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Katsushika Hokusai

Japan (Katsushika 1760 -  Tokyo 1849 ) Wikipedia® : Katsushika Hokusai
HOKUSAI Katsushika Fugaku Sanju-rokkei

Auctionata /Nov 17, 2015
2,000.00
Not Sold

Find artworks, auction results, sale prices and pictures of Katsushika Hokusai at auctions worldwide.
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Hokusai

 

Along with Katsushika Hokusai, our clients also searched for the following authors:
Gountei Sadahide, Ando Hiroshige, Utagawa Toyokuni, Utagawa Yoshifuji, Chimpei Ii Hiroshigesuzuki, Ikeda, Keisai Eisen, Utagawa Kunisada
Artworks in Arcadja
606

Some works of Katsushika Hokusai

Extracted between 606 works in the catalog of Arcadja
Katsushika Hokusai - Figures Harvesting A Rice Field

Katsushika Hokusai - Figures Harvesting A Rice Field

Original
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Lot number: 1236
Other WORKS AT AUCTION
Description:
Katsushika Hokusai (1760-1849) - a Japanese woodblock oban yoko-e print, originally published in 1835/36 but probably later, depicting figures harvesting a rice field, titled Tenji Tenno (the Emperor Tenji) from the One Hundred Poems by One Hundred Poets as explained by the Nurse series, approx 25cm x 36.5cm, framed and glazed, together with two other Japanese woodblock prints, framed and glazed.
Katsushika Hokusai - The Sacred Fire Of Masaaki

Katsushika Hokusai - The Sacred Fire Of Masaaki

Original
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Lot number: 144
Other WORKS AT AUCTION
Description:
Lot144: Set with 2 Woodcuts of KATSUSHIKA Hokusai Description: Color woodcutJapan, c. 1804KATSUSHIKA Hokusai (1760-1849) 葛飾北斎 – Japanese painter and a majorrepresentative of the Ukiyo -e genreTitle: ‘The Sacred Fire of Masaaki’’’’, ‘The Matsuchiyama- (temple)in autumn foliage’’’’Format: doubly HanshibonGood condition KATSUSHIKA Hokusai, ‘The Sacred Fire of Masaaki’’’’,1804 Color woodcutJapan, c. 1804 (Kyowa 4/Bunka 1)KATSUSHIKA Hokusai (1760-1849) 葛飾北斎 – Japanese painter and a majorrepresentative of the Ukiyo -e genreTitle: ‘The Sacred Fire of Masaaki’’’’ 真崎の神燈 ( Massaki nojinto) , ‘The gongs of Mokuba’’’’ - 木母寺の鉦鼓 ( Mokubo-ji noshoko) Double page from the storybook Ehon , which is provodedwith Kyoka poems, ‘pictures of the two banks of the Sumidagawa’’’’ -絵 本 隅田川 両 岸 一 覧 ( Ehon Sumidagawa ryogan ichiran )Format: doubly HanshibonDimensions: c. 20.2 x 30.4 cmGood condition Condition: The woodcut is in good condition and print. The edges are cut. Thesheet has a dimension of c. 20.2 x 30.4 cm. KATSUSHIKA Hokusai, ‘The Matsuchiyama in Autumn Foliage’’’’,1804 Color woodcut Japan, c. 1804 (Kyowa 4/Bunka 1) KATSUSHIKA Hokusai (1760-1849) 葛飾北斎 – Japanese painter and amajor representative of the Ukiyo -e genre Title: ‘The Matsuchiyama- (temple) in autumn foliage’’’’ -待乳山紅葉 ( Matsuchiyama koyo ) Double page from the storybookEhon , which is provoded with Kyoka poems, ‘pictures of the two banks of the Sumidagawa’’’’ - 絵本隅田川両岸 一 覧( Ehon Sumidagawa ryogan ichiran ) Format: doubly Hanshibon Dimensions: c. 20.2 x 30.4 cm Good condition Condition: The woodcut is in good condition and print. The edges arecut. The sheet has a dimension of c. 20.2 x 30.4 cm. KATSUSHIKA Hokusai (1760 - 1849) KATSUSHIKA Hokusai, one of the most important representativesof the Ukiyo-e genre, became renowned for his independent style,which is exhibited in the famous woodblock print series ‘Thirty-SixViews of Mount Fuji’’’’. In his younger years, at the age of 18, helearned and perfected the art of color woodblock printing, workingin a workshop with the Ukiyo-e master Katsukawa Shunshō, founder ofthe Katsukawa School. Hokusai’’’’s first works, which arecharacterized by the delicate personal features of the sitters,date back to the year 1779. Due to Japan’’’’s isolation from theoutside world, Hokusai's art was at first only distributed withinhis home country. In the mid-19th century Dutch merchants broughthis works to Europe, where they became a source of inspiration forvarious artists and movements, such as the Art Nouveau.
Katsushika Hokusai - Fugaku Sanjurokkei

