Frederick Hollyer

(18371933 ) - Photographies
HOLLYER Frederick Pre-raphaelite Prints

Bloomsbury London /Apr 25, 2013
352.26 - 587.10
416.67

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Artworks in Arcadja
23

Some works of Frederick Hollyer

Extracted between 23 works in the catalog of Arcadja
Frederick Hollyer - Crudelitas And Saevitia Leading The Faire Dame

Frederick Hollyer - Crudelitas And Saevitia Leading The Faire Dame

Original
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Lot number: 399
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Description:
Frederick Hollyer (1838-1933) Crudelitas and Saevitia leading the Faire Dame.Platinotype, or platinum print 17.5 x 34.5cm (1034 x 131/2in) After the pencil study of three female heads by Sir Edward Burne-Jones, for a painting on the theme of The Vision of Britomart in the Castle of Busirane, taken from Spenser's 'Faery Queen'.
Frederick Hollyer - The Garden Of Idleness

Frederick Hollyer - The Garden Of Idleness

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Lot number: 377
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Frederick Hollyer (1838-1933) The Garden of Idleness, Courtesie and Fraunchise, Platinum print, After the drawing by Sir Edward Coley Burne-Jones Circa 1874 395 x 390mm. (15 1/2 x 15 3/8 in) Frederick Hollyer was from a family of engravers, but developed an interest in photography in the 1860s. His preferred process was the 'platinotype', or platinum print, for its rich tonal range. He collaborated closely with several artists in the Pre-Raphaelite Brotherhood, most notably Burne-Jones, Frederick Lord Leighton, and George Frederic Watts, and was considered to have been as important in promoting their work visually as Ruskin had been in writing, even prompting the artists themselves to re-evaluate their work, thereby recording early states that would otherwise be unknown to us.
Frederick Hollyer - Fighting Cats Restrained By Two Naked Children In An Italianate Landscape

Frederick Hollyer - Fighting Cats Restrained By Two Naked Children In An Italianate Landscape

Original 1889
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Lot number: 257
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Lot 257: Frederick Hollyer (1838-1933) - Fighting cats restrained by two naked children in an Italianate landscape, Description: platinotype, or platinum print, after a charcoal drawing by Sir Edward Coley Burne-Jones, the original inscribed lower left EB-J: to Q: 1889: , on contemporary blue card support bearing Hollyer's copyright inkstamp verso, 245 x 330mm (9 5/8 x 13 in). Frederick Hollyer was from a family of engravers, but developed an interest in photography in the 1860s. His preferred process was the 'platinotype', or platinum print, for the rich tonal range it could convey. He collaborated closely with several artists associated with the Pre-Raphaelite Brotherhood, most notably Burne-Jones, Frederick Lord Leighton, and George Frederic Watts, and was considered to have been as important in promoting their work visually as Ruskin had been through his writing, even prompting the artists themselves to re-evaluate a work, and thereby recording early states that would otherwise be unknown to us.
Frederick Hollyer - Pre-raphaelite Prints

Frederick Hollyer - Pre-raphaelite Prints

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Lot number: 179
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179. Frederick Hollyer (1838-1933) A group of Pre-raphaelite prints after Burne-Jones's Perseus series, John Everett Millais's The Knight Errant, Harry Bates's Cupid and Psyche, and others, 8 platinotypes, 3 with studio stamps on verso, 2 with extensive early biblical verse inscriptions verso and at edges of recto, c.1880, v.s., 160 x 165mm. (6 1/4 x 6 1/2 in) to 280 x 200mm. (11 x 8 in), unframed (8) Frederick Hollyer was from a family of engravers, but developed an interest in photography in the 1860s. His preferred process was the 'platinotype', or platinum print, for the rich tonal range it could convey. He collaborated closely with several artists associated with the Pre-Raphaelite Brotherhood, most notably Frederick Lord Leighton, Edward Burne-Jones and George Frederic Watts, and was considered to have been as important in promoting their work visually as Ruskin had been through his writing, even prompting the artists themselves to re-evaluate a work, and thereby recording early states that would otherwise be unknown to us.
Frederick Hollyer - Pygmalion: The Hand Refrains

Frederick Hollyer - Pygmalion: The Hand Refrains

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Lot number: 783
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Description:
Frederick Hollyer, British 1838-1933- "Pygmalion: The Soul Attains", after Sir Edward Coley Burne-Jones Bt ARA; platinotype, 32.2x25cm Provenance: Julian Hartnoll, where purchased by the current owner: Frederick Hollyer, British 1838-1933- 'Pygmalion: The Hand Refrains', after Sir Edward Coley Burne-Jones Bt ARA; platinotype, 33x24.6cm Provenance: J S Maas & Son Ltd., London (according to label attached verso) (2)
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