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Armand Guillaumin

(1841 -  1927 ) Wikipedia® : Armand Guillaumin
GUILLAUMIN Armand Verger À La Lisière D'un Bois À Saint-cheron

Bonhams /May 17, 2017
73,664.83 - 110,497.24
Not Sold

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Variants on Artist's name :

Guillaumin Jean-Baptiste Armand

Guillaumin Jean-Baptiste-Armand

 

Artworks in Arcadja
997

Some works of Armand Guillaumin

Extracted between 997 works in the catalog of Arcadja
Armand Guillaumin - La Seine À Samois

Armand Guillaumin - La Seine À Samois

Original 1898
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Lot number: 3205
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Description: ARMAND GUILLAUMIN (Paris 1841 - 1927 Orly) La Seine à Samois. Circa 1898. Oil on canvas. Signed lower left: Guillaumin. 61 x 50 cm. Provenance: - Durand-Ruel, Paris. - Private collection, Switzerland. Literature: Serret, Georges/Fabiani, Dominique: Armand Guillaumin 1841 - 1927. Catalogue raisonné de l'oeuvre peint, Paris 1971, no. 423 (with ill.). --------------- ARMAND GUILLAUMIN (Paris 1841 - 1927 Orly) La Seine à Samois. Um 1898. Öl auf Leinwand. Unten links signiert: Guillaumin. 61 x 50 cm. Provenienz: - Durand-Ruel, Paris. - Privatsammlung Schweiz. Literatur: Serret, Georges/Fabiani, Dominique: Armand Guillaumin 1841 - 1927. Catalogue raisonné de l'oeuvre peint, Paris 1971, Nr. 423 (mit Abb.).
Armand Guillaumin -  Agay

Armand Guillaumin - Agay

Original 1906
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Lot number: 211
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Armand Guillaumin (1841-1927) Agay signed 'Guillaumin' (lower right) pastel on paper 17 3/8 x 21 ¾ in. (44.3 x 55.3 cm.) Executed circa 1906 The Comité Guillaumin (Dominique Fabiani, Stéphanie Chardeau-Botteri, Jacques de la Béraudière) will include this work in their forthcoming second volume of the Guillaumin catalogue raisonné.
Armand Guillaumin - Gelée Blanche Au Village De Crozant

Armand Guillaumin - Gelée Blanche Au Village De Crozant

Original 1900
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Lot number: 66059
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Description: Jean-Baptiste-Armand Guillaumin (French, 1841-1927) Gelée blanche au village de Crozant , circa 1900 Oil on canvas 23-1/2 x 32 inches (59.7 x 81.3 cm) Signed lower left: Guillaumin PROPERTY FROM A PROMINENT HOUSTON ESTATE PROVENANCE: Durand-Ruel, New York; Adelaide Milton de Groot (1876-1967), New York; The Metropolitan Museum of Art, New York, acquired through the bequest of the above, 1967, (accession # 67.187.75); By whom sold, Sotheby's, New York, October 25, 1972, lot 8 (as Vallée de la Sedelle en neige); Private collection, Houston, Texas. EXHIBITED: Durand-Ruel Gallery, New York, Paintings by Armand Guillaumin, 1928, no. 4; Durand-Ruel Gallery, New York, Exhibition of Paintings by the Master Impressionists, 1934, no. 6; Yale University Art Gallery, New Haven, 1950 (on loan); Hammer Gallery, New York, Guillaumin, 1961. LITERATURE: Edouard des Courières, Armand Guillaumin, 1924, illus. p. 33. This work will be included in the forthcoming second volume of the Armand Guillaumin catalogue raisonné currently being prepared by the Comité Guillaumin and is accompanied by a certificate. HID04901242017
Armand Guillaumin - Verger À La Lisière D'un Bois À Saint-cheron

Armand Guillaumin - Verger À La Lisière D'un Bois À Saint-cheron

Original 1893
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Lot number: 4
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ARMAND GUILLAUMIN (1841-1927) Verger à la lisière d'un bois à Saint-Cheron signed 'Guillaumin' (lower left), inscribed and dated 'Verger à la lisière d'un bois a St. Cheron Juin 93' (to the stretcher) oil on canvas 28 5/8 x 36 3/8 in (72.7 x 92.4 cm) Painted in June 1893 Provenance Private collection (acquired circa 1965), and by descent; sale, Christie's, New York, 22 February 2005, lot 10. Acquired at the above sale by the present owner. This painting will be included in the forthcoming second volume of the catalogue raisonné of work of Armand Guillaumin currently being prepared by the Comité Guillaumin. Verger à la lisière d'un bois à Saint-Cheron is a prime example of Armand Guillaumin's mastery at capturing the overall impression of a landscape using strong lighting and intense colors to create lyrical effects. Guillaumin enrolled at the Académie Suisse in 1868, where he became friends with Camille Pissarro and Paul Cézanne, relationships which were to have a profound impact on his career. He shared lodgings with Pissarro at Pontoise in the 1870s, and from 1873 rented a room from Dr Gachet at Auvers-sur-Oise. Guillaumin was one of the founding members of the Impressionist movement, and exhibited in the majority of their eight canonical exhibitions from 1874. In the fifth exhibition in 1880 he exhibited more than twenty landscapes of the environs of Paris. Like his Impressionist contemporaries, Guillaumin set great store in painting en plein air. He set up his easel around Paris, the region around Les Adrets-de-l'Estérel and the region of the Creuse around the village of Crozant. He became a leading figure in the so-called École de Crozant, a group of painters who had a passion for painting the evocative local landscapes. This present work depicts Saint-Cheron, and is a remarkable example of his daring use of the energetic and bold colors for which he was well known. The luminous effect of the sunlight playfully highlight the pinks, yellows, greens, blues and violets in the flowers and grasses. Even with his use of a feverish color palette, Guillaumin creates a soothing and peaceful landscape scene. Emil Zola reviewed the 1880 Impressionist Exhibition in the journal Le Voltaire: 'The true revolutionaries of form appear with Mr. Edouard Manet, with the impressionists Messrs. Claude Monet, Renoir, Pissarro, Guillaumin and others still. They propose to leave the atelier where painters have shut themselves up for so many centuries and to go and paint in open air, a simple fact with considerable consequences. In open air, light is not fixed, but rather multiple effects change and transform radically the appearance of things and beings. This study of light [...] is what has been more or less appropriately called impressionism, because the painting then becomes the impression of a moment perceived before nature [...] Messrs. Pissarro, Sisley, Guillaumin have followed Mr. Claude Monet's steps [...] they have applied themselves to representing the pockets of nature around Paris, under true sunlight, without balking at the most improbable effects of color." (quoted in D. Riout, Les écrivains devant l'impressionnisme, Paris, 1989, p. 172-174).
Armand Guillaumin - Berges De La Seine À Paris

Armand Guillaumin - Berges De La Seine À Paris

Original 2000
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Lot number: 192
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Jean-Baptiste-Armand Guillaumin BERGES DE LA SEINE À PARIS 1841 - 1927 Signed Guillaumin(lower right) Oil on canvas 17 7/8 by 31 5/8 in. 44.1 by 79.4 cm Painted circa 1880. Provenance Sale:Hôtel Drouot, Paris, December 19, 2000, lot 19 Sale: Christie's, New York, May 7, 2009, lot 207 Acquired at the above sale Literature Georges Serret & Dominique Fabiani, Armand Guillaumin, Catalogue raisonné de l'oeuvre peint, Paris, 1971, no. 91, illustrated n.p
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