Katsushika Hokusai - Fugaku Sanjurokkei

Original -
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Lot number: 1181
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Description:
Description: KATSUSHIKA HOKUSAI (1760-1849). Ôban yoko-e. The sheet 'Kôshû misaka suimen' from the series 'Fugaku sanjurokkei' (36 Views of Mount Fuji). Signed Saki no Hokusai Iitsu hitsu. Slightly doubled and retouched, cropped and rubbed. KATSUSHIKA HOKUSAI (1760-1849). Ôban yoko-e. Das Blatt 'Kôshû misaka suimen' aus der Serie 'Fugaku sanjurokkei' (36 Ansichten des Fuji). Sign. Saki no Hokusai Iitsu hitsu. Leicht doubliert und retouchiert, beschnitten und berieben.
Katsushika Hokusai - Fugaku Sanju-rokkei

Katsushika Hokusai - Fugaku Sanju-rokkei

Original 1833
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Lot number: 26
Other WORKS AT AUCTION
Description:
Color woodblock print Japan, 19th century, between 1829 and 1833 Katsushika Hokusai (1760-1849) – Japanese painter and a major representative of the Ukiyo -e genre From the series ‘Fugaku sanju-rokkei‘ (36 views from the mount Fuji), sheet 10 of the series Hokusai's most famous landscape series, among also the world-famous ‚wave at Kanagawa‘ Here the theme ‘Bishu fujimigahara’’’’ is shown; depicted is the view through the half-finished work of a cooper, a tub maker, on summarily hinted rice fields and with the Fuji the center of the distant Signature: Hokusai Iitsu hitsu Publisher’’’’s seal: Nishimuraya Yohachi (Eijudô) The sheet is doubled with a printed and inscribed paper, which shows the dating Bunsei 4th year (1821) Oban format Framed behind glass Total dimensions of the print: 26.5 x 38.5 cm Framed dimensions: 45.5x 58 cm. Good condition This object is sold through the Berlin office Detailed description Condition: The woodblock print is in good condition with sight signs of wear consistent with age. The sheet is little browned and minimal foxing ... 119543
Katsushika Hokusai - The Series A True Mirror Of Chinese And Japanese Poems (shiika Shashinkyo)

Katsushika Hokusai - The Series A True Mirror Of Chinese And Japanese Poems (shiika Shashinkyo)

Original
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Gross Price
Lot number: 86
Other WORKS AT AUCTION
Description:
Katsushika Hokusai (1760-1849) The complete set of ten prints from the series A True Mirror of Chinese and Japanese Poems (Shiika shashinkyo) Each a woodblock print, each signed Zen Hokusai Iitsu hitsu and published by Moriya Jihei (Kinshindo), circa 1833, comprising: 1. The poet Ariwara no Narihira (Ariwara no Narihira): Peasants pounding cloth by moonlight 2. Gathering rushes (Tokusagari): An old peasant is crossing a bridge, returning home at dusk after gathering rushes 3. The Minister Toru (Toru daijin): Minamoto no Toru (822-95) is enjoying the company of two friends in his large garden 4. Li Po (Ri Haku): Supported by two young followers, the famous Chinese poet Li Po (701-62) admires the waterfall of Lo-Shan in the Chinese province of Kiang-Si 5. A Horse rider in the Snow: A Chinese man on horseback accompanied by a servant looks out over a snowy scene 6. A Youth Setting out from Home (Shonenko): A Chinese youth rides a white horse along a lake-side path, a fisherman dozing on the bank ahead, while farther up the road a second horseman appears to be waiting for the young man to catch up 7. Sei Shonagon Meng Zi, fearful for his life, trying to open the gate of Hunguguan to get to safety; a scene from an historical episode from Chinese history which the poetess Sei Shonagon alluded to in a poem 8. Abe no Nakamaro: The nobleman Abe no Nakamaro (698-770) is seated on the terrace of a Chinese palace, gazing at the moon whilst attendants arrive with some food 9. Bo Juyi (Hakurakuten): Based on the Noh play Hakurakuten, a scene of a poetry competition between a Chinese poet Bo Juyi and Sumiyoshi, disguised as a fisherman 10. Harumichi no Tsuraki: The poet Harumichi no Tsuraki dressed in court noble’’’’s attire and accompanied by two attendants, crosses a bridge over a gushing river in a mountainous landscape Each nagaban
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