
Moran /Sep 29, 2009
€3,436.66 - €4,811.33
Not disclosed
Find artworks, auction results, sale prices and pictures of Donald Grant at auctions worldwide.
Go to the complete price list of works

Along with Donald Grant, our clients also searched for the following authors:
Lynn Bogue Hunt, Frank Moss Bennett, Alfred James Munnings, Michael Lyne, Philip Rickman, Frank Brook Voss, Gilbert Scott Wright
Lynn Bogue Hunt, Frank Moss Bennett, Alfred James Munnings, Michael Lyne, Philip Rickman, Frank Brook Voss, Gilbert Scott Wright
Artworks in Arcadja
72Some works of Donald Grant
Extracted between 72 works in the catalog of ArcadjaDonald Grant - View Of A Bedouin Tribe And Two Saluki
Original
Auction:
Skinner -Feb 1, 2013
- Boston
Lot number:
426
Other WORKS AT AUCTION
Description:
Lot 426
Donald Grant (British, 1930-2001)
View of a Bedouin Tribe and Two Saluki
Signed "Donald Grant" l.r., identified on a presentation plaque, with a label from
MacConnal-Mason and Son, Ltd., London, affixed to the reverse.
Oil on canvas, 30 x 40 in. (76.2 x 101.6 cm), framed.
Condition: Surface grime.
Estimate $1,000-1,500
Donald Grant - The Saluki
Original
Auction:
Skinner -May 18, 2012
- Boston
Lot number:
472
Other WORKS AT AUCTION
Description:
Lot 472
Donald Grant (British, 1930-2001)
The Saluki
Signed "Donald Grant" l.r., identified on a presentation plaque, with a label from
MacConnal-Mason and Son, Ltd., London, affixed to the reverse.
Oil on canvas, 20 x 30 in. (50.8 x 76.2 cm), framed.
Condition: Surface grime.
Estimate $800-1,200
Donald Grant - Two Cheetahs
Original
Auction:
Christie's -Jun 27, 2011
- London
Lot number:
33
Other WORKS AT AUCTION
Description:
Lot Description
Donald Grant (1924-2001)
Two cheetahs
signed 'Donald Grant' (lower right)
oil on canvas
24¼ x 36 in. (61.5 x 91.5 cm.)
Special Notice
VAT rate of 5% is payable on hammer price and at 20% on thebuyer's premium.
Lot Condition Report
I confirm that I have read this Important Notice and agree to itsterms.
View ConditionReport
Provenance
with MacConnal-Mason & Son, Ltd, London.
Donald Grant - Lions Of The Serengeti
Original
Auction:
Moran -Sep 29, 2009
- Los Angeles
Lot number:
1017
Other WORKS AT AUCTION
Description:
Donald Grant (1930-2001 English),
Lions of the Serengeti, 30''x40'', est:$5000/7000
*Price Realized: $8,050.00
signed lower right: Donald Grant, oil on canvas, 30'' x 40''. Provenance: Private Collection, Las Vegas, NV. Condition: Visual: Generally good condition. Varnish has yellowed. Would benefit from cleaning. Blacklight: Oxidized varnish fluoresces in upper area of sky. AS-IS. ALL SALES FINAL.
Donald Grant - Standing Ground - The Old One
Original 1997
Auction:
Christie's -May 18, 2007
- London
Lot number:
124
Other WORKS AT AUCTION
Description:
Donald Grant (1930-2001)
Standing Ground - The Old One
Add. Notes: signed 'Donald Grant' (lower right) oil on canvas 20 x 30 in. (50.8 x 76.2 cm.)Notes: Kirkman was born in Los Angeles in 1958 and moved to England aged fifteen. He studied at the West Surrey College of Art and at Camberwell School of Art. The artist's first one-man show was held at the Park Walk Gallery in 1990 where one critic was prompted to describe his style, 'as a marriage between Stubbs and Munnings'. His early work consisted of traditional racing subjects executed on a large scale, whereas his more recent work has focused on intimate studies of horse and jockey in oil and, as in the present work, in pastel. Inspired by Degas, his pastels show a masterly understanding of colour and composition (see G. Budd, Racing Art and Memorabilia A Celebration of the Turf, London, 1997, p. 100).
Standing Ground - The Old One
Add. Notes: signed 'Donald Grant' (lower right) oil on canvas 20 x 30 in. (50.8 x 76.2 cm.)Notes: Kirkman was born in Los Angeles in 1958 and moved to England aged fifteen. He studied at the West Surrey College of Art and at Camberwell School of Art. The artist's first one-man show was held at the Park Walk Gallery in 1990 where one critic was prompted to describe his style, 'as a marriage between Stubbs and Munnings'. His early work consisted of traditional racing subjects executed on a large scale, whereas his more recent work has focused on intimate studies of horse and jockey in oil and, as in the present work, in pastel. Inspired by Degas, his pastels show a masterly understanding of colour and composition (see G. Budd, Racing Art and Memorabilia A Celebration of the Turf, London, 1997, p. 100).






