Armand Guillaumin

(18411927 ) - Artworks Wikipedia® - Armand Guillaumin
GUILLAUMIN Armand St-père Sur Vézelay

Palais Dorotheum /May 22, 2014
25,000.00 - 30,000.00
33,220.00

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Variants on Artist's name :

Guillaumin Jean-Baptiste Armand

Guillaumin Jean-Baptiste-Armand

 

Artworks in Arcadja
796

Some works of Armand Guillaumin

Extracted between 796 works in the catalog of Arcadja
Armand Guillaumin - Bicêtre & Chemin Des Barons

Armand Guillaumin - Bicêtre & Chemin Des Barons

Original 1874
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Lot number: 266
Other WORKS AT AUCTION
Description:
Lot 266: Armand Guillaumin (1841-1927) - Bicêtre & Chemin des Barons, Description: etching on chine appliqué, signed and titled in the plate, 1874, for Paris a lêu-forte , 100 x 175mm. (4 x 6 7/8 in), unframed. Issued in vol 4, issue 56 of 'Paris à lêu-forte' on 3rd May, 1874, barely a fortnight after the opening of the first ever Impressionist art exhibition in Paris, of which this plate was seen as a prime example of this sensational new movement, and Guillaumin one of its founding members.
Armand Guillaumin - La Vallée De La Sédelle, Crozant

Armand Guillaumin - La Vallée De La Sédelle, Crozant

Original -
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Lot number: 166
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This work will be included in the forthcoming second volume of the Guillaumin Catalogue raisonné being prepared by the Comité Guillaumin with Dominique Fabiani, Stéphanie Chardeau-Botteri and Jacques de la Béraudière. Private Collection, France (acquired before the 1960s) Thence by descent to the present owner Armand Guillaumin 1841 - 1927 LA VALLÉE DE LA SÉDELLE, CROZANT signed Guillaumin (lower left); titled on the reverse oil on canvas 65.2 by 81.1cm., 25⅝ by 31⅞in. The canvas is not lined. UV examination reveals a line of retouching associated with a previous approx. 4cm tear in the sky in the upper left quadrant. There is some minor stable hairline craquelure towards the centre of the lower edge and in the pink cloud in the centre of the composition. The colors are vivid and this work is in overall good condition. "In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue. NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
Armand Guillaumin - Jouy, Île De France

Armand Guillaumin - Jouy, Île De France

Original
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Lot number: 391
Other WORKS AT AUCTION
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Jean-Baptiste Armand Guillaumin Jouy, Île de France Öl auf Leinwand. 33 x 46 cm. Gerahmt. Unten links mit blauem Signaturstempel 'Guillaumin'. - Rückseitig der Keilrahmen mit alten numerischen Papieraufklebern und handschriftlichen Numerierungen, darunter auch die Datierung ...1900. - Mit feinem Craquelé. Die Arbeit wurde vom Comité Guillaumin registriert und wird in den in Vorbereitung befindlichen 2. Band des Guillaumin Catalogue raisonné aufgenommen. Mit einer Fotoexpertise von G. Serret/D. Fabiani, Galerie Serret et Fabiani, Paris, vom 5. Februar 1986. Provenienz Phillips Galleries, Palm Beach dort 1987 erworben von Privatsammlung USA Sotheby's New York, Impressionist and Modern Art, 30. Sept. 1999, lot 26 Galerie Pierre Lévy, Paris (rückseitig mit dem Aufkleber) Privatbesitz Rheinland Jean-Baptiste Armand Guillaumin Jouy, Île de France Oil on canvas. 33 x 46 cm. Framed. Blue stamped signature 'Guillaumin' to lower left. Several old paper labels with numbers to the reverse of the stretcher and with handwritten numerations, among them also the dating ...1900. - With fine craqueleur. The work was registered by the Comité Guillaumin and will be included in vol. 2 of the Guillaumin catalogue raisonné currently under preparation. With a photo-certificate by G. Serret/D. Fabiani, Galerie Serret et Fabiani, Paris, dated 5 February 1986 Provenance Phillips Galleries, Palm Beach acquired there in 1987 by a private collection, USA Sotheby's New York, Impressionist and Modern Art, 30 Sept. 1999, lot 26 Galerie Pierre Lévy, Paris (with the label on the reverse) Private possession, Rhineland
Armand Guillaumin - St-père Sur Vézelay

Armand Guillaumin - St-père Sur Vézelay

Original
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Lot number: 1161
Other WORKS AT AUCTION
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Armand Guillaumin (Paris 1841–1927 Orly, Val-de-Marne) ‘St-Père’’’’ sur Vézelay, titled, signed Guillaumin, pastels on Ingres handmade paper, 47 x 62 cm, framed, (PS) Certificate: Comité Guillaumin, Dominique Fabiani, Jaques de la Béraudière, Stéphanie Chardeau-Botteri, Paris 1 December 2012. The Comité Guillaumin plans to include this work in the second volume of the catalogue raisonné. Provenance: M. Alland, 1903, acquired from the artist. Christie’’’’s, London, 9 July 1971, lot 203 Sotheby’’’’s, London, 29 November 1989, lot 423 Galerie Beauvau, Paris Specialist: Dr. Petra Maria Schäpers
Armand Guillaumin - La Vallée De Chevreuse

Armand Guillaumin - La Vallée De Chevreuse

Original 1880
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Lot number: 190
Other WORKS AT AUCTION
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Provenance Bernheim-Jeune, Paris Durand-Ruel, Paris (acquired from the above on March 14, 1924) Bellanger Collection (acquired from the above on June 30, 1933) Arthur Tooth & Sons, Ltd., London Acquired from the above in 1964 Exhibited Paris, Durand Ruel, Exposition d'oeuvres par Guillaumin, 1933, no. 20 Paris, Galerie Raphael Gérard, Exposition Centenaire de Armand Guillaumin, 1941, no. 32 190 PROPERTY FROM THE ESTATE OF A PRIVATE COLLECTOR Jean-Baptiste-Armand Guillaumin 1841 - 1927 LA VALLÉE DE CHEVREUSE Signed Guillaumin (lower right) Oil on canvas 26 by 39 1/2 in. 66 by 100.3 cm Painted in 1880. Estimate 40,000 - 60,000 USD Print The canvas has been lined. Extremely fine lines of cracking are faintly visible in some places. The colors are bright. Under UV light: certain pigments fluoresce and some relatively minor strokes of inpainting are visible toward the extreme top edge of the composition, for example there is a 2-inch horizontal stroke at top center. Overall the work is in very good condition.
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