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Armand Guillaumin

(1841 -  1927 ) Wikipedia® : Armand Guillaumin
GUILLAUMIN Armand Le Barrage De Genetin

Matsa /Jan 24, 2017
20,601.18 - 24,346.85
Not Sold

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Variants on Artist's name :

Guillaumin Jean-Baptiste Armand

Guillaumin Jean-Baptiste-Armand

 

Artworks in Arcadja
979

Some works of Armand Guillaumin

Extracted between 979 works in the catalog of Arcadja
Armand Guillaumin - Verger À La Lisière D'un Bois À Saint-cheron

Armand Guillaumin - Verger À La Lisière D'un Bois À Saint-cheron

Original 1893
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Lot number: 4
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Description:
ARMAND GUILLAUMIN (1841-1927) Verger à la lisière d'un bois à Saint-Cheron signed 'Guillaumin' (lower left), inscribed and dated 'Verger à la lisière d'un bois a St. Cheron Juin 93' (to the stretcher) oil on canvas 28 5/8 x 36 3/8 in (72.7 x 92.4 cm) Painted in June 1893 Provenance Private collection (acquired circa 1965), and by descent; sale, Christie's, New York, 22 February 2005, lot 10. Acquired at the above sale by the present owner. This painting will be included in the forthcoming second volume of the catalogue raisonné of work of Armand Guillaumin currently being prepared by the Comité Guillaumin. Verger à la lisière d'un bois à Saint-Cheron is a prime example of Armand Guillaumin's mastery at capturing the overall impression of a landscape using strong lighting and intense colors to create lyrical effects. Guillaumin enrolled at the Académie Suisse in 1868, where he became friends with Camille Pissarro and Paul Cézanne, relationships which were to have a profound impact on his career. He shared lodgings with Pissarro at Pontoise in the 1870s, and from 1873 rented a room from Dr Gachet at Auvers-sur-Oise. Guillaumin was one of the founding members of the Impressionist movement, and exhibited in the majority of their eight canonical exhibitions from 1874. In the fifth exhibition in 1880 he exhibited more than twenty landscapes of the environs of Paris. Like his Impressionist contemporaries, Guillaumin set great store in painting en plein air. He set up his easel around Paris, the region around Les Adrets-de-l'Estérel and the region of the Creuse around the village of Crozant. He became a leading figure in the so-called École de Crozant, a group of painters who had a passion for painting the evocative local landscapes. This present work depicts Saint-Cheron, and is a remarkable example of his daring use of the energetic and bold colors for which he was well known. The luminous effect of the sunlight playfully highlight the pinks, yellows, greens, blues and violets in the flowers and grasses. Even with his use of a feverish color palette, Guillaumin creates a soothing and peaceful landscape scene. Emil Zola reviewed the 1880 Impressionist Exhibition in the journal Le Voltaire: 'The true revolutionaries of form appear with Mr. Edouard Manet, with the impressionists Messrs. Claude Monet, Renoir, Pissarro, Guillaumin and others still. They propose to leave the atelier where painters have shut themselves up for so many centuries and to go and paint in open air, a simple fact with considerable consequences. In open air, light is not fixed, but rather multiple effects change and transform radically the appearance of things and beings. This study of light [...] is what has been more or less appropriately called impressionism, because the painting then becomes the impression of a moment perceived before nature [...] Messrs. Pissarro, Sisley, Guillaumin have followed Mr. Claude Monet's steps [...] they have applied themselves to representing the pockets of nature around Paris, under true sunlight, without balking at the most improbable effects of color." (quoted in D. Riout, Les écrivains devant l'impressionnisme, Paris, 1989, p. 172-174).
Armand Guillaumin - Berges De La Seine À Paris

Armand Guillaumin - Berges De La Seine À Paris

Original 2000
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Gross Price
Lot number: 192
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Description:
Jean-Baptiste-Armand Guillaumin BERGES DE LA SEINE À PARIS 1841 - 1927 Signed Guillaumin(lower right) Oil on canvas 17 7/8 by 31 5/8 in. 44.1 by 79.4 cm Painted circa 1880. Provenance Sale:Hôtel Drouot, Paris, December 19, 2000, lot 19 Sale: Christie's, New York, May 7, 2009, lot 207 Acquired at the above sale Literature Georges Serret & Dominique Fabiani, Armand Guillaumin, Catalogue raisonné de l'oeuvre peint, Paris, 1971, no. 91, illustrated n.p
Armand Guillaumin - Agay, Paysage Du Midi

Armand Guillaumin - Agay, Paysage Du Midi

Original c.1900
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Lot number: 127
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Description:
Armand Guillaumin AGAY, PAYSAGE DU MIDI 1841 - 1927 signed Guillaumin and inscribed A l'ami Gaillard (lower left) oil on canvas 50.5 by 61.3cm., 19 7/8 by 24 1/8 in. Painted circa 1900. This work will be included in Volume II of the Guillaumin Catalogue raisonné being prepared by the Comité Guillaumin with Dominique Fabiani, Jacques de la Béraudière and Stéphanie Chardeau-Botteri. Provenance M. Gaillard (a gift from the artist) Private Collection, France
Armand Guillaumin - Le Barrage De Genetin

Armand Guillaumin - Le Barrage De Genetin

Original c.1920
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Lot number: 6
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Description:
**Armand Guillaumin 1841-1927 (French) Le barrage de Genetin, Crozant, c.1920 oil on canvas h:54 w:65 cm. signed lower right Provenance: Private collection, France. Other Notes: Accompanied by a certificate of authenticity signed by Dominique Fabiani, Stephanie Chardeau-Botteri and Jacques de le Beraudiere, dated April 6, 2016. This work will be included in the forthcoming second volume of Catalogue Raisonné Armand Guillaumin currently being prepared by Comité Guillaumin. Location: Europe. For
Armand Guillaumin - Paysage

Armand Guillaumin - Paysage

Original 1897
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Lot number: 11
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Description:
Armand GUILLAUMIN 1841 - 1927 Paysage - 1895 Huile sur toile Signée en bas à droite "Guillaumin" h: 60 w: 73 cm Expositions : Pontoise, Musée Pissaro, Armand Guillaumin, 1841-1927, octobre-novembre 1991, n°20 Turin, Palazzo Bricherasio, L''impressionismo di Armand Guillaumin, octobre 2003-février 2004, reproduit en couleurs p.97 Commentaire : Oil on canvas; signed lower right
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