Medium: Watercolour on paper 1597: Sir Herbert Hughes-Stanton, Bridge over the River Meon in Hampshire
Herbert Edward  Pelham Hughes-Stanton - Cagnes-sur-mer, France

Herbert Edward Pelham Hughes-Stanton - Cagnes-sur-mer, France

Original 1917
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Lot number: 104
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Description:
Sir Herbert Edwin Pelham Hughes-Stanton (British, 1870-1937)

Cagnes-sur-Mer, France

signed and dated 'Hughes-Stanton 1917' (lower left)

oil on canvas

76.5 x 108cm (30 1/8 x 42 1/2in).

With the Cooling Galleries, London
Purchased from the above by the current owner in 1980
Herbert Edward  Pelham Hughes-Stanton - The Aftermath

Herbert Edward Pelham Hughes-Stanton - The Aftermath

Original 1923
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Lot number: 16
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Description:
Sir Herbert Edwin Pelham Hughes-Stanton (British, 1870-1937) The aftermath

The aftermath

signed and dated 'Hughes-Stanton/1923' (lower left), watercolour and pencil

35 x 50.2cm (13 3/4 x 19 3/4in).

The artist travelled to Japan circa 1923-1924. As such, it is likely that the present work depicts the devastation and destruction of the Great Kantō earthquake which struck the Kantō plain on the Japanese main island of Honshū on the 1st September 1923.
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